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  • £87.95

    The Platinum Jubilee March - Chris G. Shelton

    The Platinum Jubilee March was written to celebrate Her Majesty, Queen Elizabeth II's seventy-year reign as monarch of the United Kingdom. Its premiere was televised live around the world as part of the Queen's Birthday Parade which marked the start of the national Platinum Jubilee celebrations.

    Estimated dispatch 7-14 working days
  • £134.99

    The Secret of Mercury - Jan de Haan

    This work was commissioned by the concert band Da Capo Leeuwarden from the Netherlands, which was linked with the Dutch postal service PTT up until 1995. Mercury happens to be the messenger of the gods - a kind of mailman, one could say. Yet the composer did not choose the god but the planet Mercury as his source of inspiration for this work in four uninterrupted movements. He created a multifaceted work in which the mysterious celestial body is represented, as well as a number of space missions exploring it. This interesting subject matter guarantees a composition that fascinates from start to finish.

    Estimated dispatch 7-14 working days

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  • £119.99

    Quarantine - Thomas Doss

    Like a dark veil, an ominous sense of foreboding takes hold across the world. A looming danger, one previously unknown to mankind, slowly approaches, bringing our daily lives to a grinding halt. A perilous virus gives us no choice other than to stay in our homes, leaving us unable to work in our offices or even visit family and friends. Something that has only been talked about in history books is coming to pass: a pandemic! The invisible danger expands more and more, and we feel paralysed by fear and fright. The distance between us and our fellow human beings increases. At the same time, we start to better understand something crucial: we have time again! People help each other out. Neighbourly assistance and support within one's own family becomes more apparent. We stand by each other. Suddenly we have the time for things that we did not have before. Time for reflection... A new era commences. Finally, hope reappears. We leave our houses, but nothing is quite the same anymore. With renewed strength, people begin to perceive the future in a positive and optimistic way once again. With greater attention and awareness of the here and now, we feel that, despite it all, we can be happy.Recorded by the Kobe College Wind Orchestra and its conductor Satoshi Yagisawa

    Estimated dispatch 7-14 working days

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  • £407.00

    Symphony Nr. 3 Urban Landscapes Op. 55 - Franco Cesarini

    Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City".

    Estimated dispatch 7-14 working days
  • £72.99

    On to the Next Frontier - Richard L. Saucedo

    Richard's exciting overture captures feelings of adventure and daring as we look towards a new frontier and flourishing future. The percussion section is featured at the start, as layers of patterns build up to a vibrant full bandstatement of the main theme. The lyric middle section features short solos for clarinet and trumpet accompanied by lush background harmonies from the ensemble. The fast pace returns introduced by a playful baritone sax solofollowed by a full band recap of the opening theme and a rousing finish.

    Estimated dispatch 7-14 working days
  • £38.50

    Farandole - Francois Dorion

    Featuring snare drum and flutes at the start Farandole (traditional French dance) is sure to be a fun piece for your beginning students. The catchy melody is passed around to each section of the band, and cleverly scored with simple rhythms and very limited ranges. The First Concepts Series features simplified instrumentations, unison bass lines, optional advanced snare drum parts, and optional piano accompaniments.

    Estimated dispatch 7-14 working days
  • £144.99

    The Air Race - Otto M. Schwarz

    In 1934, the city of Melbourne celebrated its centenary and marked the occasion with the MacRobertson International Air Race. KLM's entry was its first DC-2, PH-AJU 'Uiver' (Stork), which took off on 20 October 1934. Shortly before the finish, the plane had to make an emergency landing due to poor weather conditions. The following morning, the entire town turned out to dig the aircraft out of the mud, enabling to resume its flight. Nonetheless, the distance was covered in three days, 18 hours and 17 minutes: a winning performance! This programmatic piece tells the story describing the start of the engines in bar one, the flight over the clouds, the thunderstorm, theemergency landing and many more scenes!

    Estimated dispatch 7-14 working days

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  • £344.30

    Goldberg 2012 - Svein H. Giske

    The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-

    Estimated dispatch 7-14 working days
  • £57.50

    The Path Not Taken - Michael Sweeney

    The image of a path not taken may evoke a sense of mystery and excitement at the unknown, as well as the satisfaction of following our own individual path in life - a unique journey different from all others. This engaging workfor band follows an arc of emotions ranging from the eager anticipation at the start of a journey: frustration and doubt as the path becomes more difficult and perilous: then elation and joy as the goal is reached and our dreamsare realized.

    Estimated dispatch 7-14 working days
  • £94.99

    Easy Queen

    It's never too early to start enjoying the music of Queen! This Grade 2.5 medley, aimed at young or small bands, features a nice selection of the band's hits: 'A Kind of Magic', 'Another One Bites the Dust' and 'I Want to Break Free'.

    Estimated dispatch 7-14 working days

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