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£84.99Young Person's Guide to John Williams - John Williams
Young-at-heart moviegoers of all ages have been treated to the masterful movie themes of John Williams for decades. Here is a magnificent collection of some of his most memorable melodies from the silver screen.Includes the works Prologue from Hook, Theme from E.T., Hedwig's Theme and Raiders March.
Estimated dispatch 7-14 working days
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£76.99Concert Suite From Dances With Wolves - John Barry
Jay Bocook's medley from the Oscar-winning soundtrack from veteran film composer John Barry includes: Looks Like A Suicide (Main Title), The John Dunbar Theme, Journey To Fort Sedgewick, Love Theme, and Buffalo Hunt - all memorable themes from this epic movie. The sweeping style and grandeur of the orchsetral score make it a natural choice for a quality band piece.
Estimated dispatch 7-14 working days
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£82.95Harry Potter and the Chamber of Secrets, Symphonic Suite from (Concert Band - Score and Parts) - Williams, John - Smith, Robert W.
The combination of award-winning composer John Williams and the talents of Robert W. Smith make for exquisite results. A stunning medley of the four most revered themes from the epic film score. The arrangement begins with the familiar "Prologue: Book II." Next is the aggressive theme from "The Chamber of Secrets," followed by "Fawkes the Phoenix," and finally the theme used in both of the first two films, "Harry's Wondrous World." A vivid and dynamic portrayal of the movie, this one will be a real crowd pleaser.Duration: 6:00
Estimated dispatch 7-14 working days
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£104.99Love Story (Concert Band - Score and Parts) - Lai, Francis Albert - Iwai, Naohiro
Possibly the greatest and best-known movie Love theme of all time, the theme from 'Love Story' (subtitled 'Where Do I Begin') has become an absolute timeless classic of cinema. Naohiro Iwai has taken this melody and crafted a Jazz harmonic ballad edition featuring many of your band soloists. A definite must for all Film music concerts or for any occasion where romance and love befits.Duration: 5.00
Estimated dispatch 7-14 working days
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£72.99DANCES WITH WOLVES (Concert Suite) (Young Band) - Barry, John - Bocook, Jay
Jay Bocook's medley from the Oscar-winning soundtrack from veteran film composer John Barry includes: Looks Like A Suicide (Main Title), The John Dunbar Theme, Journey To Fort Sedgewick, Love Theme, and Buffalo Hunt - all memorable themes from this epic movie. The sweeping style and grandeur of the orchsetral score make it a natural choice for a quality band piece. American Grade 3
Estimated dispatch 7-14 working days
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£149.99
The Quest for Victory Wind Band Set (Score & Parts)
The Quest for Victory sets to music the adventures of a superhero who is locked in an eternal struggle against the forces of evil. The piece begins with the statement of the superhero's theme. We then hear such emotions as jealousy, resentment and hatred, and witness a fierce battle but again and again--and with a happy ending--the majestic hero's theme sounds. As colourful and exciting as a comic book movie! 09:10
Estimated dispatch 7-14 working days
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£76.99Raiders March - John Williams
One of the most iconic movie themes ever written, here is John Williams' classic scored for mature ensembles. This dynamic arrangement also includes a brief lyric moment from Marion's Theme.
Estimated dispatch 7-14 working days
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£53.50Avatar: The Way of Water - Simon Franglen
Carefully and skillfully arranged for 2nd year players, here is the bold and dramatic main theme from the movie Avatar: The Way of Water.
Estimated dispatch 7-14 working days
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£109.99James Bond 007
In this selection of well-known James Bond melodies, arranger Johan de Meij has availed himself of the following themes successively: All Time High (from Octopussy, Roger Moore's last role as secret agent 007),James Bond Theme (from the film Dr. No), For your eyes only and Goldfinger (from the same movie, starring Sean Connery). The most important musical contributor to the James Bond movies has been composerJohn Barry (1933 2011). Apart from the above-mentioned themes of Goldfinger and Octopussy, he has also added to his name the themes of Thunderball, From Russia with Love, Moonraker and Diamonds areForever. He also wrote the music for other famous films such as The Deep, Midnight Cowboy, Born Free and Out of Africa.
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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