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£62.95Morceau Symphonique (Trombone Solo with Concert Band - Score and Parts) - Guilmant, Alexandre - Shepard, Wesley
Morceau Symphonique has long been a favourite with trombone soloists. In difficulty, it is not beyond the range of a good high school performer. In length, being approximately six minutes, it fits well into most concert programmes. Because of contrasting material, it affords the opportunity to display excellent phrasing, tone and control yet requires considerable technique to perform the work properly.
Estimated dispatch 7-14 working days
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£44.55American Parade (Concert Band - Score and Parts)
An exceptional piece that will teach very young groups independence of playing, chromatic notes, and basic rhythmic syncopation. Featuring a temple block solo, this piece is perfect for first year players, and will be the hit of your year-end concert.
Estimated dispatch 7-14 working days
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£115.00BOHEMIAN DANCES (Concert Band) - Woolfenden, Guy
Includes:1. Shepherds and Shepherdesses2. Florizel and Perdita3. Dance of the SatyrsOne of my favourite Shakespeare plays is The Winter's Tale, and I have written music for three completely different productions during my time as Head of Music to the Royal Shakespeare Company. One, starring Judi Dench as both the mother, Hermione and her daughter, Perdita, had a big band Tribal Love-Rock score; another had a more classical, but timeless feel to it, and the last was an excellent small-scale touring production, for which I was allowed only a handful of instruments. It is from this source that the basic themes for Bohemian Dances, and an earlier version Three Dances for Clarinet Choir, have emerged. Act IV of the play is set in the kingdom of Bohemia - hence the title of the work.Shakespeare calls for "A Dance of Shepherds and Shepherdesses", which gives Florizel, the son of Polixenes, (King of Bohemia) a chance to become better acquainted with the beautiful Perdita, the lost daughter of Leontes, (King of Sicilia). This movement is written in seemingly tricky and ever-changing metres, but is rhythmically quite logical and melodically catchy.The slower second movement 'Florizel and Perdita' is the lovers' pas de deux: a gentle, slow waltz-like tune, initially presented by the principal oboe, is contrasted with a lndler-like double time melody, at the end of which a solo clarinet makes a link to the last movement.'Dance of the Satyrs' is a rip-roaring, foot-stamping dance performed in the play by 'three carters, three shepherds, three neat-herds, and three swine-herds', who enter in outrageous costumes representing the lecherous half-man, half-goat of Greek mythology. This dance is referred to as a "gallimaufry of gambols" - now where have I heard that word before?! - GW
Estimated dispatch 7-14 working days
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£169.95Call of the Cossacks (Concert Band - Score and Parts) - Graham, Peter
Call of the Cossacks is part of the series of 'travelogue' features by Peter Graham, following in the footsteps of Cry of the Celts and Windows of the World. The Cossacks were a nomadic people whose ethnic makeup included Ukrainians, Tartars, Poles and Jews. A similarly wide range of Eastern European folk music features in this work, from Gypsy to Klezmer. Movement 1, Procession of the Tartars is cast in the old-style band 'patrol' and adapts a Klezmer folk song Fun Tashlach. The second movement, Doyle's Lament, is an original melody featuring solo alto saxophone while the final movement, Cossack Wedding Dance, is deep in Fiddler on the Roof territory - a pot pourri of Klezmer, Gypsy and Cossack styles. Each movement can be programmed separately.
Estimated dispatch 7-14 working days
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£87.95CARNIVAL (Alto Sax solo)(Progress Concert Band) - Sparke, Philip
A dreamy ballad opens the work and this is followed by a catchy Latin American movement where the other saxes also grab some of the limelight! Grade 4 Performance time 8'42" (Recorded on QPRM130D FIESTA! (Central Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£89.99
Conductor's March (Concert Band - Score and Parts)
Conductor's March is a deft and witty concert march. A conductor should always strive to motivate his musicians and to stay one step ahead of his orchestra--this is the motto and idea behind this piece. First it takes the form of a drum solo which represents the constantly driving force of the conductor. Gradually the musicians fall into line and eventually a cheerful music-making ensemble emerges. 04:55
Estimated dispatch 7-14 working days
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£68.99
Corona (Concert Band - Score and Parts)
This attractive concert march starts with an elevated, determined intro, followed by a playful theme in the descant register - with, in the reprise, an added counterpart in the tenor register. The following stately bass solo is accentuated by the trumpet section, and a dynamic contrasting effect adds extra colour. The trio part starts with a new cantabile theme, which transforms into a solid tutti version with ornamentations in the descant. After a dynamically varying interlude the trio part is repeated. 04:50
Estimated dispatch 7-14 working days
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£104.99
Dona Nobis Pacem (Concert Band - Score and Parts)
Dona Nobis Pacem is a three-part round by an unknown composer. It can be performed for many occasions, both in and outside church, often being used at Christmas. By the time of the holy crusades, this melody was incorporated into the Mass Ordinary (the manual of the holy mass). Dona Nobis Pacem is a free fantasia on this round, which itself naturally forms a part of the piece. If desired you can add vocals (solo or choir) to the band to enhance the spiritual feel of this fantastic work. 06:30
Estimated dispatch 7-14 working days
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£135.95
FANTASIE BRILLANTE (Trumpet Solo with Intermediate Concert Band) - Hunsberger, Donald
Scored for trumpet soloist Wynton Marsalis, Donald Hunsberger's band accompaniment arrangement of Fantasie Brillante No. 3 in Jean-Baptiste Arban's collection of Fantasias and Variations possesses a breadth of musical styles that demand strict formal analysis in addition to interpretative and technical requirements. The opening section features a flowing melodic passage followed by a technical passage with a return to the style of the opening melody. The theme is then stated which leads into three variations that employ variants in triplet groupings, quadruple 16th-note groupings, and finally, the ever-present triple tonguing, once again a primary technical resource utilized in this and others of the Fantasias.
Estimated dispatch 7-14 working days
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£140.00GALLIMAUFRY (Concert Band) - Woolfenden, Guy
Gallimaufry (gali maw'fri): A medley; any confused jumble of things; but strictly speaking, a hotch potch made up of all the scraps of the larder. cf Shakespeare: The Winter's Tale: "a gallimaufry of gambols"I. Church and StateII. Inn and OutIII. Starts and FitsIV. Father and SonV. Advance and RetreatVI. Church and Status QuoGallimaufry was inspired by Shakespeare's Henry IV plays, and derives from music I composed for the Royal Shakespeare Company's production which opened the Barbican Theatre in 1982. The score is dedicated to Trevor Nunn, then Artistic Director of the RSC, with grateful thanks for his suggestion that I should expand and mould the music from these productions into a form suitable for concert performance.My thanks also to Timothy Reynish and the British Association of Symphonic Bands and Wind Ensembles who, with funds provided by North West Arts, commissioned the work and helped to ensure its first performance on September 24th 1983 with the Royal Northern College of Music Wind Orchestra.The work is continuous and the thematic material of each of the six sections closely related. The "establishment" - leadership, temporal and ecclesiastical power - are depicted in the stately march which opens the work. (Church and State)The second section, Inn and Out, in an energetic hemiola rhythm, is concerned with the stews and low-life revels at the Boar's Head Tavern. This is interrupted and finally integrated with the Tavern Brawl and Gadshill Ambush of Starts and Fits.The mood changes and the ambivalence of Prince Hal's relationship with his father and surrogate father, Falstaff, is portrayed in a serene cor anglais solo. (Father and Son)Advance and Retreat is a recruiting march, derived from the Tavern Tune and leads into the last movement, Church and Status Quo, which deals with the rejection of Falstaff and the crowning of Price Hal. Order is restored with a majestic affirmation of the opening material.
Estimated dispatch 7-14 working days
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