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£50.50Land of Enchantment - Timothy Loest
Embark on an epic journey to a strange and mystical land filled with modal moods, colorful orchestration, and heroic themes. The meditative opening yields to a fast-paced theme that weaves through several tonal centers. Filled with wonder and imagination, your performers will sound mature beyond their years!
Estimated dispatch 3-5 working days
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£44.95Windfall (Concert Band - Score and Parts) - Fraser, Bruce
Windfall should be taken at a steady march tempo, with full note values and is a useful piece for developing a good band sound. Dynamic changes are particularly important to avoid monotony in the overall sound and young players are introduced to the concept of D.C. al fine.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 3:00
Estimated dispatch 7-14 working days
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£60.00Spania (Flexible Ensemble - Score and Parts) - Shaffer, David
A delightful piece with a Spanish flavor that is sure to be a highlight of any concert performance and will allow very small bands and bands with severe instrumentation issues to sound just like the big guys. Will sound big and powerful as long as you have the four main parts covered. Includes optional tympani, percussion and piano parts which can enhance the sound even further. A real toe-tapper!
Estimated dispatch 7-14 working days
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£134.99Absolute Crossover (Concert Band - Score and Parts) - Schwarz, Otto M.
This composition is made up of three themes, which feature all the facets of the instrumentation of a concert band as well as that of a big band. The symphonic passages, reminiscent of film music, enable the full tone and colour of the concert band to be heard, whilst the big band sound is represented in the rock segments and slow swing sections. The musical journey travels along practically all styles, ending with an impressive tutti, in which the shuffle rhythm of the big band melts together with the grand, classic film music sound of the concert band.Duration: 7:45
Estimated dispatch 7-14 working days
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£174.99Et in terra Pax (Concert Band - Score and Parts) - Van der Roost, Jan
This piece was commissioned by the Concert Band Vlamertinge and is a plea for peace: the title translates as Peace on Earth. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words Et In Terra Pax, an appeal for peace, at first jumbled together but later more rhythmically structured, developing into synchronized massed voices. The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the first explosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently coloured sound: the words Et in Terra Pax bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming chorale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words Et in Terra Pax are repeated again and again by the rest of the ensemble. The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.Duration: 13:45
Estimated dispatch 7-14 working days
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£209.99Dunamis (Concert Band - Score and Parts) - Waignein, Andre
Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band, with Andr Waignein as its composer. Early in 1979 the composer began his assignment and in October of the same year, the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme, played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here, the band can really show its capabilities to the full. Based on a very precise rhythm, an idiom of sudden desperation and adversity develops which, fused with a crushing aggression, culminates in a kind of eruption, soon calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime, the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds intertwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro, a movement characterised by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again, with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte, when speaking about Honneger, "harmonies d'intensits" harmonies of the unmeasurable.Duration: 14:30
Estimated dispatch 7-14 working days
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£209.99Dunamis - AndrĂ© Waignein
Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band, with Andr Waignein as its composer. Early in 1979 the composer began his assignement and in October of the same year, the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme, played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here, the band can really show its capabilities to thefull. Based on a very precise rythm, an idiom of sudden desperation and adversity develops which, fused with a crushing agression, culminates in a kind of eruption, soom calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime, the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds interwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro, a movement characterized by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again, with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte, when speaking about Honneger, "harmonies d'intensits" harmonies of the unmeasurable.
Estimated dispatch 7-14 working days
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£204.99Storia Eroica - AndrĂ© Waignein
Andr Waignein received order of this composition of the "Municipal Brass Band of Luxembourg-Bonnevoie". It is in the presence of the Grand-Duke Heir Henri that took place first interpretation on January 24, 1998 with this orchestra, and with the composer as director.This work is a musical evocation describing this magnificent Luxembourgian region and her inhabitants.The overture evokes the serenity met in this region. An orchestrale development, as rhythmic as sound, propels the orchestra in a "military" atmosphere putting in evidence all the registers of the orchestra. This tension is maintained until the general explosion of the whole. One cantilena appears in all theinnocence. Gradually, the orchestration suppresses, until the exhaustion. The passage which follows represents the tempestuous events which took place through ages. A spectacular cadence, by the clarinet or by the soprano saxophone, terminates this desorder.An ample and lyric theme reflects the generosity which always played an important role. Then, having found some of initial themes, work ends in an atmosphere of enjoyment, developed in rich and eclectic one variety which proves the sphere of influence of the sound colour at Andr Waignein.
Estimated dispatch 7-14 working days
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£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
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£174.99Et in terra Pax - Jan Van der Roost
This piece was commissioned by the 'Concert Band Vlamertinge' and is a plea for peace: the title translates as 'Peace on Earth'. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words 'Et In Terra Pax' - an appeal for peace - at first jumbled together but later more rhythmically structured, developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently colored sound: the words 'Et In Terra Pax' bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words 'Et In Terra... Pax' are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.
Estimated dispatch 7-14 working days
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