Results
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£76.99Carnival of the Animals (Concert Band - Score and Parts) - Saint-Saens, Camille - Bocook, Jay
A masterpiece of classical literature, this marvelous work adapts beautifully for concert band in the expert hands of Jay Bocook. The woodwinds and brass share the spotlight on Introduction and Royal March of the Lions. Next, the tubas are featured on The Elephant. Mallet percussion are featured on Fossils, and the entire ensemble gets a workout on the Finale. In addition to providing quality literature for your students, audiences are sure to find this enjoyable.Duration: 5:30
Estimated dispatch 7-14 working days
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£79.99Convergence (Concert Band - Score and Parts) - Moss, John
Here is an expansive work featuring a wide spectrum of emotional and sonic elements for symphonic band. From striking full band effects to delicate woodwind and percussion writing, this is a marvelous showcase for your entire ensemble. Featured is an amazing contrapuntal section for the clarinets, a flowing chorale, powerful fanfare-like passages, dynamic full band unisons and soaring melodies. Due to the length of the piece, the composer has provided programming options for performing shorter versions. Duration: 10:30
Estimated dispatch 7-14 working days
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£42.50Carnaval (Concert Band - Score and Parts) - Sweeney, Michael
The magic of Cuban 'carnaval' music is the basis for this lively and very infectious easy work. Listen as the parade slowly approaches and the trumpets lead the ensemble with the main theme. Following this are question and answer statements typical of the style and a feature spot for percussion (who will have a field day with the unique instruments). While this is playable with as few as 4 percussionists, having more players will add to the festive atmosphere.Duration: 2:50
Estimated dispatch 7-14 working days
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£57.50Prelude and Revelation (Concert Band - Score and Parts) - Moss, John
John Moss displays his depth of musicality and impeccable orchestrational style in this uplifting work composed in two main parts. The opening Prelude uses brief solos and rich sonorities to create a sense of anticipation. Revelation is in a faster and determined style and interweaves the percussion section nicely with the full ensemble while developing the main themes. The Prelude then returns for a calm and reflective ending.Duration: 5:40
Estimated dispatch 7-14 working days
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£37.95Latinesque (Concert Band - Score and Parts) - Preuninger, Bruce
Here is a work for young players with an energetic feel from beginning to end. A catchy tutti ensemble riff ties each musical section together and the percussion shine as they provide a simple but effective "latinesque" feel. Performers and audience alike will find it hard to resist the upbeat mood conveyed by this delightful piece. Duration: 2.30
Estimated dispatch 7-14 working days
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£72.99Awakening Hills (Concert Band - Score and Parts) - Saucedo, Richard L.
An exuberant work that features dynamic ensemble passages, layering effects, and extensive percussion scoring. Richard Saucedo's masterful development of repetitive rhythmic motives makes this sound more difficult than it really is. A contrasting middle section uses brief solos for alto sax and flute over a rich harmonic texture. A powerful statement for band.Duration: 5:15
Estimated dispatch 7-14 working days
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£44.95Two Susato Dances (Concert Band - Score and Parts) - Susato, Tielman - Ellerby, Martin
Around 1540 Tielman Susato, the Belgium trumpet player and composer, established himself in Antwerp as a printer of music. In 1551 he brought out The Third Little Music Book, a collection of instrumental dances. Most of these are arrangements, possible by Susato himself, of popular dance tunes. In keeping with sixteenth-century practice, this book details no specific instrumentation; something to be worked out by the players with whatever available means. Doubtless many of the dances were performed on wind instruments at festive outdoor events. The date of Susato's birth is unknown but estimated to be around 1500. The same applied to his death, which is thought to be somewhere between 1561-64.The third Little Music Book gives several examples of the traditional sixteenth-century genre, the dance pair, a predecessor of the Baroque suite. In such a pair the first dance was often in slow or moderate duple time, the second in quick triple time. This is the case in the pair presented here, which consists of a lively round dance followed by a Hop Up or saltarello.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 2.00
Estimated dispatch 7-14 working days
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£42.50Front and Center! (Concert Band - Score and Parts) - Murtha, Paul
Here's a marvelous and appealing first march for any young group. Carefully scored so that every section of the band has interesting parts, Paul uses a nice mix of full ensemble playing, counter lines, a percussion interlude and woodwind melodies.
Estimated dispatch 7-14 working days
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£53.95Patapan (Concert Band - Score and Parts) - Story, Michael
As anticipated, this traditional Burgundian holiday carol begins with the percussion section and delicately adds instrument groupings building to the full ensemble. The conclusion is as delicate as the beginning. Wonderful holiday literature for your beginners. Duration: 2.00
Estimated dispatch 7-14 working days
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£59.50The Firebird Suite, Finale from (Concert Band - Score and Parts) - Stravinsky, Igor - Story, Michael
Taken from the finale of the suite from Stravinsky's immortal ballet, this contemporary arrangement has been masterfully scored by Michael Story. It retains all of the original energy and enthusiasm, and with the addition of current percussion writing, you will welcome the attention to scoring details. This is the perfect major work to focus attention to your ensemble. Highly recommended! Duration: 2.45
Estimated dispatch 7-14 working days
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