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  • £159.99

    Fantasia Per La Vita E La Morte - Bert Appermont

    The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...

    Estimated dispatch 7-14 working days
  • £174.99

    Et in terra Pax - Jan Van der Roost

    This piece was commissioned by the 'Concert Band Vlamertinge' and is a plea for peace: the title translates as 'Peace on Earth'. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words 'Et In Terra Pax' - an appeal for peace - at first jumbled together but later more rhythmically structured, developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently colored sound: the words 'Et In Terra Pax' bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words 'Et In Terra... Pax' are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.

    Estimated dispatch 7-14 working days

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  • £104.99

    Do Not Go Gentle Into That Good Night - Elliot Del Borgo

    The Dylan Thomas poem Do Not Go Gentle into That Good Night was the motivation for this musical composition. While not a programmatic depiction of the poem, the work attempts to recreate the essence of the poem in sound. Theopening motive, representative of the life force, permeates much of the work. The use of sound layers - in the form of polytonal hymns - calls to mind the struggles and persistence of the human spirit and its refusal to go gentle.A substantial and dramatic work for mature ensembles. Dur: 11:15 (Grade 5)

    Estimated dispatch 7-14 working days
  • £60.00

    Ode to Joy (Flexible Ensemble - Score and Parts) - Beethoven, Ludwig van - Stanton, Scott

    Your band will sound BIG on this setting of "Ode To Joy" scored especially for bands with limited or unbalanced instrumentation. As conductor, you get to create a unique band sound using the strengths of your instrumentation and following the suggested flexible interplay between sections. All players will appreciate that they get to share the melodic spotlight. Optional parts for guitar, piano, bass and percussion can be utilized to fill in the band using the Build-A-Band format. This flexible system of scoring really works! A good choice for a massed band of elementary, middle and high school musicians. First class! Duration: 2.45

    Estimated dispatch 7-14 working days

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  • £84.99

    Trumpet Fiesta (Concert Band - Score and Parts)

    Trumpet Fiesta spotlights four trumpet soloists. From the opening bars the music expresses a feeling of happiness. This swift and lively piece begins with a series of dynamic staccato passages from the soloists. The central section, in the minor key, contrasts with the beginning of the work and during this transition period there are only two solo trumpet parts. The first theme then quickly reappears before moving on to a peaceful and more melodic trio in which long and flowing melody lines allow the soloists to let the beautiful sound of the trumpet fully reveal itself. The sound pyramid then formed by the whole band leads this spectacular piece to a powerful finale. 03:12

    Estimated dispatch 7-14 working days

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  • £109.99

    Catedrales - Bert Appermont

    Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions, drawing on a full palette of acoustic echo effects, Gregorian melodies and organ based choral themes.The work "Catedrals" opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme "Salve Regina" which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms, including a fugue. The work then builds towards its first climax, from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually, more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral, emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.

    Estimated dispatch 7-14 working days

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  • £102.60

    Hard to Say I'm Sorry - Peter Cetera

    "Hard to Say I'm Sorry" is one of the greatest hits by US rock band Chicago. It was the first single record from the "Chicago 16"-album (1982). The song went to no. 1 on the Billboard charts and stayed there for two weeks. Produced by David Foster, the song was given a typical early 80's sound with synthesizers and heavy guitars dominating the sound. The album-version of the song included a part two of the song, "Get Away", a up-tempo song featuring the famous horn-section of the band.

    Estimated dispatch 7-14 working days

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  • £84.99

    Trumpet Fiesta - André Waignein

    Trumpet Fiesta spotlights four trumpet soloists. From the opening bars the music expresses a feeling of happiness. This swift and lively piece begins with a series of dynamic staccato passages from the soloists. The central section, in the minor key, contrasts with the beginning of the work and during this transition period there are only two solo trumpet parts. The first theme then quickly reappears before moving on to a peaceful and more melodic trio in which long and flowing melody lines allow the soloists to let the beautiful sound of the trumpet fully reveal itself. The sound pyramid then formed by the whole band leads this spectacular piece to a powerful finale.

    Estimated dispatch 7-14 working days

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  • £60.00

    We Gather Together (Flexible Ensemble - Score and Parts) - Kremser, Eduard - Stanton, Scott

    The famous Dutch hymn "We Gather Together" is scored for small bands with limited instrumentation, but will sound great with bands of all sizes! Dedicated to the Frontline Responders and Essential Workers who keep us safe, this is the perfect "welcome back" piece for both the band and your returning audience. With "Build-A-Band scoring, you get to create unique sounds using the strengths of your instrumentation, and by following the suggested flexible interplay between sections. This beautiful arrangement includes optional vocal parts for performers and/or audience. Piano, bass, guitar and percussion can strengthen your sound as well. Flexible works wonders, and it's perfect for distance learning situations! Duration: 3.30

    Estimated dispatch 7-14 working days

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  • £45.00

    Vulcan Rising! (Concert Band - Score and Parts) - Webb, Amy

    Vulcan Rising! will make your budding instrumentalists sound like real pros! Vulcan, the Roman god of fire, volcanoes, and smithing, is depicted in music as he rises from the ashes of the mountains and appears in his awesomeness before the people of Rome. How great will this sound on your students' first concert! Exciting music for your first-year band! Duration: 1.20

    Estimated dispatch 7-14 working days

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