Results
-
£89.60BLUE DAY (Flexible Solo with Intermediate Concert Band) - Naulais, Jerome
Solo for Flute, Oboe, Clarinet, Soprano Sax, Alto Sax, Trumpet or Violin. Duration: 4:10
Estimated dispatch 7-14 working days
-
£100.00EL CONDOR PASA (Flexible Solo with Easy Concert Band) - Naulais, Jerome
Solo for Oboe, Flute, Pan Flute, Bb Clarinet, Eb Clarinet, Alto Sax, Tenor Sax or Cor Anglais. Duration: 4:15
Estimated dispatch 7-14 working days
-
£97.40JEUX INTERDITS (Flexible Solo with Easy Concert Band) - Naulais, Jerome
Solo for Flute, Oboe, Clarinet, Bassoon, Alto Sax, Tenor Sax, Trumpet, Horn, Trombone, Baritone, Violin, Viola or Cello. Duration: 3:15
Estimated dispatch 7-14 working days
-
£115.00La Califfa (Flexible Solo with Concert Band - Score and Parts) - Morricone, Ennio - Mortimer, John Glenesk
Solo for Voice, Flute, Oboe, Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Trumpet, Horn, Trombone or EuphoniumDuration: 3.30
Estimated dispatch 7-14 working days
-
£77.00MORNING HAS BROKEN (Flexible Solo with Easy Concert Band) - Richards, Scott
Solo for Flute, Oboe, Clarinet, Basson, Alto Sax, Trumpet, Trombone or Euphonium. Duration: 2:45
Estimated dispatch 7-14 working days
-
£97.40ROMANTIC BLUE (Flexible Solo with Intermediate Concert Band) - Armitage, Dennis
Solo for Flute, Oboe, Clarinet, Basson, Tenor Sax, Trumpet, Horn, Tenor/Bass Trombone, Euphonium, Tuba, Violin or Cello. Duration: 4:45
Estimated dispatch 7-14 working days
-
£45.00Against All Odds (Take a Look at Me Now) (Alto Saxophone Solo with Concert Band - Score and Parts) - Collins, Phil - Smith & Stout
This version of the superb Phil Collins alto sax feature includes parts for flute, oboe, 3 clarinets, alto sax, tenor sax, baritone sax, bassoon, 3 horns in F, 4 trumpets, 4 trombones, drums, percussion, guitar, double bass, tuba (optional) and vibraphone (or piano).From the album "A Hot Night in Paris" in the key Ab.
Estimated dispatch 7-14 working days
-
£64.99OBLIVION (Flexible Solo/Concert Band) - Piazzolla, Astor - Longfield, Robert
Arranged here for flexible soloist and band, this sensuous melody from Argentine tango composer Astor Piazzolla provides a stunning showcase for Flute, Oboe, Clarinet, Alto Sax, or Trumpet soloist. Beautifully scored for band and carefully paced.
Estimated dispatch 7-14 working days
-
£174.95RUNCORN BRIDGE (Professional Concert Band - Score and Parts) - Carpenter, Gary
The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.
Estimated dispatch 7-14 working days
-
£37.95
RUNCORN BRIDGE (Professional Concert Band - Score only) - Carpenter, Gary
The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.
Estimated dispatch 7-14 working days
View Music