Results
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£60.50Developing Band Clinic (Concert Band - Score and Parts) - Smith, Robert W.
A Warm-Up and Fundamental Sequence for Concert Band. Progressive, in-depth and highly organized, this is the second of four comprehensive warm-up programs used by Robert W. Smith at the podium of every honor band he guest conducts. This warm up program is designed for use in any key with just a standard student part to be included in the band's folders. This Clinic will meet your daily warm-up needs, support your teaching objectives, and accommodate the National Standards for Music Education. There are four segments in each Clinic: tone, technique, theory and composition, and chorale. The recording included is only the fourth portion; the choral.
Estimated dispatch 7-14 working days
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£53.95First Band Clinic (Concert Band - Score and Parts) - Smith, Robert W.
This warm-up program is designed for student transposition to any appropriate key. This single band part for inclusion in the students' folders will exceed your daily warm-up and teaching objectives while meeting the National Standards. There are four segments in each "clinic": tone, technique, theory and composition, and a chorale. Progressive, in-depth and highly organized, this is the first of four comprehensive warm up programs used by Robert W. Smith from the podium at every honor band he guest conducts. The recording included is only the fourth segment; the chorale.
Estimated dispatch 7-14 working days
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£470.99Earth, Water, Sun, Wind (Symphony No.1) (Concert Band - Score and Parts) - Sparke, Philip
Earth, Water, Sun, Wind is a four movement work with the unifying theme of these four elements. The music varies from being purely descriptive of the movements' titles to specific sound painting - Earth, for example, is pure music and non programmatic whereas Sun attempts to paint a specific sound picture. The Symphony as a whole concerns itself with man's relationship with these monumental aspects of nature.Duration 31:30Recorded on Anglo Records AR001-3 Earth, Water Sun, Wind
Estimated dispatch 7-14 working days
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£82.95Carmen Suite (Concert Band - Score and Parts) - Bizet, Georges - Bullock, Jack
The story of Carmen is set in Seville, Spain, in 1820. It is story of a passionate, fickle, gypsy girl, Carmen, who is one of six major roles in the opera. The story, in four acts, is action-packed, animated, flowing, and never uninteresting. Bizet was well acquainted with Spanish folklore and folk music through his many visits to Spain. For Carmen, he composed a score that is rhythmical, tuneful, and characteristic of the gypsy lifestyle. The adaptation for concert band is a suite in four movements that retains the spirit of the original production.
Estimated dispatch 7-14 working days
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£69.99
Circus Bamboni Wind Band Set (Score & Parts)
COME ONE AND ALL! Come see the great Circus Bamboni! This four movement work, with flexible four part instrumentation (+ Drum Kit), will amaze and charm you like no other. The first movement features the band as it tunes up and prepares for the show. Then the talented trapeze artists make an appearance as they fly through the sky high above the audience. The elephants parade around the ring with their very own Elephant Samba and the clowns follow leaving you in stitches! A thunderous chord and lots of applause bring the show to a breathtaking finale. 0:04:55
Estimated dispatch 7-14 working days
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£154.99
Concertino for Xylophone Wind Band Set (Score & Parts)
This composition was commissioned by "Koningin Wilhelmina Wamel" on the occasion of its one hundred year anniversary. That it is a composition for xylophone and concertband lies in the fact that Harmony has a very talented, young percussion player in the person of Barry Jurjes. The piece is both melodically and harmonically based on four notes (C - Dflat - F - G). The structure is divided into four parts: slow - fast - slow - fast. 08:00
Estimated dispatch 7-14 working days
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£160.00DANCE SUITE (Concert Band) - Muldowney, Dominic
Includes:1. Hey2. Pavane/Waltz3. Polka4. Waltz/Galliard5. Tangos6. Break-DanceDance Suite displays a variety of historical dance forms from a twentieth century viewpoint. The six dances move forward historically from the ancient Hey, through Waltz and Polka, to the sophisticated Tango and the jazz tradition. The rhythm that typifies each dance is constantly under attack, sometimes from a different dance style altogether. These intrusive elements are most obvious in the final dance and prompts the double meaning of the title.I. HEYHey is constructed like a mediaeval motet, where the main blocks of material are rhythmically unconnected to one another. The percussion is the most disconnected of all and seems to have arrived from a Chinese carnival. The scoring alludes to the eight, four and two foot pipes of a baroque organ.I. PAVANE/WALTZAfter a nod in the direction of Dowland's Lachrimae Pavan, the piece seems to wander to and fro between the 16th century and the 19th century world of the Lehr waltz.I. POLKAThe Polka is derived from a four bar fragment found in Stravinsky's sketchbook for The Rite of Spring above which is written: "Dieppe Polka".I. WALTZ/GALLIARDThis is a reversal of the date-shift process in the second movement, in that the wandering goes backwards rather than forwards, particularly to the William Byrd of the Fitzwilliam Virginal Book.I. TANGOSA slow sentimental tango is sandwiched between an abstract deconstructed one, both of which are developed in Dominic Muldowney's opera The Voluptuous Tango.I. BREAK-DANCEBreak-Dance is the fastest, hardest and strangest movement. Its exuberance fractures the texture, which slowly crumbles midway through the movement, only to be resurrected mirror fashion. The piece is a species of palindrome with no true centre, hence: "Break-Dance".Conductors are free to make a selection from these dances for festival or competition programmes, when limited performance time is available.
Estimated dispatch 7-14 working days
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£209.95DREAMSCAPES (Prestige Concert Band - Score and Parts) - Ellerby, Martin
A suite in four movements, each depicting in a dramatic and colourful way, four cities of the imagination: Eldorado, Avalon, Shangri-La and Xanadu! are explored and the composer's dreams are laid bare to the listener. Performance time 16'24" Grade 4.5-5(Recorded on QPRM143D DREAMSCAPES, Royal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£44.95
DREAMSCAPES (Prestige Concert Band - Score only) - Ellerby, Martin
A suite in four movements, each depicting in a dramatic and colourful way, four cities of the imagination: Eldorado, Avalon, Shangri-La and Xanadu! are explored and the composer's dreams are laid bare to the listener. Performance time 16'24" Grade 4.5-5(Recorded on QPRM143D DREAMSCAPES, Royal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£115.00NAME PERPETUAL, A (Concert Band) - Pierce, Eseld
Under the leadership of Michael An Gof and Thomas Flamanck, a Cornish host, sometimes estimated to number as many as 15,000, marched to London in protest against excessive taxation. Arriving at Blackheath, they were attacked by the King's army and defeated, and the two rebel leaders were hung, drawn and quartered. On his way to his death, An Gof stated that he would have "a name perpetual and a fame permanent and immortal". A Name Perpetual tells the story of the Rebellion in four connected scenes. The music includes strong elements of the Celtic music tradition, being structured around an old Cornish folk tune. The first scene introduces fragments of the folk theme and reflects the anguish of the Cornish people. The second scene opens with the folk theme on solo piccolo and, as different instruments enter one by one, the march is depicted with its accumulation of forces en route. The march halts suddenly as the Cornishmen discover the unexpected arrival of the English army and the subsequent music portrays the Blackheath Skirmish. In this scene the orchestra is divided into four parts, each working independently to create a sense of chaos, with the stronger elements of the brass and bass instruments representing the English, while the woodwind and saxophones represent the Cornish, struggling to sustain the folk tune throughout the battle. Eventually all the parts come together and the final section is a lament for the lost Cornishmen, fading away to leave only a haunting off-stage trumpet solo.
Estimated dispatch 7-14 working days
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