Results
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£93.50The Legend of Lorelei - Larry Clark
This programmatic work, based on the ancient and legendary warrior Lorelei, is a great new work for contest & festival performance. Scored with reduced instrumentation with only 2 Bb Clarinet & Trumpet lines and limited Saxophone, Horn in F and Low Brass - this exciting new work for band will work great for smaller bands and still sound big and full with larger ones.
Estimated dispatch 7-14 working days
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£93.50Golden Panther March - Robert Sheldon
If a traditional march could be called "fresh and new!" The Golden Panther March would check every box. Composer Robert Sheldon has given us a wonderful new march in 6/8 that has all the calling cards of a traditional style march, perfect for contest & festival performance, with all of the modern charm we have come to love from this beloved composer. As well-suited to a concert opener as it is to an enthusiastic encore, the Golden Panther March will be the hit of any concert.
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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£121.00Colours - Roger Cichy
Each movement of this fine new composition presents a different color musically. A fresh, new, contemporary work with great musical integrity, this piece is going to be a welcome addition to the good literature for good bands.
Estimated dispatch 7-14 working days
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£104.50Hands Up - Andrew Boysen Jr.
This highly original new work uses creative techniques to increase both the aural and the visual resources of the modern concert band, effectively creating an exciting new rhythmic musical adventure. The title alludes to the use of hand clapping as an integral part of the composition. The composer states, "I intended the use of the clapping to be an integral part of the fabric of the piece. It is not a novelty piece."
Estimated dispatch 7-14 working days
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£121.00Holiday Rhapsody - Larry MacTaggart
Finally, a spectacular festive new work sure to be the musical highlight of the holiday season. Using familiar melodies associated with the holiday season, this brilliant new composition was written for the United Sates Air Force Band, Col. Lowell E. Graham, commander/conductor. An exciting selection that is a showcase for all sections of the band, it is sure to be a crowd pleaser.
Estimated dispatch 7-14 working days
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£104.50In Storm and Sunshine - John Clifford Heed
John Clifford Heed (1862-1908) was known as the "March Wizard," and has more than 60 published marches to his credit. In Storm and Sunshine was one of his earliest works, and it remains his most popular work to this day. It has all the ingredients for a great march, and this new edition by the former director of the U.S. Marine Band provides a fresh new approach to the long time favorite.
Estimated dispatch 7-14 working days
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£121.00Exuberance - Barry E. Kopetz
The title says it all! Experience the vitality and energy that bubble throughout this concert overture. A work that captures the essence of each new spring, the abundance of new life and the annual rebirth of nature. Certain to lift everyones spirits.
Estimated dispatch 7-14 working days
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£71.50Angels Digging It - Gary P. Gilroy
Here is a wonderful traditional carol thats been given a fresh, modern, catchy accompaniment that will liven up holiday concerts. Like visiting an old friend in a new suit of clothes, players and audiences will enjoy this fresh new setting of the classic holiday selection.
Estimated dispatch 7-14 working days
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£82.50On The Merrimack - Andrew Boysen Jr.
On the Merrimack was commissioned by Chris Martin and the Southside Middle School Band, Manchester, New Hampshire (Matthew Hammond, director), and is dedicated to the city of Manchester, New Hampshire. Constant throughout the history of the region was the central importance of the Merrimack River. The material of the piece represents the three main periods of development: The Pennacook Indians; Amoskeag and the Mills and Technology and Growth, with connective sections representing the ever-present river. Much of the melodic material for the piece is taken from the French Canadian folksong, Weaving in the United States.
Estimated dispatch 7-14 working days