Results
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£149.99KYO-WA - Satoshi Yagisawa
KYO-WA is a suite in three movements - Fanfare, Chorale and March, which composer Satoshi Yagisawa wrote individually year on year between 2008 and 2010 for a symphonic wind band. The word KYO in the title can mean resonance, but also togetherness, working together and competition. WA means peace and harmony. These ideas, together with a broad palette of emotions from sadness and fear to hope and rapture, have been woven into a piece that is typical of his new compositional style.
Estimated dispatch 7-14 working days
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£45.95
Joshua Concert Band - Balent
Based on Joshua Fit De Battle of Jericho, this upbeat swing arrangement is a guaranteed crowd pleaser. Modest range and technical demands make it easy to focus on style in your teaching. The band even has a chance to puttheir hands together (and consider getting the audience involved as well!). Characteristic of Andrew Balent, the piece works with varying instrumentation and is easy to put together.
Estimated dispatch 7-14 working days
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£60.50
Christmas in Scarborough - Tyler Arcari
Tyler Arcari has done it again! You haven't heard Scarborough Fair like this! Mashing together a fan-favorite the Ukrainian Bell Carol and the timeless folk song Greensleeves brings together a hauntingly neat new story for Scarborough Fair. Students and audiences are going to love this one!
Estimated dispatch 7-14 working days
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£104.99Orbis - Kevin Houben
The word "orbis" means an orbit or a path, and in this case represents the direction of three wind ensembles as they join together. A triumphant opening to Orbis alludes to the history of these three ensembles, before a heroic theme is played that symbolises their strong future. The middle section is based on a charming melody that represents the three individual ensembles growing together. Orbis is a piece that musicians, as individuals and as a group, can identify with!
Estimated dispatch 7-14 working days
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£179.99Monastery Tales - Thomas Doss
Within the old monastery walls that today are home to the school that commissioned this work, a school orchestra is rehearsing: young people who stay together and make music; a teacher, who does what he can to bring the students, the music and the orchestra together. The concerts begin and the first successes soon follow. Then comes a tragic death that brings the project to its knees. The mood is forlorn. No one expects to continue with it. But 'now more than ever!' rings out. The message of this musical story is that when a teacher has ideals and commitment to his students, anything is possible.
Estimated dispatch 7-14 working days
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£53.95Monsters, Unite! - Kelly Dugger
Monsters, Unite! by Kelly Dugger is a fun beginning band piece that is sure to be a hit, not only at Halloween time but all year round. Monsters all around the world are waking up to a calling to unite. Some are big, hairy creatures, and others are delicate and fairy-like. They walk and fly long distances to find each other. In the end, they all come together, marching as one. Just when you think they've marched off into the distance, they come together to surprise the audience. Unique percussion effects---timpani glissando and theremin (or flexatone)---add to the spooky sound. A tuba solo at the end is followed by a surprising scream that will leave the performers and the audience giggling!
Estimated dispatch 7-14 working days
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£37.50Penguin Promenade - Mike Hannickel
Away to the Southern land of ice and snow! This one is even easier to put together for the concert than it looks. The repeated nature of each section's easy part of the theme means your Beginning Band can put this together with very few rehearsals. Nice dynamic contrasts, easy articulations, and the contrast between staccato and full-value notes make sure that your band can sound mature even though they have been playing but a short time.Quality music for the Beginning Band!
Estimated dispatch 7-14 working days
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£149.99Antarctica - Carl Wittrock
Carl Wittrock was inspired by huge icefields surrounding the South Pole. Colourful and majestic sounds provide the composition a fascinating view of this "6th" continent. Antarctica is a free impression of the scenery in the Antarctic.Melodies are linked together to convey the various aspects of the landscape. These melodies together with their simple harmonic accompaniments make this work pleasant for both the listener and the musician.
Estimated dispatch 7-14 working days
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£34.95
Dreaming of Dreams - Thomas Kelly
Dreaming of Dreams is a slow-paced and 'feel-good' piece, written for grade 2 Wind Band. After a short reflective introduction, the light and delicate main melody is introduced by the first clarinets followed by a broad and nostalgic counter melody at letter B played by the tenor saxophone, bassoon, first trombone and euphonium. At section D the main melody returns in the first clarinets, this time augmented by the first trumpets and at E we hear the main melody and counter melody together. After a repeat of the opening material, a new melody is featured at letter G played by the first flutes in a new key. The main melody and counter melody are then heard for one final, triumphant time, back in the home key. Fragments of the main melody are then heard throughout different sections of the band as the piece fades away to the final chord.
Estimated dispatch 7-14 working days
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£39.95
Keep the Faith - Score and Parts - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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