Results
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£399.00Symphony No.3 (Urban Landscapes) (Concert Band - Score and Parts) - Cesarini, Franco
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City". Duration: 27.00
Estimated dispatch 7-14 working days
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£132.00Loch Ness (Concert Band - Score and Parts) - De Meij, Johan
A Scottish Fantasy. The symphonic poem Loch Ness consists of five through-composed impressions of this mysterious Scottish Lake. I) The Lake at Dawn - calm, static, sonorous blocks depict the troubled opaque water surface and the enormous depth of the Lake at daybreak. II) Slowly the rising early-morning mist reveals the distant ruins of Urquhart Castle, represented by a solemn theme in the trombones which is taken over by the full band, thus evoking the illustrious past of this fortress besieged so many times. III) Inverness: Bagpipes and Tourists - the music takes us down to the town of Inverness where the first tourists mark the slow but steady start of a new season to the sound of a Scottishmelody. IV) Storm - suddenly a heavy wheater breaks: fierce gusts of wind and heavy showers transform the erstwhile calm surface into an obscure and whirling mass of water, and clouds rapidly passing over offer an eery scene. V) Conclusion - storm and rain gradually decrease and when everything is quiet again we are granted a last view of the Lake in its full glory. Duration: 12.15
Estimated dispatch 7-14 working days
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£407.00Symphony Nr. 3 Urban Landscapes Op. 55 - Franco Cesarini
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City".
Estimated dispatch 7-14 working days
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£134.99Loch Ness - Johan de Meij
The symphonic poem 'Loch Ness' consists of five through-composed impressions of this mysterious Scottish Lake. I) The Lake At Dawn - calm, static, sonorous blocks depict the troubled opaque water surface and the enormous depth of the Lake at daybreak. II) Slowly the rising early-morning mist reveals the distant ruins of Urquhart Castle, represented by a solemn theme in the trombones which is taken over by the full band, thus evoking the illustrious past of this fortress besieged so many times. III) Inverness: Bagpipes and Tourists - the music takes us down to the town of Inverness where the first tourists mark the slow but steady start of a new season to the sound of a Scottishmelody. IV) Storm - suddenly a heavy wheater breaks: fierce gusts of wind and heavy showers transform the erstwhile calm surface into an obscure and whirling mass of water, and clouds rapidly passing over offer an eery scene... V) Conclusion - storm and rain gradually decrease and when everything is quiet again we are granted a last view of the Lake in its full glory.
Estimated dispatch 7-14 working days
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£65.00Malkauns (Concert Band - Score and Parts) - Boyd, Lindsay
While teaching in India, composer Lindsay Boyd became acquainted with the fundamentals of Northern Hindustani music. The result is this intriguingly unique work for wind band that incorporates distinctive sounds of India. The "drone" sound of the tambura is available as a free download online, or may be substituted with a marimba. The vocal chanting in the piece is a representation of the syllables used by a tabla player when learning to play this exotic drum. This is a wonderful piece for expanding the musical horizons of your players and audience. Duration: 3:30
Estimated dispatch 7-14 working days
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£48.95Two Scandinavian Melodies (Concert Band - Score and Parts) - Stalter, Todd
These two delightful Scandinavian melodies (The Love of Our Country; Love and Fame) offer a glimpse into the folk music of a region that is not prominently featured in band literature. Teaching opportunities abound for sensitive musicianship and stylistic nuance, and the romantic colour harmonies provide a rich texture that enhances the depth of the sound of the concert band.Duration: 2:45
Estimated dispatch 7-14 working days
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£154.99Greek Folk Song Suite (Concert Band - Score and Parts) - Cesarini, Franco
Greek folk music is characterised by the sound of the 'buzuki' which is often used in combination with the clarinet, the mandolin, the violin and various types of tambourines. In Greek Folk Song Suite, Franco Cesarini has elaborated on three songs belonging to this most ancient tradition. The first, O Haralambis, is in 7/8 time, a characteristic of a popular folk dance called kalamatianos. Originally, the song O Haralambis was sung to 'tease' during weddings with the text of the song refering to a young man who refuses to marry. The second movement, Stu Psiloriti, refers to an ancient song from the island of Crete. The third movement of the suite is based on the song Vasilikos tha gino and is characterised by the sirtaki, probably the most popular Greek dance outside of Greece. This is Greek passion portrayed by a concert band!Duration: 9:00
Estimated dispatch 7-14 working days
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£59.95Sounds and Rounds for Band (Concert Band - Score and Parts) - Brand, Geoffrey
If you have ever stood before a Concert Band and wondered how you may best help them to sound better then SOUNDS will help. SOUNDS are exercises designed to improve DYNAMICS, RHYTHM, CRESCENDO and DIMINUENDO, INTERVALS, RESTS and ACCENTS. The exercises can also be used for warm-up purposes. They are interesting to play whilst creating an awareness of some of the fundamentals of good performance. ROUNDS are a form of Canon in unison (or octaves) with the players entering at regular rhythmic periods. The first Rounds were printed in 1609 so people have enjoyed performing this form of music for a very long time and still do. Kookaburra comes from Australia, Row Row Row the Boat is English, Frre Jacques is French and in this version a variation on the original melody has been added which also works as a round and adds to the fun. A full score has been provided in order to facilitate rehearsal.
Estimated dispatch 7-14 working days
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£11.95
Sounds and Rounds for Band (Concert Band - Score Only) - Brand, Geoffrey
If you have ever stood before a Concert Band and wondered how you may best help them to sound better then SOUNDS will help. SOUNDS are exercises designed to improve DYNAMICS, RHYTHM, CRESCENDO and DIMINUENDO, INTERVALS, RESTS and ACCENTS. The exercises can also be used for warm-up purposes. They are interesting to play whilst creating an awareness of some of the fundamentals of good performance. ROUNDS are a form of Canon in unison (or octaves) with the players entering at regular rhythmic periods. The first Rounds were printed in 1609 so people have enjoyed performing this form of music for a very long time and still do. Kookaburra comes from Australia, Row Row Row the Boat is English, Frre Jacques is French and in this version a variation on the original melody has been added which also works as a round and adds to the fun. A full score has been provided in order to facilitate rehearsal.
Estimated dispatch 7-14 working days
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£74.99Hymnus Antverpiae (Flexible Ensemble - Score and Parts) - Van der Roost, Jan
This hymn was commissioned by "Antwerpen 93". And this city, on the banks of the river Schelde has been nominated "Cultural Capital of Europe" for 1993. The work-group "animatie" took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premired by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion. Musically speaking the piece can no doubt be labelled easy. Indeed it is meant to represent a hymn, playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music, which by native is easily accessible and uncomplicated. The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts, in order to make the range in the sound of the orchestra as colourful as possible. The percussion parts are not absolutely essential, so that the hymn can also be performed without percussion.Duration: 4:00
Estimated dispatch 7-14 working days
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