Results
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£60.00Caves of Sacromonte
The Caves of Sacromonte are located in Granada, Spain. This complex of whitewashed cave houses were dug into the hillside, providing safety for inhabitants and shelter from the harsh Andalusian sun and the winter rains. Today, the mysterious caves remain as an ethnographic museum of a forgotten age. Experience the Spanish-influenced sound of music depicting these ancient wonders.
Estimated dispatch 12-14 working days
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£115.00Let the Amen Sound (Concert Band - Score and Parts) - Cross, Travis J.
Commissioned by the distinguished Northshore Concert Band under the direction of Mallory Thompson, Let the Amen Sound is based on Joachim Neander's 17th-century chorale "Lobe den Herren," known in English as "Praise to the Lord." The hymn tune is stated first by a solo flute, accompanied by percussion and muted trumpets, evoking the sound of liturgical bells. Three variations follow that represent important milestones common to human existence - the playful exuberance of childhood, the sentimental dance of youth, and the triumphant celebration of lives well lived. A dramatic and rewarding addition to the wind band repertoire. Duration: 7:00
Estimated dispatch 7-14 working days
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£84.99
Sound Goes Round (Concert Band - Score and Parts)
Gilbert Tinner has written another sure fire winner with this catchy new work in a relaxed musical style.The sound of the piece, with it's simple musical lines, dissonant harmonies and driving beat, is in a pop style but could equally have come straight from a west-end musical. Sound Goes Round will make a delightful light interlude for any concert. 03:00
Estimated dispatch 7-14 working days
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£84.99
Sound Goes Round - Gilbert Tinner
Gilbert Tinner has written another sure fire winner with this catchy new work in a relaxed musical style.The sound of the piece, with it's simple musical lines, dissonant harmonies and driving beat, is in a pop style but could equally have come straight from a west-end musical. Sound Goes Round will make a delightful light interlude for any concert.
Estimated dispatch 7-14 working days
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£49.50Call of Courage
This dynamic piece will let your band sound their very best! After a slow and delicate introduction, the exuberant sound of this piece makes it a natural choice as a concert or contest opener. Includes a few easy examples of mixed meters and has ample percussion parts to keep your drummers involved and interested! A worthwhile selection that will pay big dividends to your band program!
Estimated dispatch 7-14 working days
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£54.99Call of Courage - Pastore
This dynamic piece will let your band sound their very best! After a slow and delicate introduction, the exuberant sound of this piece makes it a natural choice as a concert or contest opener. Includes a few easy examples of mixed meters and has ample percussion parts to keep your drummers involved and interested! A worthwhile selection that will pay big dividends to your band program!
Estimated dispatch 7-14 working days
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£59.95Gates Of Freedom - Robert Thurston
Composer Robert Thurston has produced a rich sounding and colorful easy march that has the bright open "American" sound of a familiar piece without, in fact, actually quoting anything. The fresh sound, active percussion and idiosyncratic harmonies help make this selection perfect for stimulating beginning instrumentalists. Duration: 2' 30"
Estimated dispatch 7-14 working days
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£37.95The Year of the Dragon (Prestige Concert Band - Score only) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
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£199.95
The Year of the Dragon (Prestige Concert Band - Score and Parts) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
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£84.99Return of the Vikings (Concert Band - Score and Parts) - Appermont, Bert
This composition paints a picture of belligerent and brave Vikings. After a short introduction the lofty main theme is heard, accompanied by sombre drum sounds. A brief idyllic passage follows that evokes a beautiful landscape. Gradually, a heroic melody is revealed, leading to a great tutti, in which the rousing main theme is heard once more. Return of the Vikings closes with the sound of heroic brass and festive chords. Duration: 3.15
Estimated dispatch 7-14 working days
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