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£113.30
Rumanian Folk Dances - Béla Bartók
Bla Bartk (1888 - 1945) showed from the beginning of his career an interest in popular music. He began studying music at the age of five and eventually focused on composition and piano. He collected a lot of popular songs, especially during his studies in Hungary, but also music from Romania and Slovakia. This had a lot of influence on his style. In his compositions, Bartk uses many Hungarian popular themes and rhythms, and even his own original works always refer to the same rhythmic and melodic folk character. At the beginning of the twentieth century, Bartk detached himself from romanticism and began to delineate his style on harmonic procedures based on diminished and augmented intervals, on bitonality, and on marked percussiveness, characteristics that are at the core of popular music.The Romanian Dances are a collection of seven folk dances, originally composed for piano (1915, the first six) and then transcribed for a small symphonic orchestra (1917). Of purely modal language, like almost all Bartk's music, each dance comes from a different area of Romania (Stick Dance, Sash Dance, In One Spot, Horn Dance, Romanian Polka, Fast Dance of Belnyes, and Fast Dance of Nygra).
Estimated dispatch 7-14 working days
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£117.00Lincoln Portrait - Aaron Copland
Lincoln Portrait was commissioned by Andre Kostelanetz for the Cincinnati Symphony Orchestra in 1942. A stirring tribute to an eminent American, it includes fragments of songs from the Civil War era, sweeping original themes, anda narration drawn from Lincoln's own words. This transcription by Walter Beeler has become a staple in the repertoire for wind bands, and provides an impressive way to help celebrate the 200th anniversary of Lincoln's birth. Audioused with permission from the Mark Records CD: Northshore Concert Band Live at the 2001 Midwest Clinic - John Lynch, conductor - Dr. William Warfield, narrator (Score Only - 48006216/$15.50)
Estimated dispatch 7-14 working days
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£186.20Wald Sinfonie - Kees Vlak
It was during his stay at Freiburg, Germany, where he was attending a Music Festival, that Kees Vlak found his inspiration for this romantic work. At this festival he was awarded a prize for one of his compostitions, which was played by several bands from different countries. The composer was staying in the small village of Horben, hidden among pine woods on a mountain at the border of the Black Forest. From the balcony of his room he had a splendid view on the Schawinsland Valley, scarcely hidden by the tops of the huge pines. Each morning a blackbird singin in a huge pine next to his window woke him up. This bird song opens the composition.Whenever possible the composer and his wife went for a walk in the Black Rorest. The rediscovery of this wonderful area is expressed by the steadily increasing number of tone colours, used in the orchestration. Each village still boasts its own folk music and dances. More than one hundred bands were playing all around; the Black Forest seemed to be the scene of one huge festival. The image of the Black Forest is also linked to that of hunting scenes, so the next theme is being introduced by hunting horn themes. The second theme paints the lake "Titisee". At first the lake is very calm, but a stiff breeze sets both water and music alike in motion. The small town of Titisee is very popular with tourists and is famous for its woodcutting, its clockworks and musical boxes. It is a popular folk tune, played by a musical box that makes the link with the next theme. The joy and cheerfulness of the dancing village people is expressed by a movement which works out the initial theme.On leaving the little town, one can hear once more the hunting music from the wood as well as the song of the birds. The new theme is againg closely linke d to the hunt and played by the typical German helicon-like euphoniums.this theme interacts with the wecond theme and the word ends with a grnd finale meant as a musical hommage tot this wonderful area.
Estimated dispatch 7-14 working days
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£131.99
Instrumentalstze (Aus Dem Oratorium "Saul") - Georg Friedrich Händel
Handel's Oralorio "Saul", composed in 1739, contains a series of instrumental movements which provide commentary on the action. Composers have often written works in the form of suites from these movements. Handel's blocks of polyphonic music are also particularly suitable for wind band. His orchestral suites were usually performed in Ihe open air. Many of his themes rank among the great inventions of musical history. They give his music dignity and greatness and at the same time they remain popular in character. The instrumental movements from 'Saul' are suitable for concerts, including those in churches, for serenades and for contests from intermediate to advanced level.
Estimated dispatch 7-14 working days
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£91.20King Arthur - Antonio Petrillo
The legendary figure of Arthur, British leader, is mainly the result of folklore and literary invention. According to the tales Arthur, who in the most ancient sources is called "Warlord," defended Great Britain from the Saxon invaders between the fifth and sixth centuries. In the introductory measures of the piece, we can hear the basic themes developing freely one after the other. The first movement (Allegretto - march) describes Arthur with his most faithful riders galloping on his horse for simple rides in the woods or hunting moments. The second movement (Vivace - gigue), describes court dances to celebrate his victories over the Saxons. The third and last movement (Moderato - grandiose) portrays the special relationship between Arthur and Excalibur, the magical and mysterious sword that only he managed to extract from the rock before being proclaimed king. Excalibur's scabbard is said to have the power to protect King Arthur from being wounded in battle.
Estimated dispatch 7-14 working days
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£110.00Mount Everest - Kees Vlak
This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.
Estimated dispatch 7-14 working days
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£84.99Young Person's Guide to John Williams - John Williams
Young-at-heart moviegoers of all ages have been treated to the masterful movie themes of John Williams for decades. Here is a magnificent collection of some of his most memorable melodies from the silver screen.Includes the works Prologue from Hook, Theme from E.T., Hedwig's Theme and Raiders March.
Estimated dispatch 7-14 working days
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£407.00Symphony Nr. 3 Urban Landscapes Op. 55 - Franco Cesarini
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City".
Estimated dispatch 7-14 working days
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£76.99Freedom Forever - Günther Fiala
The fanfare-like piece Freedom Forever deals with the chances and possibilities that arise with freedom and is uses two famous quotes from the 1948 Universal Declaration of Human Rights and from Jean-Jacques Rousseau as a basic idea. The piece alters two themes in different styles representing the different faces of freedom as such. A fantastic and reflective opener or closing piece for your concerts!
Estimated dispatch 7-14 working days
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£70.50Australiana - Roland Barrett
Drawing its inspiration from the land down under and featuring quotations from the traditional Australian tunes Waltzing Matilda, Bound for South Australia, and Advance Australia Fair in a glorious overture-style medley, this composition salutes the spirit, diversity, and proud heritage of the people of Australia. The musical emotions alternate between the hauntingly beautiful, reverent themes and the joyous, even raucous, folk tunes building to a glorious conclusion. (3:30)
Estimated dispatch 7-14 working days
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