Results
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£60.99
Chicago, The Best of (Concert Band - Score and Parts) - Murtha, Paul
The early hits by supergroup Chicago were remarkable for their driving rock style combined with a distinctive and integral use of horns. Here's a fast-paced and dynamic medley for young players that includes the familiar tunes Make Me Smile, Saturday in the Park, and 25 or 6 to 4.
Estimated dispatch 7-14 working days
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£75.00
The Beatles Remembered (Concert Band - Score and Parts) - Lennon & McCartney - Bullock, Jack
From the roots of the rock-and-roll era, this energy-packed medley brings back fond memories to those old enough, and introduces these cherished tunes to the youngsters. John, George, Ringo, and Paul! With a variety of styles to embrace the breadth of the Beatles impact on our global musical culture, the titles included are "Do You Want to Know a Secret?," "From Me to You," "I Saw Her Standing There," and "She Loves You." Clear notation, well-defined dynamics, and a groove supplied by the rhythm section in the style of the tasteful Ringo Starr, you're sure to find a warm reception for this highly crafted arrangement.Duration: 5:30
Estimated dispatch 7-14 working days
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£65.00
Teenage Dream/Super Bass (Concert Band - Score and Parts) - Lopez, Victor
The ladies of pop continue to rule the charts and here are two very playable titles from Katy Perry and Nicki Minaj's repertoire that will rock your audience. This arrangement features both "Teenage Dream" and "Super Bass" in a setting that is energy-packed. Recently, the two dynamic divas were featured at the 54th Grammy Awards. Two driving dance tunes, both globally recognisable, will have your students begging for more! Duration: 4.00
Estimated dispatch 7-14 working days
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£225.00
Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00
Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00
Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00
Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£61.00
Short Cuts for Beginning Band No.1 (Concert Band - Score and Parts) - Story, Michael
Here are four highly recognizable pop tunes, carefully scored for your beginners but with identifiable teaching concepts at the forefront. Use these wonderful melodies to reinforce articulations, form, chromatics, legato and staccato style, dynamics, and balance. Titles included in this first instalment are "The Magnificent Seven," "Wipe Out," "Over the Rainbow," and "Scooby Doo, Where Are You?" Brilliant!Duration: 5.45
Estimated dispatch 7-14 working days
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£70.00
Last Friday Night (T.G.I.F)/The Edge of Glory (Concert Band - Score and Parts) - Lopez, Victor
Recently, the ladies of pop are ruling the charts and veteran writer Victor Lopez has selected two very playable titles from Lady Gaga and Katy Perry's repertoire that will rock your audience. A dynamic duo of artists and tunes. Recognised by students and audiences alike, this pop duo is certain to please!Duration: 5.00
Estimated dispatch 7-14 working days
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£70.00
Mash-Up Vol.1 (Concert Band - Score and Parts) - Roszell, Patrick
Cee Lo Green's "Forget You" and Journey's "Don't Stop Believin'" collide in this exciting "Mash-Up" reminiscent of the popular television show Glee. This arrangement presents an exhilarating performance opportunity for your outstanding trumpet and trombone soloists and provides an entertaining experience for bands and audiences alike. Building on the "Mash-Up" concept, the two tunes are joined as one in the show-stopping arrangement.Duration: 3.15
Estimated dispatch 7-14 working days