Results
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£72.00Castles in Europe (Concert Band - Score and Parts) - Europe, James Reese - Wilson, Chandler L.
Composer James Reese Europe, one of the most famous African-American musicians of his day, was called the Martin Luther King of music by pianist Eubie Blake. The first African-American bandmaster in the United States Army, Europe gained great popularity as a dance band leader, a military band leader, recording artist, and a composer of merit. Known in New York music circles, and also for touring Europe with his National Guard band, Europe is remembered today for composing several works, including Castles in Europe with the subtitle, The Innovation Trot - Ragtime March. This delightful work is arranged for today's concert band by Chandler L. Wilson. An enjoyable ragtime work from an American composer to be remembered!Duration: 2.00
Estimated dispatch 7-14 working days
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£72.99On to the Next Frontier (Concert Band - Score and Parts) - Saucedo, Richard L.
Richard's exciting overture captures feelings of adventure and daring as we look towards a new frontier and flourishing future. The percussion section is featured at the start, as layers of patterns build up to a vibrant full band statement of the main theme. The lyric middle section features short solos for clarinet and trumpet accompanied by lush background harmonies from the ensemble. The fast pace returns introduced by a playful baritone sax solo followed by a full band recap of the opening theme and a rousing finish.Duration: 5.15
Estimated dispatch 7-14 working days
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£77.00Piratene kommer! (The Pirates are Coming) (Concert Band - Score and Parts) - Minde Fagerli, Roar
The Pirates are coming! is a four movement suite of music originally composed for a summer course arranged by The Norwegian Band Federation. The four movments describes the pirates tale. In the first movement they set the sails for new adventures. In the second movememt we meet the pirates early one morning when the sun rises. I the third movememt the pirates are looking for a treasure map at the Isle of the Dead. In the fourth and last movememt, they hunt the teasure! The Composer has been inspired by TV-series and films with pirate themes. The Music is written especially for beginners. Duration: 7.00
Estimated dispatch 7-14 working days
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£53.50The Rise of Skywalker (Concert Band - Score and Parts) - Williams, John - Longfield, Robert
The stunning John Williams soundtrack for The Rise of Skywalker recalls many of the signature themes from the entire Star Wars saga. Among the new material is this touching and memorable lyric theme that features flowing melodic lines, and beautiful harmonies.
Estimated dispatch 7-14 working days
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£71.95The Summoning (Concert Band - Score and Parts) - Barrett, Roland
Featuring vividly contrasting dynamics and style with an occasional hint of contemporary notations, this stunning work was commissioned by the Honeove Falls-Lima High School Wind Ensemble in New York and their director Mark Borden. Opening with four brass soloists stationed throughout your performance area are interrupted with thunderous percussion punctuation. The composer seamlessly transitions from vigorous musical statements to chaotic motifs resolving to flowing charismatic melodies. Certain to command attention and arouse the senses. Duration: 5:45
Estimated dispatch 7-14 working days
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£72.99Star Wars: The Rise of Skywalker, Soundtrack Highlights from (Concert Band - Score and Parts) - Williams, John - Brown, Michael
The Star Wars saga wraps up in grand style with the blockbuster movie The Rise of Skywalker. Featuring a skillful blending of familiar older themes along with dramatic new material, John Williams again shows he's the master music for film. This effective and satisfying medley is sure to become a concert highlight.
Estimated dispatch 7-14 working days
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£71.00Into the Unknown (from Frozen 2) (Concert Band - Score and Parts) - Anderson-Lopez & Lopez - Esplo, Haakon
Composers Kristen Anderson-Lopez and Robert Lopez have once again written music for Disneys sequel film Frozen II after great success in 2013 with Frozen. Many will probably remember Let it Go which became a big hit from this movie. The new movie continue to follow the main character Elsa, who sings her amazing musical number "Into the Unknown" in Frozen II. The song describes Elsa's inner conflict of choice to leave Arendelle or trace the source of a mysterious voice she continues to hear. The song is originally sung by Idina Menzel and the Norwegian artist Aurora and has elements and motifs inspired by Scandinavian herding calls. As always, the music is both magnificent and captivating and will surely be a hit for many years to come. Duration: 3.00
Estimated dispatch 7-14 working days
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£50.00Fanfare Fantastique (Concert Band - Score and Parts) - Smith, Robert W.
Written as an opener for your beginning band concert, Fanfare Fantastique is bold, exciting and aggressive work that will clearly make a strong musical statement. Active percussion combined with powerful melodic lines in the brass and woodwinds, this new contemporary classic by Robert W. Smith will make your young band sound mature and artistically accomplished. Appropriate for any concert or festival performance. Duration: 2.15
Estimated dispatch 7-14 working days
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£95.00God Rest Ye Merry Gentlemen (Concert Band - Score and Parts) - Pasternak, John M.
John M. Pasternak has created an imaginative new setting of the holiday classic. This upbeat, rock and roll style arrangement will be fun for your students and a crowd favorite at your winter program. Set in 7/8, God Rest Ye Merry Gentlemen is an excellent teaching tool making the work on multi-meters enjoyable and rewarding! Duration: 2.45
Estimated dispatch 7-14 working days
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£150.00Cockaigne Overture (In London Town) (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul
Cockaigne Overture was composed when Edward Elgar received a commission from the Royal Philharmonic Society, and he reported that the new piece was "cheerful and Londony, 'stout and steaky'...honest, healthy, humorous and strong, but not vulgar." The first performance was in the Queen's Hall, London, on 20 June 1901, conducted by the composer. He dedicated the work to his "many friends, the members of British orchestras." The music was an immediate success and became one of Elgar's most popular works. In its 15 minutes or so, the overture gives a lively and colourful musical portrait of Edwardian London. 'Cockaigne' was a term used by moralists at that time as a metaphor for gluttony and drunkenness, while Britain adopted the name humorously for London, and from it we get the Cockney. Cockaigne or Cockayne /ka' kein/, the word origin tracing back to the 13th century, is a land of plenty in medieval myth, an imaginary place of extreme luxury and ease where physical comforts and pleasures are always immediately at hand and where the harshness of medieval peasant life does not exist. The work presents various aspects of turn-of-the-century London and Londoners. It begins with a quiet but bustling theme which leads into an unbroken sequence of snapshots: the cockneys, the church bells, the romantic couples, a slightly ragged brass band (perhaps the Salvation Army) and a contrastingly grand and imperious military band. The broad theme representing Londoners has been stated as the first occurrence of Elgar's trademark direction, 'nobilmente.' The work ends in a characteristically Elgarian blaze of sound, including an optional full organ.
Estimated dispatch 7-14 working days
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