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  • £51.48

    Trumpet Shout-Out

    With a heavy rock attitude, "Trumpet Shout-Out!" is a high-energy trumpet feature in three parts. Reminiscent of the 1960s trumpet-driven band "Chase", the soaring solo trumpet lines are anchored on a solid groove provided by the rest of the band. Although a trumpet feature, the rest of the band has plenty of opportunity to shine, and an easier non-solo trumpet part is also provided. "Trumpet Shout-Out" will provide a high-energy change-of-pace for your next concert.

    Estimated dispatch 7-14 working days

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  • £74.99

    Valerie (Concert Band - Score and Parts)

    Just a year after the English rock band The Zutons had considerable success with Valerie in Great Britain, Mark Ronson and Amy Winehouse released a cover version - a version that was funkier, more upbeat and, in typical Winehouse fashion, more soulful, which shot up the charts in many countries. Valerie is surely one of the hits that immortalises the singer who died in 2011 and will find a welcome place in the repertoire of every concert band. 0:02:40

    Estimated dispatch 7-14 working days

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  • £248.99

    Volcano Wind Band Set (Score & Parts)

    Volcano is a work commissioned by the Municipal Wind Orchestra of Endingen in Germany. The three creative impulses which provided the basis for this symphonic poem are inspired by outside sources. They are closed linked with the history of the Orchestra and the region in which it performs. In this region is the Kaiserstuhl, an enormous rock situated on the edge of the Black Forest. Volcano is a stimulating, lyrical, brilliant and festive work. 0:12:00

    Estimated dispatch 7-14 working days

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  • £49.50

    Wild Horse Canyon

    Here is wonderful program music for young bands suggesting the imagery of wild horses roaming free in the Red Rock canyons of Utah. Interesting parts abound, with unison and independent lines for all players. The short opening fanfare sets the stage for the brisk allegro section. A short interlude leads to a lyrical section for the woodwinds and low brass. A new transitional fanfare leads us back to a recap of the main themes. An inspiring concert or festival selection!

    Estimated dispatch 7-14 working days

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  • £104.99

    Wingin' It! (Concert Band - Score and Parts)

    Wingin' It! is an entertaining concert piece. It makesespecially high demands on the rhythmic qualities ofthe band and requires exact articulation and phrasingaccording to the composer's instructions. After abrilliant opening, a catchy theme crystallizes whileall sections take turns to come to the forefront.Based on this theme, a swing in the classic big bandstyle, a peaceful Bossa (in which the woodwindsdominate) and a section with typical rock and funkrhythms follow. The two-step feeling closes thecircle to lead to the grand finale. This compositionfeatures all the essential elements of a contest pieceand provides a particular challenge in the understandingand execution of popular styles. It alsooffers all the facets that make a work attractive forthe audience as well as the musicians. 07:45

    Estimated dispatch 7-14 working days

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  • £72.99

    Music from Stranger Things

    The popular TV series Stranger Things has reminded us of some of the great songs from the 1980s! With songs supporting key moments in the storyline, here is an emotion-packed medley of classic rock hits along with the iconic theme. Includes: Stranger Things Main Theme Should I Stay or Should I Go Master of Puppets Separate Ways (Worlds Apart) and Running Up That Hill.

    Estimated dispatch 7-14 working days
  • £53.95

    Awesome Sauce - Scott Watson

    You're cool, likeable, and confident. You don't walk, you strut. When you enter a party, a hush falls over the room and heads turn because you have a certain "je ne sais quoi!" People say you're "the bee's knees" and "the cat's meow." You're Awesome Sauce and this piece is the soundtrack of your life! With its fun, blues-like melody and cool rock beat, Awesome Sauce by Scott Watson is sure to be a player favorite. The limited chromaticism, accessible jazz-esque rhythms, and style-important articulations offer excellent teaching moments for the director. (2:57) Awesome Sauce correlates to Book 1, Level 6 of Sound Innovations for Concert Band.

    Estimated dispatch 7-14 working days
  • £102.99

    Music Xperience - Jacob de Haan

    The town of Zevenhuizen (Seven Houses) in the Dutch province of Groningen conceived the idea to assemble 777 musicians for an experimental open air concert. Within that context, Jacob de Haan was commissioned to write a special composition for the local music society Concordia on the occasion of its fiftieth anniversary. The full number of musicians could not be realized entirely, but the performance was a great happening nonetheless. Now, the music has been published in a compilation, with the most appealing melodies in a varying style of rock music and ballads. The compelling closing theme of Music Xperience will linger in the minds of many listeners and players long after the concert has ended.

    Estimated dispatch 7-14 working days

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  • £118.99

    Tribute to ROXETTE

    As a great fan of the Swedish pop rock duo Roxette, the top German arranger Wolfgang Wssner created a catchy pop medley for wind band as an ode to its lead vocalist Marie Fredriksson - who passed away in December 2019. Hits like 'Joyride', 'Listen To Your Heart', 'It Must Have Been Love' and 'The Look' can practically guarantee a good deal of enjoyment and demonstrate that this band is more than deserving of both its international recognition and its place in the Swedish Music Hall of Fame. Tribute to ROXETTE is sure to not only entertain your musicians, but also captivate the audience!

    Estimated dispatch 7-14 working days

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  • £344.30

    Goldberg 2012 - Svein H. Giske

    The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-

    Estimated dispatch 7-14 working days