Searching for Brass Band Music? Visit the Brass Band Music Shop
We've found 946 matches for your search

Results

  • £56.50

    Race Car (Concert Band - Score and Parts) - Watson, Scott

    The skill and thrill of auto racing is captured musically in this piece via its infectious groove and exciting syncopations. Written in one continuous movement, its sections will help you imagine sitting behind the wheel of a powerful and agile racing machine over the course of a breathtaking speed contest. Students performing this piece will enjoy discovering that the palindromic nature of the piece, including the title, Race Car (which reads the same forwards and backwards), a pervasive syncopated ostinato rhythm, A-B-A form, and a fugato section at the centre of the work (Pit Stop), in which virtually each instrumental part is a palindrome!Duration: 3.45

    Estimated dispatch 7-14 working days

     PDF View Music

  • £58.50

    Clarinets Packing Up Early (Clarinet Section feature with Concert Band - Score and Parts) - Fagon, Gary

    This novelty piece in rondo form features the clarinet section removing one section of their instrument at a time. As the piece progresses, the instruments become smaller and smaller until the main theme they carry is totally absent from the accompaniment part played by the rest of the ensemble. The creative possibilities with this piece are limited only to the director's imagination!Duration: 2:15

    Estimated dispatch 7-14 working days

     PDF View Music

  • £149.99

    Musica Helvetica (Concert Band - Score and Parts) - De Haan, Jan

    Every year a competition for wind orchestras and brass bands takes place in Wallberg, Switzerland. Apart from a hymn and a solo piece, all orchestras also have a compulsory piece to play. The commission to create a compulsory piece for the 2012 competition fell to Jan de Haan. The composition is entitled Musica Helvetica. It takes the form of a three-part concert work, in which the last two parts flow directly from one to the other. The first part, Musica Prima, is a brisk virtuoso opening with jazz flavours woven in. The following section, Musica Sacra, offers a contrast with an extraordinarily colourful instrumentation for the gorgeous main theme. The final part, Musica Alpina, is inspired by the great variety of scenery in Switzerland. With its witty humour it makes a worthy conclusion to this beautiful tryptich.Duration: 12.00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £110.00

    Caramba! (Concert Band - Score and Parts) - Blezard, William - Noble, Paul

    William Blezard began writing Caramba! during a tour of New Zealand. Yet the musical basis of this work is about as far away from Kiwi culture as one can get. The word Caramba has several translations from the Spanish, including Dear Me!, or Goodness Me!, or perhaps more colloquially, Golly, or even Holy cow!. The entire work has an exotic feel to it that is so suggestive of things Spanish or Latin American. This is helped by the extensive use of percussion, and of course the brass is pure Latin American dance style. The demanding piano part is featured as almost a 'concertante'. In the Concert Band arrangement, the piano is highly desirable to replicate the original score, but the arrangement includes enough doubling and a short cut to make the piece entirely playable without the piano. Caramba! has all the hallmarks of a great piece of concert music that pleases as well as excites. For bands that want a challenge that is sure to bring an audience to its feet, Caramba! is the piece!

    Estimated dispatch 7-14 working days

     PDF View Music

  • £137.99

    Oregon (Concert Band - Score and Parts) - De Haan, Jacob

    This fantasy tells the story of Oregon, one of America's north-western states. Traveling by train on the Northern Pacific Railroad, the listener is taken through the fascinating Oregon landscape. Indians, cowboys, golddiggers and hooded wagons will file past on this adventurous journey. The piece has some similarities with a soundtrack of a movie. Various melodies, which could be the main themes of a movie, pass the review.The piece begins in a slow movement, introducing the first theme in minor. Then we hear in the following fast movement the trombones imitate the train, whistling the steam-flute. We hear the characteristic minor theme again, but now in different variants (also in major). The rythmic structure of "western" stile and rock succeed each other. This is leading to the slow movement, where the signals of horns and trumpets introduce a wonderful vocal melody. After this characteristic melody, the fast movement appears shortly again, the trombones whistling the steam-flute again (now in major). We hear also some musical elements, that plays a part in the following Presto. Barchanges, jazzy chords, interesting rhytmic patterns (with bongo) and an original theme are the characteristics of this Presto. After this, the horns announce the last section of the piece. Interesting is the fact that we hear in this Allegro section a variant of the vocal melody in the slow movement. Also the Presto theme returns shortly, followed by the Allargando, which is a grand characteristic end of a soundtrack. The movie of our travelling fantasy has come to an end.Duration: 9:00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £95.00

    The Gilded Theatre (Concert Band - Score and Parts) - Hesketh, Kenneth

    The Gilded Theatre was commissioned by the National Youth Wind Orchestra of Great Britain on the occasion of its fortieth anniversary. They gave the first performance on 10th August 2008, at St. John's Smith Square, London conducted by James Gourlay.The Gilded Theatre can, in some ways, be seen as a continuation of dramatic forms as presented in a previous piece by Hesketh, Diaghilev Dances. Unlike the Dances, however the music in The Gilded Theatre is conceived as one continuous span and stretches of music are also subtitled and refer to stock characters or scenarios redolent of the commedia dell'arte or 17th Century French Theatre. The subtitles are Rideau, Les Idiots Ou Les Amants, Le Combat Commence, Desespoir, L'apparition, Folie, La Mort, Rideau.The music narrative progresses through dramatic, comedic, romantic and aggressive moods supporting the idea of the abstract play to which the the above subtitles refer. Throughout the piece the composer has sought to challenge the players both technically and emotionally, and it is the players themselves who are in fact the protagonists in the piece.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £87.99

    Commonwealth - Robert Sheldon

    Located in the Commonwealth of Virginia, Fairfax County has quite an interesting story to tell, from the times of the Revolutionary War to the Civil War, to its prominent position as one of the premiere suburbs of our nation's capital, and most populous jurisdiction in Virginia. This piece serves to acknowledge the history of this region while representing its vibrancy and character. The opening patriotic soundscape offers a backdrop to the energetic piece that follows. A juxtaposition of those themes brings the piece to a close.

    Estimated dispatch 7-14 working days
  • £119.99

    Wings to Fly - Thomas Doss

    This piece was composed for the youth wind band at the Marienschule in Saarbrcken, Germany. The title praises the importance of an education emphasizing freedom, responsibility and getting to know and accepting one's limitations in order to become a well-educated and good-hearted citizen. During the piece, the composer refers to aspects of a typical school-age experience, such as friendship, disappointments, challenges, values and goals. The point is that education gives us all 'Wings to fly'. This is a noble piece, full of variety, with nice sections for all instrumental groups.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £137.99

    Friendly Takeover - Oliver Waespi

    Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £56.50

    Race Car - Scott Watson

    The skill and thrill of auto racing is captured musically in this piece via its infectious groove and exciting syncopations. Written in one continuous movement, its sections will help you imagine sitting behind the wheel of a powerful and agile racing machine over the course of a breathtaking speed contest. Students performing this piece will enjoy discovering that the palindromic nature of the piece, including the title, Race Car (which reads the same forwards and backwards), a pervasive syncopated ostinato rhythm, A-B-A form, and a fugato section at the center of the work (Pit Stop), in which virtually each instrumental part is a palindrome! (3:25)

    Estimated dispatch 7-14 working days

     PDF View Music