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  • £47.50

    The Good King Rocks - Timothy Johnson

    Young band directors are always on the lookout for something new and a little different for the winter concert. Timothy Johnson's new Christmas arrangement for Beginning Bands fits the bill perfectly. It remains technically accessible to the young band while exploring this old familiar tune in new and different ways. You even have the option of including a "set" drummer by using the Optional Percussion 1 Advanced part. Lots of unison rhythms in the Winds ensure that you can prepare The Good King Rocks in time for that winter concert, and there are enjoyable parts for every instrument, which keeps the whole group focused and involved during rehearsal. Fun!

    Estimated dispatch 7-14 working days

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  • £54.99

    Jellybeans - Gary Gazlay

    Your young band will really be in their own element when they are rocking to the jellybean song! Every section gets to join in on the melody somewhere and the rhythmic reinforcement found within is a priceless tool for the teacher of young band students. This is the kind of piece your students will drive you crazy with because they'll want to play it again and again (and again!) If you are looking for something FUN to do with your group as a contrast to your more serious pieces, you've found it.Tasty!

    Estimated dispatch 7-14 working days

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  • £54.99

    Who did it? - Jacob de Haan

    Who did it? is a composition for youth bands with limited instrumentation. While composing it, Jacob de Haan was inspired by a familiar situation: a child caught doing something mischievous such as taking another child's toy, and trying to get away with it. The other children, however, notice this. The fast tempo of this work reflects the chase that follows - this will be fun for all the band members.

    Estimated dispatch 7-14 working days

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  • £104.99

    The Best of Village People

    Everything started when two Frenchmen, Jacques Morali and Henri Belolo, after having sold over ten records with their band, the Ritchie Family, decided to try out something new. The basic idea was to form a new group inspired by the American male myths of the seventies: cowboys, Indians, men in leather clothes, soldiers and policemen. This is how the Village People were born.Their secret was their energy, cheerfulness and tongue in cheek humour combined with strong disco beat and an arresting visual presence. Even now a Village People song is guaranteed to fill the dance floor in any club or disco. The Best of Village People is a medley including the following pieces: In theNavy,Y.M.C.A. and Macho Man.

    Estimated dispatch 7-14 working days

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  • £69.99

    Mirage - Jacob de Haan

    A mirage is an illusion, something without substance that does not really exist. Although not real, its unattainable nature is perfect for musical inspiration. Composer Jacob de Haan was strolling through a picturesque forest of the Dutch Gelderland when he thought he saw a body of water. While there was no water, its mere image created waves that can be relived in De Haan's original composition, Mirage.

    Estimated dispatch 7-14 working days

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  • £62.95

    December Sky - Erik Morales

    'On a crisp, cold night in December, she gazes upward and stands in awe of the heavens. She realizes that the earth is only a tiny part of something greater.' This scenario provides the backdrop for this composition, which wasinspired by the night sky as viewed by my six-year-old from our home in Louisiana. It begins with the theme in the clarinets. The rest of the ensemle gradually reveals itself, as if one discovers a star not previously noticed inthe sky. The music reaches its climax at measure 34, where we are humbled by the sheer multitude of stars in the sky and realize our place in the universe. The piece ends with twinkling stars portrayed in the flute, oboe,clarinet,and bells.

    Estimated dispatch 7-14 working days
  • £154.99

    The Power of the Megatsunami - Carl Wittrock

    The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions ofmany countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.

    Estimated dispatch 7-14 working days

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  • £54.99

    Flashback - John DeBee

    Which of us does not have them, memories? Everyone sometimes remembers things from the past, be they happy memories or not. Sometimes, a scent may remind us of a particular place, or a tune may bring back memories of a certain situation. John DeBee experienced something similar when he heard a song on the radio: he immediately picked up his pen and composed 'Flashback'. It has become a piece that appeals to the ear, which will provide both the musicians performing it and their audience with pleasant memories.

    Estimated dispatch 7-14 working days

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  • £137.99

    A View at the Zoo - Carl Wittrock

    The composition as a whole is built around a structure of shorter fragments reminiscent of 'Pictures At An Exhibition' by Moussorgsky. The parts are decorated with recognisable illustrations of different animals. In each composition, Wittrock adds something that can fascinate both musicians and listeners. Can you hear it?

    Estimated dispatch 7-14 working days
  • £140.80

    Summer Dances - Adam Gorb

    'Summer Dances' is a joyful work in three short movements celebrating my favourite season where people are happiest outdoors. Each movement is a celebration the first movement 'Summer Day' celebrates the open air, with a bold and arrogant melody in 10/8 time, whose rhythm dominates the movement. The next movement 'Summer Night' could be described as a 'Beach Habanera' led by a sensuous trumpet melody. The movement ends with an ambiguous harmonic build-up, which is resolved at the start of the finale 'Summer Party' with a folk like theme that is passed round the ensemble, building up, (with suggestions of the first movement theme) to a riotous and festive ending. Summer Dances was commissioned by HAFABRA Music, Louis Martinus in collaboration with Biblioservice Gelderland/Music department MUI, Arhnhem, the Netherlands. Regarding interpretation suggestions: Movement 1) Lively but not too fast very much a piece for the full ensemble, up until the final six bars when things become more subtle and intimate maybe sunset.... Movement 2) Very laid back and sexy. The movement should be thought of as a wonderfully promising 'first date' or 'wedding night', with great possibilities with the unresolved chord at the end of the movement.... Movement 3) As fast as is comfortably possible. The start should be delicate and chamber music like, but increase in general excitement, particularly from figure 31. Something should be saved up for a true fortissimo at 34.

    Estimated dispatch 7-14 working days