Results
-
£74.00Twilight Portrait (Concert Band - Score and Parts) - Huckeby, Ed
Looking for something different? This stunningly beautiful ballad was inspired by a series of photographs depicting the twilight times of sunrise and sunset. With flowing melodic lines and soaring countermelodies, "Twilight Portrait" provides a magnificent opportunity for your ensemble to develop and showcase a legato playing style, while presenting a striking image of musical lyricism. A video slideshow, featuring the photographs which inspired the work, is available for download so the twilight images can be presented in concert with the music as a unique multimedia event. Duration: 4.00
Estimated dispatch 7-14 working days
-
£49.00Our American Heroes (Concert Band - Score and Parts) - Swearingen, James
The inspiration that motivates composers to create music often originates from a multitude of different sources. Numerous band director friends have suggested the creation of a patriotic selection that honors military personnel, both past and present. They also requested that lyrics be included so as to allow their choir colleagues to join in creating a spectacular grand finale. I sincerely hope that your audiences, both young and old, will enjoy this musical salute to America's lasting heroes. A real crowd-pleaser! Duration: 1.30
Estimated dispatch 7-14 working days
-
£48.95Legend of the Water Dragon (Concert Band - Score and Parts) - Kennedy, Edward
Australian water dragons are fairly large lizards that have been around for 20 million years or so, and they can be seen along the rivers and waterways of Eastern Australia. For some Australian Aborigines, the water dragon is said to bring divine presence and a gateway to the astral world. This programmatic work portrays these mystical primordial creatures playing around in the midday sun.Duration: 2.15
Estimated dispatch 7-14 working days
-
£52.95Engage (Concert Band - Score and Parts) - Gassi, Vince
Set in 3/4, this dynamic work's momentum and drive will energize. Bold and rhythmic, lilting and lyrical---always fun. Set your audience meter for applause and launch into this new work. Go on, make it so! Engage!Duration: 2.30
Estimated dispatch 7-14 working days
-
£70.50Best of the West! (Concert Band - Score and Parts) - Story, Michael
A rollicking medley of four popular, contrasting western movie themes including: "I'm On My Way" (from Paint Your Wagon), "The Good, the Bad, and the Ugly," "Blazing Saddles," and "The Magnificent Seven." It just can't get any better. So grab your popcorn, Gitty up! Ride 'em cowboy!Duration: 4.00
Estimated dispatch 7-14 working days
-
£76.95The Mountain (Concert Band - Score and Parts) - Oliva & O'Neill - Megaw & Phillips
Great for the holidays like all Trans-Siberian Orchestra pieces, yet based on classical music, so also fitting for any pops concert! Based upon "Mars, the Bringer of War" from The Planets by Gustav Holst and "In the Hall of the Mountain King" by Edvard Greig, this energetic setting of beloved favourites will rock your concert. Includes optional electric guitar, electric violin, electric bass, percussion, and piano parts. For a great opener or closer, this piece can be combined with the string arrangement by the same name for a joint performance. A compelling and unique addition to your holiday program or any pops concert.Duration: 4.45
Estimated dispatch 7-14 working days
-
£55.50The Star-Spangled Banner (Concert Band - Score and Parts) - Key & Smith - Miller, Michael J.
For Band and Optional ChoirWith lush textures, this setting is perfect for performance on the stage or outdoors as a band-only setting or with any of Russell Robinson's industry standard choral voicings: SATB (SV9722), 3-Part Mixed (SVM03013), SSAA (SVM01013), TTBB (SV9913), and 2-Part (SVM05042). The setting is so versatile it also works as a woodwind sextet or a brass quintet for instrumental performance or as an accompaniment.Duration: 1.30
Estimated dispatch 7-14 working days
-
£140.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
-
£110.00Down by the Riverside (Concert Band with opt. Choir - Score and Parts) - Rutter, John - Noble, Paul
Down by the riverside is a spiritual that was sung by slaves in the South as a work song. It dates back to before the American Civil War. John Rutter's lively arrangement of this barnstorming American folk-song builds up from a quiet opening to a triumphant conclusion. This arrangement is a faithful adaptation of the original orchestration for chorus and orchestra, but it is arranged so that it may be performed by band alone. The style is an authentic toe-tapping early jazz creation that relates to the 'jitterbug' era, and the band arrangement is complete with an optional jazz clarinet solo as well as a rousing chorus by the sax section. The piano part is cued if needed. This is a perfect opportunity to get the entire band 'swinging', and could even entice a 'One mo' time!' finale.
Estimated dispatch 7-14 working days
-
£250.00The England of Elizabeth,Three Portraits from (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
This suite was derived from Vaughan Williams' score for the film, The England of Elizabeth, written in 1955. It was the composer's tenth of his 11 cinematic efforts and designed to serve a more descriptive role than other such scores, since the movie was a documentary featuring no action scenes, but lots of images of paintings, buildings, and the like. Composer Muir Matheson adapted this three-movement suite, probably shortly after the composer's death in 1958, though publication of the manuscript would not come until 1964. The first movement is entitled Explorer, and refers to Sir Francis Drake. Its music is mostly festive and colourful, but features interior passages of exotic flavor, similar in style to that of Vaughan Williams' then-recent Symphony No.8. The second movement is entitled Poet and, at about seven minutes, is the longest of the three in this 16 to 17 minute work. It also contains probably the score's best music, hardly a surprising result since the poet in question is Shakespeare, one of the composer's favourites and an inspirational springboard for so many other of his works. The mood is mostly subdued and Vaughan Williams presents lovely, if slightly somber music in the opening, and follows it with a hearty, folk-like dance tune. The latter part of this movement depicts Shakespeare as a noble, heroic figure in English history. The last movement, Queen, is devoted to Queen Elizabeth. It has a regal yet muscular manner at the outset, and features a gentle but somewhat disengaged middle section. It returns to the splendor and colour of the opening to close the work. This suite is important because it distills some of the best music from the film into a logically assembled structure. Program notes extracted from those of Robert Cummings.
Estimated dispatch 7-14 working days
View Music