Results
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£205.30
Mitt hjerte alltid vanker - Fantasi - Hans Adolph Brorson
This arrangement was commissioned by B3 (The Bergen Woodwind Ensemble). B3 is a large woodwind ensemble located in Bergen with a mix of professional and amateur players. My Heart Remains in Wonder is a well-known Christmas hymn in Scandinavia. I wanted my version to be different to the traditional hymn tune style in which it is normally performed. One day I was outside walking and this idea came to me: an ostinato-like, mechanical skeleton of arpeggio semiquavers on which I could 'hang' the melody. However, I also wanted to do the melody line a bit different. The inspiration for this comes from folk music and the way fiddlers hardly ever lift their bow off the strings when they play. Because of this, it is important that the melody is played in a very sostenuto style in this arrangement. The harmonies lie somewhere between jazz and folk music with a little nod towards Grieg (himself heavily influenced by folk music) in the slow middle section.
Estimated dispatch 7-14 working days
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£435.40
Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£65.00
Highlights from Bugsy Malone - Paul Williams
Highlights from Bugsy Malone (score and parts) presents four irresistible songs from the favourite children's musical, arranged by Rob Wiffin for grade 3-level symphonic wind band. Perfect for school and amateur bands, songs include So you wanna be a boxer, Tomorrow, My name is Tallullah, and You give a little love.
Estimated dispatch 7-14 working days
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£149.40
Selmas sang (Fra Snfall) - Thomas Stenersen
Snowfall is a 24-episodes advent TV-production for children, made by the Norwegian Broadcasting Corporation (NRK). It premiered on the 1st of December 2016. The main character in the series is the orphan Selma, a little girl that dreams of being somewhere else, somewhere better, together with her family. The song is full of hope and dreams for her future.
Estimated dispatch 7-14 working days
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£72.99
Selections from Mary Poppins Returns - Marc Shaiman
Our favorite magical nanny returns to the silver screen, complete with clever and catchy new songs. Here's an entertaining and fast moving medley for the concert stage including: (Underneath the) Lovely London Sky, Can You Imagine That?, A Cover Is Not the Book, The Place Where Lost Things Go, Trip a Little Light Fantastic, and Nowhere to Go but Up.
Estimated dispatch 7-14 working days
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£102.99
Transformation - Alan Menken
The 'Transformation' scene from Beauty and the Beast is one of the most impressive moments from the movie and a perfect example of how magical the combination of music and images can be. Marc Jeanbourquin has created a Grade 4 arrangement that is very close to the original score and sounds as if you are actually watching the movie. It is a little challenging, but guaranteed to have your audience on the edge of their seats!
Estimated dispatch 7-14 working days
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£104.99
Queen Chart Hits
You cannot get enough of the music of Queen: one of the all-time most popular bands in the history of pop. Top German arranger Wolfgang Wssner has made a great grade 3 medley including some of their most popular songs: 'You're MyBest Friend', 'Killer Queen', 'Don't Stop Me Now' and 'Crazy Little Thing Called Love'.
Estimated dispatch 7-14 working days
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£104.99
Disney Villains Medley
Who doesn't like the bad guys in the movies? We all know they will lose in the end, but maybe we're rooting for them a little. Enjoy this Disney Villains medley!
Estimated dispatch 7-14 working days
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£68.80
Hit It! - Scott Rogers
Hit It! Using a minimum of rhythmic and melodic material, Hit It! creates a dynamic interplay between the winds and the percussion. The tune is also a little tribute to the popular TV themes of composer Mike Post from the 70's and 80's
Estimated dispatch 7-14 working days
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£53.95
A Child's Lullaby - Robert Sheldon
This piece is dedicated to Olivia Caldwella beautiful and charming little girl who was taken by cancer at the age of 20 months. Her grandparents commissioned this piece in her memory to recognize her sweetness, strength, and courage. (3:45)
Estimated dispatch 7-14 working days