Results
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£137.99Arabesque - Samuel R. Hazo
Commissioned by the Indiana Bandmasters Association for the 2008 All-State High School Honor Band, this stunning work from the pen of Samuel Hazo is a tour de force of Middle Eastern sounds for the contemporary wind band. Fromdelicate and sensual soloistic writing to full-blown ensemble passages with rapid fire tutti rhythms and frenzied percussion, here is a rewarding piece with drama and depth that will be the high point of any concert or festivalprogram. Period! Dur: 6:00 (Grade 5) Audio recorded live by the 2008 North Carolina 11-12 All-State Honor Band - Samuel R. Hazo, conductor
Estimated dispatch 7-14 working days
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£76.99American Barndance - Richard L. Saucedo
Rhythmic and energetic, this lively work contains elements of an early American character but also features a poignant, calmer section with a lighter texture and interlaced lyric motifs. The piece builds to a dramatic peak with apowerful and majestic statement by the full ensemble. The final segment, however, becomes more and more frenzied with mixed meters and relentless percussion figures as it races to an exciting conclusion. Filled with humor andcreativity, this unique composition will easily find a place in your contest or festival repertoire. Dur: 3:35 (Grade 4)
Estimated dispatch 7-14 working days
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£53.50Celtic Air and Dance No. 3
Continuing with Michael's popular series of Celtic Air and Dance arrangements, the third installment opens with Red is the Rose (or Loch Lomond) in a flowing ballad treatment. The lively Bill Sullivan's Polka follows and featuresvarious sections of the band. The flutes start things off followed by the rest of the woodwinds, trumpets, percussion, low brass and finally the entire ensemble in an energetic finish. Dur: 3:10
Estimated dispatch 7-14 working days
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£72.99Walking to the Sky - Robert Buckley
Walking to the Sky takes an epic, cinematic approach to celebrate humankind's collective quest for wisdom and transcendence. It was inspired by a 100-foot Jonathan Borofsky sculpture, which creates the illusion of a group ofpeople walking skyward into infinity. With pulsing percussion, heroic brass, haunting melodies, sudden shifts in dynamics and dramatic key changes, everyone in the ensemble gets a chance to star in this exciting mini-movie score.To add even more grandeur, there is an optional choir part (that could be played on a synthesizer). Dur: 3:45
Estimated dispatch 7-14 working days
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£72.99Blue Mambo - Michael Sweeney
Opening with a lyric section featuring a solo for flugelhorn (or trumpet), this appealing work includes sensuous melodies surrounded by lush and bluesy harmonies. The uptempo mambo kicks in with an infectious percussion groove that accompanies the melodies and riffs from the full ensemble. A marvelous and entertaining change of pace. Dur: 4:00
Estimated dispatch 7-14 working days
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£53.50Port O' Call - Michael Sweeney
Need a lighter, yet well-scored change of pace? Michael Sweeney has styled this Latin flavored composition that fits right in the pocket for young bands. It features plenty of percussion to keep your players busy along with appealing Latin rhythms for the entire ensemble. Dur: 3:45
Estimated dispatch 7-14 working days
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£53.50Ain't no Other Man
Christina Aguilera's big hit is rhythmic and dynamic. With hot ensemble riffs and dynamic percussion parts, this is certain to add some excitement to your next concert.
Estimated dispatch 7-14 working days
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Fenix Blue - Peter Meechan
Fenix Blue is a solo work for alto saxophone and wind ensemble, commissioned by and written for British saxophonist, Tim Watson.A wild blues inspired opening for unaccompanied saxophone gives way for a slow, dirty blues! More blues elements appear in the following slow funk section, driven by the percussion section and drum kit.Slow reflective music follows before a return to the slow funk - this time with plenty of the original blues music interjected around the band and from the soloist, leading to a loud conclusion!The title makes reference to the large blues influence in the piece, but the Fenix referred to in the title is a dedication to the Phoenix 2 capsule that rescued the 33 Chilean minors who were trapped underground for 69 days last year, the last of whom was brought to the surface in the capsule as I was finishing this piece.
Estimated dispatch 5-14 working days
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Shine - Peter Meechan
Shine is my second large scale work for solo tuba, following on from my concerto Episodes and Echoes. Like the concerto, Shine was commissioned and premiered (with the Grimethorpe Band, conducted by Howard Evans) by Les Neish - the title being an anagram of the soloist surname.Although in one movement, Shine has 3 broad sections, each requiring virtuosic skill and dexterity from the soloist. The opening section features lots of bright, metallic sounds - especially in the percussion section - providing the accompaniment to soloist as they demonstrate the range and flexibility of the tuba.The second section gives the soloist the opportunity to demonstrate the considerable lyricism that the tuba is capable of. The solo line weaves in and out of textures in the accompaniment, exchanging snippets of melody with other players in the ensemble.After a short unaccompanied passage, the final section emerges juxtaposing new solo lines and material from the opening section. This builds in momentum - and difficulty for the soloist - as the piece reaches its climatic ending.Shine is dedicated to my good friend, fellow Liverpool supporter, and amazing musician, Les Neish.Peter Meechan, 2011
Estimated dispatch 5-14 working days
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£84.99Animal Kingdom Wind Band Set (Score & Parts)
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing in swing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with the opportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore very expressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animals always plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style also emphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friends and intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtis the Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. Betty Butterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Even members of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised using scales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces the gypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swing rhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition. 07:30
Estimated dispatch 7-14 working days
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