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£256.0014 Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£104.99The Many Moods of Christmas: Suite No. 2 - Robert Russell Bennett
The extensive passages for orchestra alone in The Many Moods of Christmas suites represent some of Robert Russell Bennett's most brilliant and attractive writing based on familiar carols. This Mark Rogers Edition for wind band alone is the initial offering in an ongoing series which will bring all four of these suites to the repertory of band conductors in the coming years. Included are Joy to the Worls, with optional antiphonal Salvation Army brass band, the Pastoral Symphony from Handels Messiah, Away in a Manger, concluding with a rousing medley of The March of the Three Kings and Fum, Fum, Fum!
Estimated dispatch 7-14 working days
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£117.00Lincoln Portrait - Aaron Copland
Lincoln Portrait was commissioned by Andre Kostelanetz for the Cincinnati Symphony Orchestra in 1942. A stirring tribute to an eminent American, it includes fragments of songs from the Civil War era, sweeping original themes, anda narration drawn from Lincoln's own words. This transcription by Walter Beeler has become a staple in the repertoire for wind bands, and provides an impressive way to help celebrate the 200th anniversary of Lincoln's birth. Audioused with permission from the Mark Records CD: Northshore Concert Band Live at the 2001 Midwest Clinic - John Lynch, conductor - Dr. William Warfield, narrator (Score Only - 48006216/$15.50)
Estimated dispatch 7-14 working days
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£55.00
The Pre-Goodman Rag - Malcolm Arnold
Malcolm Arnold's Clarinet Concerto No. 2, Op. 115, was dedicated to Benny Goodman, and first performed by him as part of the Red Rocks Music Festival with the Denver Symphony Orchestra conducted by Brian Priestman on 17 August 1974. The third movement, known affectionately as 'The Pre-Goodman Rag', is an outrageous ragtime parody with a hauntingly wistful middle section. The work has now been made more widely available in this transcription for wind band.
In stock: Estimated delivery 1-3 days
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£252.10Rhapsodie Norvegienne Nr.2 - Johan Halvorsen
This arrangement was written for Dragefjellets Musikkorps Bergen for their performance at the Norwegian Wind Band Championships in 2019.The original orchestral work is one of our country's greatest national works for symphony orchestra.It combines Norwegian folk music with the symphonic tradition, but on a slightly different way than Edvard Grieg.Compared to the original score, I have made parts of the work more chamber-music like by making the instrumentation a bit thinner. By doing this, I hope the span in dynamics will benefit the tutti sections as well. Unlike the symphony orchestra, concert bands do not have the large string section to enrich the soundscape.- Svein H. Giske -
Estimated dispatch 7-14 working days
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£135.00ARIA DELLA BATTAGLIA (Concert Band) - Gabrieli, Andrea - Scatterday, Mark
The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled "per sonare d'instrumenti da fiato" ("to be played by wind instruments") and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called "Battle Symphony," being a latter-day example.
Estimated dispatch 7-14 working days
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£150.00Aria Della Battaglia
The current edition of Gabrieli's was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled "per sonare d'instrumenti da fiato" ("to be played by wind instruments") and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called "Battle Symphony," being a latter-day example.
Estimated dispatch 3-5 working days
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£67.32Freya: Goddess of Beauty and Love
"Freya: Goddess of Beauty and Love" is a beautiful lyrical work composed to feature a soloist and the concert band. Originally composed for Mike Roylance, principal tuba in the Boston Symphony Orchestra, the composer has rescored the piece to feature any wind instrument in the band. As an option, the grade 4 solo can be divided among multiple soloists allowing the conductor a wide array of programming opportunities. The band accompaniment is written at a moderate grade level allowing for easy preparation with maximum musical rewards. An excellent choice for your next concert or honor band program!
Estimated dispatch 7-14 working days
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£74.99Freya: Goddess of Beauty and Love - Robert W. Smith
"Freya: Goddess of Beauty and Love" is a beautiful lyrical work composed to feature a soloist and the concert band. Originally composed for Mike Roylance, principal tuba in the Boston Symphony Orchestra, the composer has rescored the piece to feature any wind instrument in the band. As an option, the grade 4 solo can be divided among multiple soloists allowing the conductor a wide array of programming opportunities. The band accompaniment is written at a moderate grade level allowing for easy preparation with maximum musical rewards. An excellent choice for your next concert or honor band program!
Estimated dispatch 7-14 working days
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£136.00Run to the Edge (Concert Band - Score and Parts) - Dove, Jonathan - Littlemore, Philip
Jonathan Dove's thrilling and energetic showpiece was originally composed for the London Schools Symphony Orchestra (of which the composer was a member). Phillip Littlemore has expertly arranged the work for concert band, providing symphonic wind ensembles with a high velocity joy ride. Duration: 5:00
Estimated dispatch 7-14 working days
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