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  • £45.95

    SORRY (Concert Band)

    Buckcherry's signature sound is characterized as classic rock with a fresh twist. Always on the air and with repeated play by the hottest DJ's, this Hot Pop concert band arrangement of Sorry will be a welcomed addition to your pop program, or can be used as a 'treat' for your band for a 'job well done.' Featuring solid scoring at a relaxed rock tempo, this one is a great choice that'll have them coming back for more!

    Estimated dispatch 7-14 working days

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  • £63.95

    WE ARE THE WORLD (Concert Band) - Bullock, Jack

    We Are the World was written by Michael Jackson and Lionel Richie and recorded as a benefit for African famine relief in 1985. This single record became the fastest-selling pop single in recording history. No wonder the recording took the number one spot on pop charts all over the world. Scored in a relaxed style, it's a natural for your audience to join in on the final chorus. This arrangement is a wonderful tribute to Jackson, a notable philanthropist and humanitarian who donated and raised million of dollars through his own Heal the World Foundation. Charming!

    Estimated dispatch 7-14 working days

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  • £118.99

    Tribute to ROXETTE

    As a great fan of the Swedish pop rock duo Roxette, the top German arranger Wolfgang Wssner created a catchy pop medley for wind band as an ode to its lead vocalist Marie Fredriksson - who passed away in December 2019. Hits like 'Joyride', 'Listen To Your Heart', 'It Must Have Been Love' and 'The Look' can practically guarantee a good deal of enjoyment and demonstrate that this band is more than deserving of both its international recognition and its place in the Swedish Music Hall of Fame. Tribute to ROXETTE is sure to not only entertain your musicians, but also captivate the audience!

    Estimated dispatch 7-14 working days

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  • £435.40

    Goldberg 2012 - Svein H. Giske

    The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-

    Estimated dispatch 7-14 working days
  • £109.99

    That's the Way I Like 'Em

    For many years Peter Kleine Schaars' jazz quartet provided sparkle and energy for various festivities and other occasions. If required the ensemble could alternate jazz repertoire with pop and latin music too. Their wide experience taught the musicians that an hour of unbeatable repertoire is the perfect end to every swinging party. Based on this practical knowledge Kleine Schaars has chosen his favourite pop pieces and arranged them in this animated medley entitled That's the Way (I like Them).

    Estimated dispatch 7-14 working days
  • £68.00

    Meant to Be (Concert Band - Score and Parts) - Story, Michael

    Pop singer Bebe Rexha teamed up with the country music group Florida Georgia Line to create this number-one hit that crossed numerous pop charts. This arrangement of Meant to Be by Michael Story perfectly captures the feel of the original recording.Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £118.99

    Roxette, Tribute to (Concert Band - Score and Parts) - Wossner, Wolfgang

    As a great fan of the Swedish pop rock duo Roxette, the top German arranger Wolfgang Wossner created a catchy pop medley for wind band as an ode to its lead vocalist Marie Fredriksson, who passed away in December 2019. Hits like Joyride, Listen To Your Heart, It Must Have Been Love and The Look can practically guarantee a good deal of enjoyment and demonstrate that this band is more than deserving of both its international recognition and its place in the Swedish Music Hall of Fame. Tribute to Roxette is sure to not only entertain your musicians, but also captivate the audience!Duration: 7.15

    Estimated dispatch 7-14 working days

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  • £68.99

    Beat It (Flexible Ensemble - Score and Parts) - Hovi, Eric J.

    Still regarded as the king of pop, Michael Jackson's music continues to resonate with current pop culture and musical tastes. Beat It is without doubt one of the most iconic songs of the 80's. Not only because of the impressive videoclip that came along with this song, but also because of the incredible energy it exudes. This arrangement conveys the same drive and character of the original song. Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £57.50

    Michael Jackson Hit Mix (Flexible Ensemble - Score and Parts) - Vinson, Johnnie

    Still the king of pop, Michael Jackson's music still resonates with current pop culture and musical tastes. Here is a terrific medley of landmark hits from his early solo career.Includes:Billie JeanBeat ItBadThriller

    Estimated dispatch 7-14 working days
  • £45.95

    4 MINUTES (Concert Band)

    Right off Madonna's newest Hard Candy album, the pop icon shares the mic with Justin Timberlake in this driving upbeat tune. Get this one on your band's music stands right away. Every section has a shot at the energized melody line built over the recognizable rock beat. Right off the airwaves... it's today's pop... now for your intermediate band.

    Estimated dispatch 7-14 working days

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