Results
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£104.99Stand Alone (Concert Band - Score and Parts) - Hisaishi, Joe - Nagao, Jun
Joe Hisaishi is a highly sought-after film score composer in his home country of Japan. Among his numerous movie scores are several for anime fi lms. Anyone who watched the 1998 Nagano Winter Olympics heard his work, whether they knew it or not, as he composed the music for the opening ceremony. Stand Alone is an emotional song written for a Japanese TV-series, recorded by none other than Sarah Brightman. (She even sung in Japanese!) Joe Hisaishi's music can now be enjoyed by an even wider audience thanks to this arrangement by fellow countryman Jun Nagao.Duration: 4:45
Estimated dispatch 7-14 working days
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£149.99Broken Sword (Concert Band - Score and Parts) - Houben, Kevin
The Broken Sword is one of the five ceremonial swords kept in the Tower of London and is used during the coronation of a new king or queen. Legend has it that an angel broke off the tip of the sword in an effort to prevent an unjust killing. Composer Kevin Houben lets his music retell this intriguing legend. Broken Sword resembles a film score in many ways and will paint vivid images as the band plays its way through the legend. Many different moods create a contrast-rich work that makes for an exciting listening and playing experience every time!Duration: 11:30
Estimated dispatch 7-14 working days
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£42.50Escapades (from Catch Me if You Can) (Concert Band - Score only) - Williams, John - Bulla, Stephen
Steven Spielberg's 2002 film Catch Me If You Can was set in the 1960s, and John Williams created a marvelous film score evoking the style of the progressive jazz movement popular during that time. Soloists on alto saxophone, vibraphone and string bass are featured in this suite of three contrasting movements. "Closing In" relates to the often humorous sleuthing ever present in the story. This is followed by "Reflections" portraying the fragile family relationships, and finally "Joy Ride" representing the main character's wild flights of fantasy. Duration: 14.00
Estimated dispatch 7-14 working days
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£309.99
Escapades (from Catch Me if You Can) (Alto Saxophone Solo with Concert Band - Score and Parts) - Williams, John - Bulla, Stephen
Steven Spielberg's 2002 film Catch Me If You Can was set in the 1960s, and John Williams created a marvelous film score evoking the style of the progressive jazz movement popular during that time. Soloists on alto saxophone, vibraphone and string bass are featured in this suite of three contrasting movements. "Closing In" relates to the often humorous sleuthing ever present in the story. This is followed by "Reflections" portraying the fragile family relationships, and finally "Joy Ride" representing the main character's wild flights of fantasy. Duration: 14.00
Estimated dispatch 7-14 working days
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£68.00Danza Brilliante (from Aida) (Concert Band - Score and Parts) - Verdi, Giuseppe - Glover, Andrew
This fiery work is perfect for an encore, or as a dazzling showstopper! Originally written as ballet music for the orchestra score of one of Verdi's most famous opera, this lively dance makes a terrific showpiece for band. Exciting and challenging, Danza Brilliante will engage your audiences and excite performers. The title says it all!Duration: 2.15
Estimated dispatch 7-14 working days
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£179.99Lebuinus ex Daventria (Concert Band - Score and Parts) - Schaars, Peter Kleine
Much like a film score, Peter Kleine Schaars' composition paints colourful images while telling the story of the Anglo-Saxon monk, Lebuinus. In around 768 AD, Lebuinus founded a mission in the Dutch province of Deventer in an effort to convert the Pagan Saxons. Contrasting themes describe the Ijssel Valley, the Saxons and Lebuinus, construction on the church and its subsequent destruction in a clash with the Saxons. The Ijssel-Valley-theme returns one more time in a minor key before each of the themes come together again for one rousing finale. Let battle commence!Duration: 12.00
Estimated dispatch 7-14 working days
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£289.99Atlas Symphony (Concert Band - Score and Parts) - Deleruyelle, Thierry
The Atlas Symphony for symphonic wind band is an impressive and subtle work, thematically complex, with a rich orchestration, but also great beauty. The composer was keen to draw a parallel between an atlas, where all the geographical maps of the world are collected in one book, and his score, which brings together all the facets of his musical style. Despite being written without any breaks, the symphony is structured around three main ideas. It is based upon a series of notes that will become the very essence of the piece, its building blocks. Like the works of composers of serial music, the series appears in different forms - melodic and harmonic, thematic or simply as an accompaniment. With its wealth of rhythms and contrapuntal power, this piece is a compelling concerto for orchestra. The Orchestre de la Police Nationale was the first to be attracted to this work and premiered it with excellence under the baton of composer Thierry Deleruyelle.Duration: 16:30
Estimated dispatch 7-14 working days
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£73.50Harry Potter and the Deathly Hallows, Part 1, Selections from (Concert Band - Score and Parts) - Desplat, Alexandre - Story, Michael
From the first installation, Selections from Harry Potter and the Deathly Hallows - Part 1, Michael Story's arrangement contains seven of the most memorable tunes, including "Hedwig's Theme," "Obliviate," Dobby," "Lovegood," "Ministry of Magic," "Farewell to Dobby" and "The Elder Wand." Energising Alexandre Desplat's endearing film score, this young band medley will bring all the excitement right to your rehearsal and performance.Duration: 5.00
Estimated dispatch 7-14 working days
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£76.95World of Warcraft, Suite from (Concert Band - Score and Parts) - Brower & Hayes - Wagner, Douglas E.
Blizzard Entertainment's wildly successful online role-playing game, World of Warcraft (WoW), currently involves well over eleven million monthly subscribers, making it the most often played online game in its genre. A phenomenally rich symphonic score accompanies dazzling graphics and spectacular true-to-life animations. Four of the musical highlights from the dramatic soundtrack are presented in this first-time medley for concert band, including "World of Warcraft, Main Title [March - Silvermoon 2, Pt. 1]," "Invincible," and "Lion's Pride."Duration: 5.00
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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