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  • £91.99

    Exultation - Philip Sparke

    Exultation is a short and energetic concert opener that is similar to a palindrome. A fanfare opens the work, juxtaposing 3/4 and 6/8, reminiscent of Latin-American music.The main theme is first heard on the euphonium, horns and saxophones which is very bluesy. The contrasting second theme is short and spikey and played by the bass instruments of the band. A lyric melody emerges as the rest of the orchestra joins in.The second theme reappears which leads back to the 'blues' melody, which leads back to the opening fanfare. Palindromic!

    Estimated dispatch 7-14 working days

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  • £52.99

    Cool Cat Shuffle - David Shaffer

    Your young students will love the way this clever arrangement starts with the lower instruments playing the bass line while the rest of the band does "finger snaps". Full of novel effects that will make it a sure fire crowd pleaser!

    Estimated dispatch 7-14 working days

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  • £78.99

    A Sailor's Tale - Eastmond

    An impressive debut composition from a bright young Canadian composer. Bold and vigorous, this appealing work incorporates numerous meter changes and a wide range of dynamics. All sections of the band get into the action with interesting parts and there is even a short mixed meter section where the high woodwinds are accompanied by hand clapping from the rest of the band. A very interesting work that is a splendid choice for any concert or festival performance! Exceptional in every respect!

    Estimated dispatch 7-14 working days

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  • £54.99

    Sounds of the Season - James Swearingen

    Brighten up your holiday concert with this very enjoyable James Swearingen arrangement of three popular Christmas carols, "Hark the Herald Angels Sing,'' "God Rest You Merry Gentlemen,'' and "Angels We Have Heard On High.'' "Sounds of the Season'' is expertly arranged to give a great sound from young bands and playable with limited instrumentations. NICE!

    Estimated dispatch 7-14 working days

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  • £89.99

    Christmas on the Rocks

    Christmas on the Rocks collects together four world famous English Christmas carols in an instrumental pop arrangement. Optionally, the audience or a choir can also sing along. If so, the conductor gives the cues. The following Christmascarols are included in this work: God Rest You Merry, Gentlemen - Joy to the World - Away in a Manger (one verse flute solo), and Deck the Halls.

    Estimated dispatch 7-14 working days

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  • £84.99

    Magnolia - Bert Appermont

    Just as the magnificent blooms of the magnolia appear in springtime, so this simple choral melody opens slowly and gracefully, eventually blossoming to a glorious climax. The delightful opening theme is taken up again, and eventually everything comesto rest, like a bud that closes at the day's end.

    Estimated dispatch 7-14 working days

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  • £84.99

    Saint Paul's Cathedral - Filip Ceunen

    Saint Paul's Cathedral in London has been rebuilt several times over the centuries. The building of today's cathedral began at the end of the 17th Century and lasted some 30 years. It was partly damaged in the bombing raids of the Second World War. The building is known above all for the monumental dome and for the many personalities who are laid to rest - such as Admiral Nelson, Florence Nightingale and Winston Churchill. In Saint Paul's Cathedral, Philip Ceunen gives his own impression from his visit to this iconic building.

    Estimated dispatch 7-14 working days

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  • £76.99

    Hymn of Glory - Bert Appermont

    This melodic hymn begins with a lyrical melody, handled by various instrument groups. After a gradual build, a first climax is reached, in which the brass instruments give full vent to their glorious sound in jubilation. Now we hear a second theme,resounding in the euphoniums, which ushers in a moment of rest. Then the excitement gathers again, building to a great tutti. The main theme is taken up once more, sounding now as a kind of universal gratitude.

    Estimated dispatch 7-14 working days

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  • £184.99

    Rubicon - Bert Appermont

    The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.

    Estimated dispatch 7-14 working days

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  • £59.95

    Not So Silent Night

    Using the basic melodic shape of Silent Night, Sean O'Loughlin has written a lively piece that goes in a quite different, more up-to-date direction than the familiar, reflective Carol. The noise makers of the percussion section are given a lively role to play, and the introduction, by the low brass, of God Rest Ye Merry, Gentlemen, in the middle of the piece, creates a somewhat ironic twist in this amusing re-imagining of a classic carol.

    Estimated dispatch 7-14 working days