Results
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£34.95Dance Like David (Concert Band - Score and Parts) - Mackereth, Andrew
This piece was written under the original title S.P.A. this being the initials of the School of Performing Arts (Netherlands Territorial Music School) for which it was written. The piece contains obvious references to the film Fame, which was set in the New York School of Performing Arts, and features an up-tempo arrangement of the song, 'When the Spirit of the Lord is within my heart, I will dance as David danced'.
Estimated dispatch 7-14 working days
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£6.95
Dance Like David (Concert Band - Score Only) - Mackereth, Andrew
This piece was written under the original title S.P.A. this being the initials of the School of Performing Arts (Netherlands Territorial Music School) for which it was written. The piece contains obvious references to the film Fame, which was set in the New York School of Performing Arts, and features an up-tempo arrangement of the song, 'When the Spirit of the Lord is within my heart, I will dance as David danced'.
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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£79.99Star Trek, Symphonic Suite from (Concert Band - Score and Parts) - Bocook, Jay
Boldly go where no band has gone before! The 2009 blockbuster movie features spectacular new and exciting themes in a dramatic soundtrack by Michael Giacchino. In addition, the original classic TV theme is reworked in a creative fashion. Here's an impressive setting for the concert stage.Duration: 4:30
Estimated dispatch 7-14 working days
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£73.50The Wizard of Oz Meets The Wiz (Concert Band - Score and Parts) - Lopez, Victor
Something old and something new, but the story is the same. Hailed as the first original American fairytale, The Wizard of Oz inspired countless sequels and imitations, as well as the classic American musical film and the Broadway musical, The Wiz. Taking selections from both productions, this arrangement takes you on a musical journey that connects the countryside of American heartland fantasy and the pride of urban African Americans.Duration: 5.00
Estimated dispatch 7-14 working days
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£58.50Gavotte en Rondeau (from Partita No.3) (Concert Band - Score and Parts) - Bach, Johann Sebastian - Brubaker, Jerry
From Bach's Partita No.3, Gavotte en Rondeau was originally composed for solo violin. Inspired by the vibrancy of the work, Jerry Brubaker has crafted this new treatment. Sure to be a standard in the concert band repertoire, this is one not to miss!Duration: 2.45
Estimated dispatch 7-14 working days
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£66.95Asturias (Concert Band - Score and Parts) - Albeniz, Isaac - Lopez, Victor
This transcription of Asturias from Issac Albeniz's Suite Espanola, Op. 47 brings new life to the work originally composed for piano and is brilliantly coloured, filled with suggestive harmonies and complex textures, and richly evocative.Duration: 7.30
Estimated dispatch 7-14 working days
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£72.99Alice in Wonderland (Concert Band - Score and Parts) - Elfman, Danny - Brown, Michael
Thanks to director Tim Burton and actor Johnny Depp, the recent movie Alice in Wonderland shows a new side to this classic tale. Equally distinctive is Danny Elfman's dark and delightful musical score. Michael Brown's well-paced medley features the recurring melody "Alice's Theme" along with other important themes from the film. Sure to please!Duration: 4.30
Estimated dispatch 7-14 working days
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£104.99Time To Say Goodbye (Concert Band - Score and Parts) - Mashima, Toshio
This beautiful duet was an appropriate way to mark the end of Henry Maske's career and simultaneously introduce Andrea Bocelli to the international music scene. His collaboration with Sarah Brightman resulted in an unforgettable performance. Perfect for ending or providing an intimate moment during your concert, this arrangement exhibits the high standards the New Sounds for Concert Band series is known for.Duration: 4:30
Estimated dispatch 7-14 working days
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£102.99Tinkerbell (Concert Band - Score and Parts) - Suzuki, Eiji
Titled New Sounds for Concert Band, De Haske Publications BV introduces a unique series with arrangements of traditional and contemporary compositions for wind band. These publications have been enormously successful in Japan for a long time, and many of the pieces from this series are already being included in the standard repertoire of wind bands throughout Europe and America.Duration: 5:15
Estimated dispatch 7-14 working days
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