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  • £85.00

    Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

    The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.

    Estimated dispatch 7-14 working days

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  • £85.00

    Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

    The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.

    Estimated dispatch 7-14 working days

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  • £134.99

    Demophon Overture (Concert Band - Score and Parts) - Cherubini, Luigi - Takahashi, Tohru

    Cherubini made his Paris debut with Demophon, which premiered in 1788. Tohru Takahashi has arranged this dramatic overture for concert band, with specific parts for oboe, bassoon and saxophone among others. However, since the important parts are also included as cues in the score, it can be adapted to a more limited instrumentation.Duration: 7:00

    Estimated dispatch 7-14 working days

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  • £76.99

    Trattamars (Concert Band - Score and Parts) - Pannerden, Matthias Van Nispen tot

    The Trattamars (Tratta March) was originally written for 'Il trattamento miracolo', an ensemble of five, performing light-hearted musical acts for the young and the old. This march is played when the members of the group appear on stage. The Dutch composer of the march, Matthias van Nispen tot Pannerden, studied classical saxophone as well as band conducting and composition at the Brabant Conservatory in Tilburg. He is a baritone saxophonist with the Orkest van de Koninklijke Luchtmacht (Band of the Royal Netherlands Air force). He is also active as a freelance conductor and composer.Duration: 3:30

    Estimated dispatch 7-14 working days

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  • £118.99

    Louis Armstrong Medley (Concert Band - Score and Parts) - Iwai, Naohiro

    Even 40 years after his death, Louis Armstrong remains one of the most popular jazz trumpeters and singers of all time. In Louis Armstrong Medley, Naohiro Iwai has beautifully arranged Armstrong's unmistakable version of the Russian folk song, Dark Eyes (1954). This is then followed by two of his greatest hits: the jazz standard, Georgia on My Mind (1930), which features a tenor saxophone solo, and When You're Smiling (1929).Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £48.95

    Of Distant Peaks (Concert Band - Score and Parts) - Sheldon, Robert

    An ancient mountain poem by Li Bai (701--762) served as the inspiration for this piece, written in memory of Daniel Stritchko, a young tenor saxophone player from Longmont, Colorado. The front range of the Rocky Mountains serves as the dramatic backdrop to Longmont, providing the impetus for the grandeur and spirit of this composition.Duration: 2:30

    Estimated dispatch 7-14 working days

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  • £42.50

    Escapades (from Catch Me if You Can) (Concert Band - Score only) - Williams, John - Bulla, Stephen

    Steven Spielberg's 2002 film Catch Me If You Can was set in the 1960s, and John Williams created a marvelous film score evoking the style of the progressive jazz movement popular during that time. Soloists on alto saxophone, vibraphone and string bass are featured in this suite of three contrasting movements. "Closing In" relates to the often humorous sleuthing ever present in the story. This is followed by "Reflections" portraying the fragile family relationships, and finally "Joy Ride" representing the main character's wild flights of fantasy. Duration: 14.00

    Estimated dispatch 7-14 working days
  • £98.50

    Rhapsodic Celebration (Concert Band - Score and Parts) - Sheldon, Robert

    This multi-faceted work includes three brief connected and musical tableau's that each present their own distinct mood and style. The opening Intrada explores 6/8 time using an uplifting fanfare and rhythmical motifs. The slower Serenade provides contrast that begins with an alto saxophone solo, then utilises the full ensemble to create warm, rich timbres in this gentle and lyrical movement. The closing Galop is as tuneful as it is technical, providing the ensemble with an energetic and fast-paced romp to conclude this delightful piece.Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £73.50

    The Last Rose of Summer (from The Irish Suite) (Concert Band - Score and Parts) - Anderson, Leroy - Wagner, Douglas E.

    The fifth movement of Leroy Anderson's The Irish Suite, "The Last Rose of Summer," has never been transcribed for concert band. Skilfully scored by Douglas Wagner in Anderson's charismatic characteristic style, this work features an emotional alto saxophone solo in place of the orchestra version's violin solo. This dramatic work is performable as a stand-alone work or in tandem with the rest of the movements.All movements are now available:The Irish WasherwomanThe Minstrel BoyThe Rakes of MallowThe Wearing of the GreenThe Last Rose of SummerThe Girl I Left BehindDuration: 3.30

    Estimated dispatch 7-14 working days

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  • £55.00

    Celtic Bell Carol (Concert Band - Score and Parts) - Smith, Robert W.

    Robert W. Smith's continues his very popular bell carol series with this holiday stop in beautiful Ireland. Celtic Bell Carol begins with the saxophone and flute evoking mysterious images of Celtic dancers as they prepare for their holiday celebration. The percussion section is featured throughout with infectious Irish rhythms added to the famous Ukrainian Bell Carol. This exciting setting will be the centrepiece or finale of your next holiday concert.Duration: 2.00

    Estimated dispatch 7-14 working days

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