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  • £59.95

    Where Eagles Sing - Paul Lovatt-Cooper

    The inspiration for this piece came when the composer visited Florida and the Bird Sanctuary in Walt Disney World's Animal Kingdom. He was in the audience to see the rare bird show where he witnessed some fabulous looking and endangered...

    Estimated dispatch 5-7 days
  • £120.00 £120.00
    Buy from Peter Meechan Music

    Perpetua - Peter Meechan

    When I write music I feel a need to comment on the world around us - which, right now, is not always a happy society. But I also want to write music about the world I want to live in - about the joy, beauty, hope, and love I see in our communities.In writing Perpetua I wanted to compose a piece of perpetual motion, that is challenging, exciting, and fun - all brought together through a sense of joy.Perpetua was commissioned by Foothills Concert Band (Calgary, AB, Canada) and their conductor Anthony Reimer.

    Estimated dispatch 5-14 working days

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  • £31.00

    Beer Party - Dennis Armitage - Bertrand Moren

    Score: CHF 35.-- / Parts (see the list on the 1st page of the score) : each CHF 5.-- (to order please contact us)

    Estimated dispatch 10-14 working days

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  • £68.00

    On Wings of Flight

    This jubilant overture conveys the wonder of soaring high above the ground. Used as a concert opener, contest or festival selection, this composition offers opportunities for the development of dynamic contrast, accents, and articulations in your ensemble. Doubling of multiple parts, lets bands with more limited instrumentation successfully perform this piece while there are enough percussion parts to keep your players actively engaged. Program this for your young band and see them take flight!

    Estimated dispatch 12-14 working days
  • £42.00

    Storm Chaser

    Off in the distance we hear the storm begin, the thunder roar, and see the the lightning strike as we take off with this dramatic piece, depicting the sounds of a violent thunderstorm. Educator and composer Kevin Mixon gives us a bold new piece that includes the sound of finger snapping (to mimic rain and thunder) to add to the overall effectiveness of this dynamic piece. Students will love the angular, strong melody and will sound great in contest or festival.

    Estimated dispatch 12-14 working days
  • £52.00

    Courage - Harold Bennett

    Courage March is one of the most popular of the Harold Bennett marches. It is now presented here in a flexible instrumentation edition for bands with instrumentation needs. Tuneful and very fun to play, Courage March will make every band sound their best, and is a good choice for a smaller group to use for contest warm-up. Check out the excerpted version of the recording to see how well the five-part scoring really works.

    Estimated dispatch 12-14 working days
  • £60.99

    This Is Halloween - Danny Elfman

    Boys and girls of every age. Would you like to see something strange? Young concert bands are now able to enjoy one of the most popular movie songs of all time. An excellent choice for reinforcing chromaticism, this is perfect for programming at anytime of the year!

    Estimated dispatch 7-14 working days
  • £211.80

    Karneval i Paris - Johan S. Svendsen

    Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -

    Estimated dispatch 7-14 working days

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  • £50.50

    Skysplitter Fanfare - Brian Balmages

    Skysplitter Fanfare sounds quite mature yet is extremely playable by beginning ensembles. Driving percussion parts are designed to accommodate large or small sections, and wind players only see quarter, half, and whole notes. Brian Balmages has written a significant powerhouse opener for your youngest musicians!

    Estimated dispatch 7-14 working days
  • £127.00

    Ray of Light - Kevin Houben

    Ray of light was composed for the 75th anniversary of the Royal Wind Band (De Heidegalm Berkenbos). The mining environment of Berkenbos (Heusden-Zolder, B) is a proof of what used to be one of the most flourishing industries inLimburg viz. the Mining Industry. Going down the shaft in the elevator for the first time was a sensational experience for every miner: the noise of the closing doors, the shock experienced when the lift cage started moving tofall down whizzingly into the deep at a speed of 30 km an hour. The opening theme of Ray of Light doesn't only reflect the bravery of the descending miners but also their anxiety, their doubt and insecurity. In the solo passage,the anxiety during the long walk in the dark through the mine corridors with only headlamps and mine lamps is clearly audible. Working in the mines wasn't without any danger. The very flammable and at times explosive mine gasesalways posed a hidden threat. Apart from that there was always the continuous danger of collapse. The beautiful choral movements are therefore an ode to the miners that left their lives in the mine. The eastern scale refers tothe multicultural character of the mining environment of Berkenbos with its many commercial shops and different types of housing inherent in mining architecture. The mining profession is still a very dangerous job, but at the endof the dark corridor the miners still see a beam of light as a sign of hope.

    Estimated dispatch 7-14 working days

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