Results
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£94.95FIRST BLOW Christmas (Value Set) - Waites, Ernie
Contains a score and one each of the 25 parts. The arrangements, written in 4 voices, are suitable for wind or brass ensembles (or any mixture of both). Althought not necessarily for absolute beginners, learner parts for flute and trombone are available. The percussion part is a simple 'kit' part. Tuned percussion can be added using the Voice 1 in C part.Includes:Good King WenceslasHark The Herald Angels SingAdeste FidelisWhile Shepherds WatchedThe Holly and the IvyAway in a MangerLittle Brown JugO Little Town of BethlehemSee Amid the Winter SnowOnce in Royal David's CitySilent NightI Saw Three ShipsWe Three KingsThe First NowellGod Rest Ye Merry, GentlemenJingle BellsChristmas LullabySnow BellsWe Wish You A Merry ChristmasThe Very First Christmas Day
Estimated dispatch 7-14 working days
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£69.99Francesca (Concert Band - Score and Parts)
All of us, sooner or later, find a person to love and with whom we want to spend the rest of our life. Lorenzo Bocci has met Francesca. This simple and brilliant march, which reflects Francesca's personality, always happy and cheerful, is dedicated to her.A truly joyous march. 03:00
Estimated dispatch 7-14 working days
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£53.50I Got You (I Feel Good) (Concert Band - Score and Parts) - Brown, Michael
In this high-energy arrangement of the signature hit from the "Godfather of Soul," the low brass start out on the theme with the band answering with the familiar riffs. The saxes are featured on the "breakdown" section along with the rest of the woodwinds. A nice blast of nostalgia for any audience
Estimated dispatch 7-14 working days
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£169.95JOURNEY TO THE CENTRE OF THE EARTH (Concert Band) - Graham, Peter
Journey to the Centre of the Earth is one of Verne's best known works. The novel takes the form of a sequence of diary entries by Axel, nephew of Professor Otto Lidenbrock. The pair follow coded instructions in a old document guiding them to Iceland where, together with their guide Hans, they enter the open crater of an extinct volcano Sn?fells and pursue a trail to the centre of the earth. There follows hair-breadth escapes and ventures perilous as the intrepid explorers encounter a vast interior world. Peter Graham has taken some of the key scenes .from the book and set them as a sequence of symphonic extracts. The subtitles are; (I) Sn?fells, (II) Descent, (III) The Wonders of the Terrestrial Depths, (IV) The Day of Rest, (V) Lost in the Labyrinth, (VI) The Whispering Gallery, (VII) Rescue from the Abyss, (VIII) Battle of the Antediluvian Creatures and Ascent, (IX) Homecoming
Estimated dispatch 7-14 working days
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£84.99Joyful Saxophones (Concert Band - Score and Parts)
Joyful Saxophones is an exciting work. full of Latin-American flair, that highlights your saxophone section of two alto and one tenor saxophone, accompanied by rest of the band. A perfect way to put you saxes in the shine! 03:45
Estimated dispatch 7-14 working days
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£64.99MERRY GENTLEMEN (Concert Band) - Dawson, Jay
God Rest Ye Merry, Gentleman - a 19th Century Carol. Duration: 2:58
Estimated dispatch 7-14 working days
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£248.99Missa Brevis Wind Band Set (Score & Parts)
Missa Brevis, written for choir and wind band, was commissioned by the Conseil D?partemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX's birth in ?guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei are very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In this option, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. In that case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, you can opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of these options (vocally/instrumentally) is also possible - not just from an artistic point of view (variation), but also from a practical starting point - for example in the case that the choir has rehearsed only two movements. With a full strength, the conductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible: 1. clarinet choir (from Eb Clarinet to Bass Clarinet) 2. clarinet choir + saxophones 3. brass (flugelhorns, horns, euphoniums, bass section) 4. brass (2 trumpets / 2 trombones) 5. double reeds (optional + flute, optional + string bass) 6. tutti 7. all winds 8. all brass In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combined quartet (two cornets and two trombones) + brass band. Choral parts available separately. 0:20:00
Estimated dispatch 7-14 working days
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£69.95PIPING HOT British Dances No.1 (Programme Concert Band) - Wiffin, Rob
Piping Hot depicts a band marching through the streets with pipers taking the lead. Once the tune has been played, the music gets passed to the woodwinds for a musically light section. Mayhem then threatens to break out as the rest of the band gets restless and try to impose their own tunes, so the Drum Major sharply calls the band to order, and with the exception of a few outbreaks of exuberance, they successfully complete their march.
Estimated dispatch 7-14 working days
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£144.99Ross Roy (Concert Band - Score and Parts) - De Haan, Jacob
Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.Duration: 9:20
Estimated dispatch 7-14 working days
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£71.28Sands of the Sahara
"Sands of the Sahara" paints a breathtaking and dramatic picture of the desolation, intrigue, culture, and storied history of the north Africa landscape. At the start, special percussion effects mimic the sounds of the wind, while a mysterious, faraway flute melody calls to mind an oasis in the desert. Abruptly, a bold theme is introduced by the full band, and leads to the driving rhythms and exotic themes that further propel and sustain the rest of the piece. Concluding, the introduction is briefly restated, and the piece ends in a stunning tour-de-force of color and intensity. Perfect for concert or contest, "Sands of the Sahara" will showcase your entire band with excitement and enthusiasm.
Estimated dispatch 7-14 working days
