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£59.99
Dolce Vita - Wim Laseroms
The old German fishing village of Hartheim is situated on the river plain of the Rhine between the mountain Kaiserstuhl and the countryside Markgrflerland. Its inhabitants enjoy life, and they know how to celebrate and have a good time. Wim Laseroms has captured the relaxed atmosphere of the village in this cheerful march. Dolce Vita is an expression of thanks to the band's most loyal fans for their support in the past, and it expresses how music can have a positive effect on the quality of life in a village.
Estimated dispatch 7-14 working days
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£248.99Elements of Nature - Hermann Pallhuber
Earth - Fire - Water - Air: According to the four element theory of temperaments, earth, fire, air and water are the building blocks of the universe. Without them, life would not exist. They shape our view of the world around us, affect our thoughts and guide our feelings. Classifying our cosmos according to the four elements is probably one of the oldest principles of mankind, dating back to the ancient Greeks, and maybe even before them. While we know more about the elements and atoms, these four are still deeply embedded inthe human psyche. According to ancient Greek philosophers, each of the four elements has its own particular attributes. All other substances in nature aresaid to have emerged from these elements and can be broken down into them.All creatures, including human beings, contain a mixture of these four elements, which shape their senses. The elements are even able to balance out the body and the soul.This suite, Elements of Nature, is in four movements, each corresponding to one of the elements.Dances of Fire: Savage, occult, dangerous - Fire signifies the will of man.The Circle of Water: Flowingly, endless, mighty - Water sums up the feelings of human beings.Planet Earth: Structured, material, fertile - Earth stands for the awareness of the self.Air - The Spirit of Life: Stirring, altering, sensual - Air signifies human intellect.Elements of Nature contains a main theme that combines the female elements (earth and water) with the male elements (fire and air). The four movements are also linked to each other by their motifs. A majestic prologue and an epilogue frame the suite.
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
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£256.0014 Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the modernity of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 39.00
Estimated dispatch 7-14 working days
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£110.00Portsmouth Point (Concert Band - Score and Parts) - Walton, William - Noble, Paul
Portsmouth Point is an overture originally composed in 1925 for orchestra by the English composer William Walton. The work was inspired by the well-known painting depicting Portsmouth Point by Thomas Rowlandson. Portsmouth Point depicts in musical form the rumbustious life of British 18th century sailors. Commentators have noted the influence of Igor Stravinsky's music and of jazz in the rhythms of the score, as well as the rhythm of the Catalan sardana dance. This arrangement brings a challenging addition to the repertoire of the Concert/Wind Band, with its pointillistic rhythm and dissonances, somewhat typical of Walton in this period of his life.
Estimated dispatch 7-14 working days
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£240.00Anglesey Seascapes (Concert Band - Score and Parts) - Glyn, Gareth - Noble, Paul
Gareth Glyn lives on the island of Anglesey, where the encircling sea has always been indivisible from the mythology, history and everyday life and work of its people. This cycle of short miniatures, in a light music vein, seeks to represent various aspects of the sea as seen from five vantagepoints around the coast of Anglesey. The whole work is bound together by recurring musical motifs which change their character according to the prevailing mood. 1. Llanddwyn (Reverie): Island of the Welsh patron saint of lovers, Dwynwen, whose marriage to Maelon was never to be, and who dedicated her life to God. 2. Malltraeth (Pastorale): A brisk walk along Cob Malltraeth, a high dyke built to keep out the sea. 3. Penmon (Intermezzo): From a vantage point by the sacred priory of St Seiriol, old sailing ships and modern yachts can be seen scudding by in Regatta week. 4. Cemaes (Scherzo): The bustle of children's play and donkey-rides on the beach in midsummer. 5. Moelfre (Elegy): In remembrance of innumerable souls lost in shipwrecks off this coast, including the Royal Charter with its loss of 452 lives.
Estimated dispatch 7-14 working days
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£65.00Anglesey Seascapes, 1st Movement (Concert Band - Score and Parts) - Glyn, Gareth - Noble, Paul
Gareth Glyn lives on the island of Anglesey, where the encircling sea has always been indivisible from the mythology, history and everyday life and work of its people. This cycle of short miniatures, in a light music vein, seeks to represent various aspects of the sea as seen from five vantagepoints around the coast of Anglesey. The whole work is bound together by recurring musical motifs which change their character according to the prevailing mood. 1. Llanddwyn (Reverie): Island of the Welsh patron saint of lovers, Dwynwen, whose marriage to Maelon was never to be, and who dedicated her life to God. 2. Malltraeth (Pastorale): A brisk walk along Cob Malltraeth, a high dyke built to keep out the sea. 3. Penmon (Intermezzo): From a vantage point by the sacred priory of St Seiriol, old sailing ships and modern yachts can be seen scudding by in Regatta week. 4. Cemaes (Scherzo): The bustle of children's play and donkey-rides on the beach in midsummer. 5. Moelfre (Elegy): In remembrance of innumerable souls lost in shipwrecks off this coast, including the Royal Charter with its loss of 452 lives.
Estimated dispatch 7-14 working days
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£65.00Anglesey Seascapes, 2nd Movement (Concert Band - Score and Parts) - Glyn, Gareth - Noble, Paul
Gareth Glyn lives on the island of Anglesey, where the encircling sea has always been indivisible from the mythology, history and everyday life and work of its people. This cycle of short miniatures, in a light music vein, seeks to represent various aspects of the sea as seen from five vantagepoints around the coast of Anglesey. The whole work is bound together by recurring musical motifs which change their character according to the prevailing mood. 1. Llanddwyn (Reverie): Island of the Welsh patron saint of lovers, Dwynwen, whose marriage to Maelon was never to be, and who dedicated her life to God. 2. Malltraeth (Pastorale): A brisk walk along Cob Malltraeth, a high dyke built to keep out the sea. 3. Penmon (Intermezzo): From a vantage point by the sacred priory of St Seiriol, old sailing ships and modern yachts can be seen scudding by in Regatta week. 4. Cemaes (Scherzo): The bustle of children's play and donkey-rides on the beach in midsummer. 5. Moelfre (Elegy): In remembrance of innumerable souls lost in shipwrecks off this coast, including the Royal Charter with its loss of 452 lives.
Estimated dispatch 7-14 working days
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£65.00Anglesey Seascapes, 3rd Movement (Concert Band - Score and Parts) - Glyn, Gareth - Noble, Paul
Gareth Glyn lives on the island of Anglesey, where the encircling sea has always been indivisible from the mythology, history and everyday life and work of its people. This cycle of short miniatures, in a light music vein, seeks to represent various aspects of the sea as seen from five vantagepoints around the coast of Anglesey. The whole work is bound together by recurring musical motifs which change their character according to the prevailing mood. 1. Llanddwyn (Reverie): Island of the Welsh patron saint of lovers, Dwynwen, whose marriage to Maelon was never to be, and who dedicated her life to God. 2. Malltraeth (Pastorale): A brisk walk along Cob Malltraeth, a high dyke built to keep out the sea. 3. Penmon (Intermezzo): From a vantage point by the sacred priory of St Seiriol, old sailing ships and modern yachts can be seen scudding by in Regatta week. 4. Cemaes (Scherzo): The bustle of children's play and donkey-rides on the beach in midsummer. 5. Moelfre (Elegy): In remembrance of innumerable souls lost in shipwrecks off this coast, including the Royal Charter with its loss of 452 lives.
Estimated dispatch 7-14 working days
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£65.00Anglesey Seascapes, 4th Movement (Concert Band - Score and Parts) - Glyn, Gareth - Noble, Paul
Gareth Glyn lives on the island of Anglesey, where the encircling sea has always been indivisible from the mythology, history and everyday life and work of its people. This cycle of short miniatures, in a light music vein, seeks to represent various aspects of the sea as seen from five vantagepoints around the coast of Anglesey. The whole work is bound together by recurring musical motifs which change their character according to the prevailing mood. 1. Llanddwyn (Reverie): Island of the Welsh patron saint of lovers, Dwynwen, whose marriage to Maelon was never to be, and who dedicated her life to God. 2. Malltraeth (Pastorale): A brisk walk along Cob Malltraeth, a high dyke built to keep out the sea. 3. Penmon (Intermezzo): From a vantage point by the sacred priory of St Seiriol, old sailing ships and modern yachts can be seen scudding by in Regatta week. 4. Cemaes (Scherzo): The bustle of children's play and donkey-rides on the beach in midsummer. 5. Moelfre (Elegy): In remembrance of innumerable souls lost in shipwrecks off this coast, including the Royal Charter with its loss of 452 lives.
Estimated dispatch 7-14 working days
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