Results
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£68.00Arioso (from Cantata No.156) (Concert Band - Score and Parts) - Bach, Johann Sebastian - Reed, Alfred
Soft, delicate, sensitive, and meant to be performed at a very slow tempo, this superlative Alfred Reed arrangement is a wonderful addition to the band repertoire. Definitely written for mature bands, the notes aren't hard, but the music itself will challenge the skills of even the very best bands. Exceptional music!Duration: 5.00
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£56.50Knights of Dunvegan (Concert Band - Score and Parts) - Meyer, Richard
Your band and audience will love this original work by Richard Meyer, written with the Scottish castle of Dunvegan in mind. The driving theme is first presented by the clarinets, then passed throughout the entire band. A majestic English-style march follows, with a reworking of the main theme and an exciting flourish ending the piece. Full of rich, modal harmonies and interesting scoring, there is plenty here to challenge all sections of your band. A perfect piece for contest or festival.Duration: 4.00
Estimated dispatch 7-14 working days
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£66.95Fantasia on an Irish Hymn (Concert Band - Score and Parts) - O'Reilly, John
Based on the beautiful Irish hymn Be Thou My Vision, this brilliant fantasia presents a variety of musical styles that will challenge and stimulate the developing band. A broad, modal fanfare opens the work followed by a full ensemble statement of the hymn. A rapid 12/8 percussion ostinatato in the style of traditional Irish folk music sets up the second section and continues under the haunting Mixolydian melody. A drone-style accompaniment and interesting counter-melodies add to the excitement before the hymn returns in a glorious maestoso. This unique combination of musical elements makes for another thrilling and inspiring work from John O'Reilly! Duration: 4.00
Estimated dispatch 7-14 working days
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£79.99Olympic Fanfare and Theme (Concert Band - Score and Parts) - Williams, John - Curnow, James
When the 1984 Los Angeles Olympic Committee commissioned John Williams to compose their theme, it was a stroke of genius, as it became and instant classic. This James Curnow arrangement masterfully captures the sound of this powerful work with an exhilarating excursion for the brass sections and a rewarding musical challenge for the rest of the band. Don't miss out on the Olympic excitement!
Estimated dispatch 7-14 working days
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£109.99El Cumbanchero (Wind Band - Score and Parts) - Hernandez, Rafael - Iwai, Naohiro
This work will be a challenge for many concert bands. Extensive percussion, virtuoso passages for woodwinds and special effects from the brass guarantee excitement for every musician in your band.Duration: 4:00
Estimated dispatch 7-14 working days
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£74.95Circus Suite (Concert Band - Score and Parts) - Johnson, Stuart
All the excitement of the Big Top is contained within four short movements, but the safety net is well in place in the shape of ample cross-cuing. This is longer than the average "easy" piece and slightly more difficult, presenting a real musical challenge, but the minimal necessary instrumentation still applies, and of course Johnson, Stuart's superb scoring ensures its effectiveness. The second movement features the tuba, and the third movement features alto saxophone (cued into horn).
Estimated dispatch 7-14 working days
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£14.95
Circus Suite (Concert Band - Score Only) - Johnson, Stuart
All the excitement of the Big Top is contained within four short movements, but the safety net is well in place in the shape of ample cross-cuing. This is longer than the average "easy" piece and slightly more difficult, presenting a real musical challenge, but the minimal necessary instrumentation still applies, and of course Johnson, Stuart's superb scoring ensures its effectiveness. The second movement features the tuba, and the third movement features alto saxophone (cued into horn).
Estimated dispatch 7-14 working days
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£33.95Russian Sailors' Dance (Concert Band - Score and Parts) - Gliere, Reinhold - Kinyon, John
A marcato opening announces this dramatic Russian theme. An active percussion part, tempo changes, and syncopated rhythms make this easy work an interesting challenge for young beginners. Each section of the band has a turn to shine while the arrangement builds to a dramatic 'accelerando poco a poco' closing.
Estimated dispatch 7-14 working days
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