Results
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£89.99Walzerzauber (Concert Band - Score and Parts) - Watz, Franz
The genre operetta (literally meaning 'small opera') originated halfway through the 19th century, as an antidote to the ever-lengthening opra comique, which by that time contained more and more tragic intrigues as well. In this charming work, three waltz melodies from different operettas come together. First, we hear 'Lippen schweigen' from Die lustige Witwe (The Merry Widow) by Franz Lhar (1870-1948). Then follows 'Ja, das alles auf Ehr' from Der Zigeunerbaron (The Gypsy Baron) by Johann Strauss the younger (1825-1899), after which 'Tanzen mchte ich' from Die Czardasfrstin by Emmerich Klmn (1882-1953) closes the medley in a cheerful way. Franz Watz has skilfully connected the waltzes to become a magical whole.Duration: 4:30
Estimated delivery 7-14 working days
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£99.99Whence is that Goodly Fragrance Flowing? (Concert Band - Score and Parts) - Sparke, Philip
Whence is that Goodly Fragrance Flowing? is the first line of an old French Christmas song that originated in the 17th century. In 1728 John Gay used this joyous and markedly festive melody that honours Jesus Christ and His miraculous birth in his Beggar's Opera. Philip Sparke has given this melody a new lease of life with his charming and imaginative arrangement for the Christmas season.Duration: 3:45
Estimated delivery 7-14 working days
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£79.99Who's That Masked Man (Concert Band - Score and Parts) - Bocook, Jay
Why is it that so many of our favourite characters from film and television wear masks? Jay Bocook examines this disturbing phenomenon in this intense yet entertaining medley featuring themes from The Phantom of the Opera, The Mask of Zorro, The Lone Ranger, Spider Man and The Incredibles.
Estimated delivery 7-14 working days
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£115.00Duet from Don Carlo (Trombone or Euphonium Duet with Concert Band - Score and Parts) - Verdi, Giuseppe - De Meij, Johan
Don Carlo was originally written (title Don Carlos) as a French five-actor for the 1867 world exhibition in Paris. Later, Verdi transformed this improant grand opera into a four-acter in Italian. With its many leitmotifs, Don Carlo was 'too Wagnerian' according to French critics, although Verdi hardly knew the music by his German colleage. For the record, the composer was not happy either with the 'lifeless and cold' performance in Paris, and the drama, concerning Charles V, Philip II and crown price Don Carlo, found its way to La Scala only twenty years later. This duet, arranged by Johan de Meij, originates from the second act. While monks pray for the soul of Emperor Charles V, his grandson Don Carlo takes the stage, tormented by the fact that the woman he loves is now married to his father. Carlo's friend Rodrigo, the Margquis of Posa, has just returned from Flanders. He asks crown prince Carlo to help him ease the oppression and suffering of the Flemish people. Carlo reveals his secret: he is in love with his stepmother. Rodrigo advises him to leave Spain and to go to Flanders. The two men vow to be friends forever in the duet Dio, che nell' alma infondere (God, who wishes to instil love and hope in our souls). Duration: 4.00
Estimated delivery 7-14 working days
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£134.99Porgy and Bess (Concert Band - Score and Parts) - Gershwin, George - Schwalgin, Stefan
Highlights from the Opera. Duration: 9.30
Estimated delivery 7-14 working days
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£164.95Tristan Encounters (Prestige Concert Band - Score and Parts) - Ellerby, Martin
This work is subtitled Prelude and Transfigurations for Brass, Wind and Percussion. It is derived from Wagner's Prelude to his opera Tristan and Isolde and consists of a series of tableaux-mood pictures which alternate between a romantic idiom and tritone-style aggressive music. The work is cast as a prelude and ensuing set of fourteen variations and is meant to be played as a continuous piece.Grade 5Performance time 16'25''Recorded on QPRM152D MOSAIC: Great British Music for Wind Band Vol.13 (Royal Northern College of Music Wind Orchestra)
Estimated delivery 7-14 working days
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£32.95
Tristan Encounters (Prestige Concert Band - Score only) - Ellerby, Martin
This work is subtitled Prelude and Transfigurations for Brass, Wind and Percussion. It is derived from Wagner's Prelude to his opera Tristan and Isolde and consists of a series of tableaux-mood pictures which alternate between a romantic idiom and tritone-style aggressive music. The work is cast as a prelude and ensuing set of fourteen variations and is meant to be played as a continuous piece.Grade 5Performance time 16'25''Recorded on QPRM152D MOSAIC: Great British Music for Wind Band Vol.13 (Royal Northern College of Music Wind Orchestra)
Estimated delivery 7-14 working days
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£104.99Bohemian Rhapsody (Concert Band - Score and Parts) - Amano, Masamicz
Bohemian Rhapsody was a massive worldwide hit for the pop group Queen. It topped the charts in 1975 and again in 1991 and 1992. The song is somewhat unusual for a pop hit as it is in the style of a rock opera and pushed the boundaries of both pop music and promotional music video. This arrangement for concert band retains all the operatic gymnastics of the original and will be an extremely popular item at any concert!Duration: 5:15
Estimated delivery 7-14 working days
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£72.99March from Scipio (Concert Band - Score and Parts) - Handel, George Frideric - Sparke, Philip
Handel's opera Scipio was written in 1725 and performed the following year in the King's Theatre, London. Following Handel's death his operas fell into obscurity until the 1960s when they experienced a major revival. This famous march from Scipio has however remained popular since its first performance and has been the Regimental Slow March of the British Grenadier Guards since the 18th century. The march is fairly simple and gives young bands the opportunity to play a well-known baroque melody which should be well within their technical ability.Duration: 2:15
Estimated delivery 7-14 working days
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£74.99Ich bete an die Macht der Liebe (Concert Band - Score and Parts) - Bortnyansky, Dmitry - Bilkes, Michael
The Ukrainian Dmitri Bortniansky (1751-1825) received lessons at the local singing school in his hometown of Hlukhiv, and soon his extraordinary talent was recognised. He was somewhat of a child prodigy, writing his first opera at a young age. Following his studies Bortniansky was appointed court composer and Kapellmeister of the Imperial Chapel Choir. In the period that followed, he wrote - in addition to a number of operas, instrumental works, and a cycle of songs - more than a hundred religious works for a cappella choir, in which he combined Russian-orthodox and Ukrainian traditions with late 18th century European music. The appealing melody of Ich bete an die Macht der Liebe (Prayer to the Power of Love) became well-known, especially in Germany, in combination with German text by Gerhard Tersteegen. This arrangement by Michael Bilkes reflects the atmosphere of the original work very well.Duration: 3:45
Estimated delivery 7-14 working days
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