Results
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£94.99Momentum - Thomas Doss
The Latin word Momentum has come to mean many different things in our language: a short period of time, a force, or a speed of movement. In our current times of around-the-clock high speed and energy, the composer wanted to write a refl ective and meditative piece that focuses on the moment at hand. An ideal point of rest for your concert programme!
Estimated dispatch 7-14 working days
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£84.99Joyful Saxophones - Wim Laseroms
Joyful Saxophones is an exciting work. full of Latin-American flair, that highlights your saxophone section of two alto and one tenor saxophone, accompanied by rest of the band. A perfect way to put you saxes in the shine!
Estimated dispatch 7-14 working days
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£206.99The Seasons - Philip Sparke
In this exciting four-movement suite Philip Sparke has taken the yearly cycle to inspire the framework for the work. Spring Sunshine describe a bright spring morning, Summer Siesta conjures up a quiet rest by a river on a hot summer afternoon. Autumn Alone heralds the approaching dark days of winter and Winter Winds brings the work to a close as it portrays stormy winter weather in all its fury and glory. This work of great contrast is sure to become a favourite in your concert repertoire.
Estimated dispatch 7-14 working days
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£54.99
Sounds of the Season - James Swearingen
Brighten up your holiday concert with this very enjoyable James Swearingen arrangement of three popular Christmas carols, "Hark the Herald Angels Sing,'' "God Rest You Merry Gentlemen,'' and "Angels We Have Heard On High.'' "Sounds of the Season'' is expertly arranged to give a great sound from young bands and playable with limited instrumentations. NICE!
Estimated dispatch 7-14 working days
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£84.99Magnolia - Bert Appermont
Just as the magnificent blooms of the magnolia appear in springtime, so this simple choral melody opens slowly and gracefully, eventually blossoming to a glorious climax. The delightful opening theme is taken up again, and eventually everything comesto rest, like a bud that closes at the day's end.
Estimated dispatch 7-14 working days
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£84.99Saint Paul's Cathedral - Filip Ceunen
Saint Paul's Cathedral in London has been rebuilt several times over the centuries. The building of today's cathedral began at the end of the 17th Century and lasted some 30 years. It was partly damaged in the bombing raids of the Second World War. The building is known above all for the monumental dome and for the many personalities who are laid to rest - such as Admiral Nelson, Florence Nightingale and Winston Churchill. In Saint Paul's Cathedral, Philip Ceunen gives his own impression from his visit to this iconic building.
Estimated dispatch 7-14 working days
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£76.99Hymn of Glory - Bert Appermont
This melodic hymn begins with a lyrical melody, handled by various instrument groups. After a gradual build, a first climax is reached, in which the brass instruments give full vent to their glorious sound in jubilation. Now we hear a second theme,resounding in the euphoniums, which ushers in a moment of rest. Then the excitement gathers again, building to a great tutti. The main theme is taken up once more, sounding now as a kind of universal gratitude.
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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£69.99
Get on Board - Stephen Bulla
Stephen Bulla strikes gold again with this accessible but jazzy Trombone section feature. There is plenty of rhythmic fun for everyone while the trombones get that important time out front. The old spiritual "The Gospel Train" lends itself beautifully to a swing-jazz treatment and if there's anyone who knows how to bring the jazz idiom to the concert band setting it's Stephen Bulla. If you prefer, two Trombone soloists can be featured while the rest of the section plays along on the Euphonium part. Your band will want to do this one again and again, and so will you, so Get On Board!
Estimated dispatch 7-14 working days
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£154.99Apocalyps II - Piet Swerts
Apocalyps II is an abstract piece of music with a conventional structure (ABA-coda). The work is very energetic, the only rest being a quite short chorale-like middle section which is quickly followed by the finale again rushing ahead at full speed. The composer expresses anger and fire alternating with joy and energy by means of the enormous colourful movements.
Estimated dispatch 7-14 working days
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