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£87.12Up From Earth's Center
This brilliant programmatic work from the pen of Rob Romeyn is an incredible display of beauty, sensitivity, emotion and vigorous intensity. The journey begins on the morning of the great 1868 Hawaii earthquake. Peaceful and beautiful sounds of the black sand beach of Punalu'u are heard as the sun rises. The music then develops, first with a statement of the traditional melody "The Earth Is Our Mother" to remind us to respect Mother Earth and be mindful of her incredible powers. As the tempo quickens we are musically transported into the events of the fateful day, as the earthquake and resulting Tsunami ensued. As the movement of the earth subsides, we return to the beach of Punalu'u as Mother Earth begins her renewal of new life. Certain to become a classic for concert and festival use, this is music of highest quality!
Estimated dispatch 7-14 working days
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£125.00
Diaghilev Dances - Kenneth Hesketh
As a young musician, Hesketh was spellbound by the sounds and colours of the ballet music commissioned for the Ballets Russes company by Serge Diaghilev-- the great ballets by Stravinsky, Debussy, Ravel and Prokofiev. Diaghilev Dances is Hesketh's homage to this great legacy, which he describes as 'a miniature ballet consisting of an introduction, three dances and three entr'actes'.
In stock: Estimated delivery 1-3 days
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£79.99Jitterbug! - Robert Buckley
At the height of the jazz age, each of the major swing bands had their own signature sound, immediately recognizable to their enthusiastic fans. This composition puts these various sounds and rhythms together in homage to a vibrant and innovative time in American music. This piece is a fun way to teach your ensemble to swing and get your audience tapping their toes! Commissioned by the West Vancouver (BC) Youth Band - Douglas Macaulay, director - in tribute to Canada's King of Swing, Dal Richards. Dur: 4:55.
Estimated dispatch 7-14 working days
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£60.50Barnstormers March - Orcino
The golden age of daredevil pilots comes to life in Len Orcino's delightful "Barnstormers March." This rousing march begins with a ratchet as the cranking of the propeller. The engine sputters to life and off the listener goes on his free ride into the air, as the music emulates the biplane and all its loops, dives, tricks and stunts. This open-air cockpit ride creates its thrills with musical devices. Parallel chromatic and diminished seventh chords will add new sounds to your bands vocabulary. You'll label this one a real "toe-tapper". It's sure to become a pops concert standard.
Estimated dispatch 7-14 working days
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£74.99
Chaconne - Johann Sebastian Bach
This beautiful lyrical piece is a set of eleven variations built on two eight-measure themes. The burdens of technique and range are gone, so the young player can just concentrate on making beautiful sounds. Music for the Mind, but mostly for the Heart!
Estimated dispatch 7-14 working days
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£113.30Enjoy - Marco Tamanini
"Enjoy", but also savour, relish: this is not descriptive music, but music to be appreciated. From three points of view: the rhythm of the first movement, the melody of the second and the swing of the third. This piece is characterised by a continuous variation of timbres and colours, in a quest for instrumental solutions that are constantly changing. Examples of this are the main theme in the first movement, which provides the rhythmic backing for the introduction of the third movement, or the sinuous melody of the Bolero, which unravels in a constant development of sounds and timbres.
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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£82.50Oracle - Vince Gassi
Much like the prophecies of ancient seers, musical works have the power to communicate the profound. Shrouded in mystical sounds, the opening creates an air of mystery and intrigue as though peering through time at misty images of future events. As the visions grow and take shape, the music intensifies, leading to bold musical proclamations that will make a lasting impression.
Estimated dispatch 7-14 working days
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£83.50Everest - Rob Romeyn
Mt Everest has attracted the most adventurous of mountain climbers for decades, with many meeting their fate in the attempt to scale the world's highest mountain. The legend of the Yeti has tales of the wild, hairy creatures serving as protectors of Everest and it's villages. The music begins boldly, depicting the majestic sight of this magnificent mountain as our journey begins. The music develops as our journey progresses, telling an eventful and tumultuous tale reaching a stunning climax as the apex of the mountain is reached. From here, the work subsides as the breathtaking vistas unfold in the beautiful, lyric sounds before building to a stunning conclusion of majesty and grandeur. A truly outstanding work, "Everest: The Forbidden Journey" is destined to become a classic for concert and festival use. Don't miss this epic musical adventure!
Estimated dispatch 7-14 working days
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£65.50
Moon Song and Tribal Dance - Carol Brittin Chambers
Moon Song and Tribal Dance is a two part composition for the developing band that is written to depict sounds of Native American music. It starts out lush, mysterious, and choral-like, then leads into a tribal dance. The percussion gets a chance to shine in this piece. Perfect for the end of the year concerts or at festivals.
Estimated dispatch 7-14 working days
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