Results
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£106.99The Earl of Oxford's March (Concert Band - Score and Parts) - Byrd, William - Sparke, Philip
The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas. The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford's Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book. Written while Byrd was at the height of his powers, it still stirs the soul to this day. A perfect opener for your concert performances.Duration: 4:30
Estimated dispatch 7-14 working days
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£149.99Sierra Nevada (Concert Band - Score and Parts) - Sparke, Philip
Sierra Nevada presents the listener with the wondrous grandeur of one of the great mountain ranges in California, U.S.A., the Sierra Nevada. Experience the awakening of an early morning in the Sierras, complete with a mysterious, foggy mist, totally obscuring any hint of what lies within, to the tremendous panorama of grand snow-covered mountain peaks and the circling golden eagles, the regal elk and royal stags. A wonderfully descriptive work that will fit well into any concert program.Duration: 9.00
Estimated dispatch 7-14 working days
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£168.50Three Extraordinary Journeys (Concert Band - Score and Parts) - Sparke, Philip
Three Extraordinary Journeys was commissioned to mark the centenary of the death of the famous author Jules Verne. Based on three novels from his Voyages Extraordinaires series of travel stories, the music aims to capture the excitement and adventure of these famous books. A fantastic major concert or contest piece.Duration: 14:30
Estimated dispatch 7-14 working days
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£194.99Euphonium Concerto No.2 (Euphonium Solo with Concert Band - Score and Parts) - Sparke, Philip
The original concept for this work was a suite of short movements, each with its own character, but by the time the first movement was complete it was clear that a conventional three-movement format was going to work out better. The opening movement contains much syncopation and is almost rag-like in style. The slower second movement explores the unsurpassable ability of the euphonium to play lyrically, with a theme that is later taken up by the band whilst the soloist weaves a filigree descant. This leads straight into the third movement, which is almost bebop in style and shows off the jazzier capabilities of the euphonium. The concerto was composed for the virtuoso soloist, Steven Mead. A version for euphonium and piano is also available.Duration: 16:30
Estimated dispatch 7-14 working days
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£74.99Battle Pavan (from The Danserye) (Concert Band - Score and Parts) - Susato, Tielman - Sparke, Philip
This sparkling dance from the 1500s will bring a unique musical quality to your concert programme. Ancient rhythmic and harmonic sounds will delight your audience as you perform this endearing "outdoor" piece, to be played strong and full of life.Duration: 2:30
Estimated dispatch 7-14 working days
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£87.99Jesu, Joy of Man's Desiring (Concert Band - Score and Parts) - Bach, Johann Sebastian - Sparke, Philip
Bach's appointment as the Cantor at Leipzig's Thomaskirche in 1723 required him to produce a new cantata for every Sunday service. Jesu, Joy of Man's Desiring is taken from his Cantata No.147 and is unusually elaborate, treated more like an aria than a chorale. It is perhaps the best-loved cantata movement from Bach's entire output and is a certain crowd pleaser for your concert programme.Duration: 2:45
Estimated dispatch 7-14 working days
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£99.99Veni Immanuel (Concert Band - Score and Parts) - Sparke, Philip
Mediation on O Come, O Come ImmanuelThe Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries.The tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo trumpet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.Duration: 5:30
Estimated dispatch 7-14 working days
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£168.50Manhattan (Trumpet Solo with Concert Band - Score and Parts) - Sparke, Philip
Manhattan was commissioned by the United States Army Band for their solo trumpet player Woodrow English, and first performed by them in Carnegie Hall, New York, in November 2003. The two movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement, Saturday Serenade, describes the city on a Saturday night, perhaps in a smoke-filled jazz bar. While writing Sunday Scherzo, the composer pictured an early morning jog in Central Park.This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Each movement can also be played individually when a shorter solo is required. Manhattan is a major work in the solo trumpet repertoire.Duration: 9:30
Estimated dispatch 7-14 working days
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£176.50Masquerade (Concert Band - Score and Parts) - Sparke, Philip
Masquerade was commissioned by Stadtmusik Willisau from Switzerland (Reto Gdel, conductor) to celebrate their 175th anniversary in 2003 and first performed by them in November that year.1. Overture: The first movement opens with a fanfare-like figure, featuring the brass, before the main them is introduced over staccato chords. After a short, syncopated interlude a legato theme is introduced in the tenor register and material is developed until the music slows temporarily. The opening theme returns and the 'tenor' tune is taken up by the whole band until the opening fanfare returns to close the movement.2. Elegy: The slow movement opens intensely with a bare two-part theme, which leads to a passionate chorale-style melody. A second theme is introduced and leads to a climax, a return of the chorale theme and a pianissimo repeat which again leads to a full-band climax. The two-part theme returns quietly to create a peaceful close.3 Interlude: A short movement which changes the mood to introduce...4 Finale: Three violent chords preface a lively syncopated opening theme. The trumpets introduce a second idea, which is treated fugally, and this in turn leads to the main melodic idea of the movement, over staccato chords. A contrasting subject is then introduced in the middle of the band, followed by echoes of the first movement fanfare. The opening theme returns and material is revisited until the opening fanfare returns in full to end the work triumphantly.Duration: 15:30
Estimated dispatch 7-14 working days
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£74.99Chorus and March (See, the Conquering Hero Comes! from Judas Maccabaeus) (Concert Band - Score and Parts) - Handel, George Frideric - Sparke, Philip
Handel's oratorio Judas Maccabaeus was composed in a period of not much more than a month in 1746. As with the famous Messiah, use was made of previously composed material and indeed See, the Conquering Hero Comes! was grafted from another oratorio about Joshua. This arrangement of See the conquering Hero Comes will bring a great sense of ceremony to any concert.Duration: 2:30
Estimated dispatch 7-14 working days
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