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£79.99Hero - François Rousselot
Hero", a piece commissioned by the Orchestre d'Harmonie de Digoin, expresses the concept of heroism in its most comprehensive sense. The composition opens with a majestic introduction, where the rhythmic motif played by the brass section gradually fades, giving way to a more lively Allegro. A new theme unfolds through the skillful use of different tempos, keys, and timbres, culminating at the end of the composition in a grandiose finale.
Estimated dispatch 7-14 working days
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£71.99Iron Mountain - Gerald Oswald
"Iron Mountain" portrays the legend of the Erzberg in Austria in an impressive musical manner. At the beginning, the atmosphere of the cave where the Waterman resides comes to life through simulated water droplets. The Waterman is pursued and captured by humans. In his desperation, he pleads for freedom and presents an offer to the people: gold mines for a year, silver mines for ten years, or iron mines forever. The clear response from the people is iron forever. The composition's finale emphasizes this choice with impactful anvil strikes, and the Erzberg rises triumphantly to the forefront of the narrative.
Estimated dispatch 7-14 working days
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£206.99Omaggio - Philip Sparke
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Mlaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band (piano), which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, THE KING TRIUMPHANT, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name ('Rex' being Latin for 'king') as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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£118.99Overture to Lysistrata - Mark Adamo
In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orchestra, what with its two saxophones (alto and baritone) and lavish use of mallet percussion. But here, Peter Stanley Martin's deft and artful arrangement perhaps expresses the character of the music even more eloquent;y than the orchestral version does. - Mark Adamo
Estimated dispatch 7-14 working days
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£101.20Heaven Near the Earth - Afonso Alves
Heaven Near the Earth is a composition by Afonso Alves inspired by the belief that there is a paradise for the soul when the body dies. But as long as we live, it is in our hands to build paradise on earth. The 1st movement is epic with contrasting textures, with the brass section entering into an intense dialogue with the forest. The 2nd movement is quiet, recited, engaging all instruments in colourful sections. The 3rd movement is light and bright, with a melodic ostinato in crescendo until the finale, which creates great tension until the end of the composition. An excellent option for the opening of a concert.
Estimated dispatch 7-14 working days
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£193.20CASTRVM - Lionel Beltrán-Cecilia
CASTRVM is a symphonic episode inspired by four of the main civilizations that have coexisted over time in Ulldecona's Castle. With its melodies and sound effects, the composer tries to transport the listener through a trip to four uninterrupted movements, from the beginnings of this small settlement, creating a natural atmosphere recreated by the voice and the singing of birds to take us into the history with the first inhabitants, the Iberians, giving strength to the introduction of the composition, to move on to the time of the Andalusians, which with a melody in the form of a dance marked by percussion will transport us to take a walk in the surroundings of its circular tower. Next, and with strength, we arrive at the medieval and Christian period, marked in the score by the brass instruments, in this fragment we find moments that take us into the church of "Santa Mara de los ngeles", with melodies that evoke resonance and pomposity, continuing until we find the immense square tower, symbol of the fortress and homage, finally used as a prison and arsenal of those times. Then, there is a small slow march that will move us to some measures of strong stridency to finish with the whole section of low brass having its great moment of prominence, down to we reach the last part, Qna, a name that is recited during the musical piece and one of the names given in the past to the area that could be seen from the castle, where the change of location of the new town is recreated leaving the castle site, but always looking at it with respect and admiration as at the beginning of what is now the current Ulldecona, in this part, the composer plays a bit with a very well-known and significant melody for the inhabitants of Ulldecona, the "Jota Vieja", first making a reflex effect of all its melody and then only with the first six notes of this one, which builds a bridge until reaching the march and, later, the grand finale of this symphonic episode. The work was commissioned by Ulldecona Town Council and the Ulldecona Music Band, led by its conductor Joan Nadal i Girona, to commemorate the 800th anniversary of the donation of the Town Charter of Ulldecona "the old" (1222-2022), as part of the PATRIMONIUM 20.22 programme, "La Banda (Sonora) del Castell" (The soundtrack of the Castle).CASTRVM consists of: I.Iberians: stone and ironII.AndalusiansIII.The square tower: fortress and homageIV.Qna
Estimated dispatch 7-14 working days
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£92.00Trumpet Circle - Michael Geisler
Attractive trumpet concerto in three movements. The lively, virtuosic Allegro ritmico is composed in the classical manner. The beautiful, quiet Ballade for flugelhorn with orchestral accompaniment provides relaxation before moving to the third movement, the finale. This last part reflects the atmosphere of the beautiful Highlands. Thus, each of the three parts has its own musical character, resulting in a varied work.
Estimated dispatch 7-14 working days
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£115.00The Loch - Guillaume Détrez
Somewhere in Scotland, a lake..., a thick mist that is gradually disappearing. A bird begins to fly over this one. The lake sparkles under the rays of the sun. The bird lands on a terrace of a castle bordering the lake. A party takes place there where laughter and medieval dances follow one another but a monster comes to disturb this jubilation. A battle ensues and a victory. The bird takes flight again as a finale. Wind soundDownload the wind sound needed in this composition here: download
Estimated dispatch 7-14 working days
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£90.00Lord of the Flies - Gauthier Dupertuis
The title of this work by Gauthier Dupertuis refers to the novel Lord of the Flies by William Golding, published in 1954. Lord of the Flies is intended to be a small symphonic poem describing different episodes of the book: the despair of the children stranded on the island, the use of the unifying conch and symbol of democracy, the adventures, and the formation of the camp and finally the savagery of the clan of Jack which undeniably leads to chaos. The finale is mysterious and half-tone, imbued with both the relief of having been rescued, and a deep sadness linked to the tragic events that have occurred on the island.All the main themes and elements developed in the work come from the idea "d-e-f", exposed from the first bars. The orchestration is intended to be variable in geometry and avoids the main technical difficulties related to the instruments. However, the composer wanted to find as many colors as possible and avoided confining himself to too "simple" harmonies.Lord of the Flies: a piece accessible to most concert bands.
Estimated dispatch 7-14 working days
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£228.70Momentum Sequences - Fredrick Schjelderup
Momentum Sequences was commissioned by Skjold Skoles Musikkorps (Norway) for their 60th Anniversary in 2021.The title of the term Momentum can be explained by an event that creates extra energy, or the driving force of a moving object. In this case, both the driving force,The energy and the object can be translated to the music, the conductor and the band.The piece is divided in three movements; I.Signals, II.Light and III.Finale which builds up the Momentum of the piece' character and theme.
Estimated dispatch 7-14 working days
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