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£40.00
Scramble! - Nigel Hess
Commissioned in 1994 by the Royal Air Force, 'Scramble!' Is a concert overture for symphonic wind band inspired by images of the RAF's airfields during the Battle of Britain, immortalised for ever in such films as Reach for the Skies.The pastoral opening depicts the lull before the storm: the young pilots sitting in wicker chairs outside their barracks on a sunlit morning. The peace is, of course, deceptive, suddenly amid siren sounds, there is a shout of 'Scramble!', and a rush to the waiting planes. In no time at all the squadron is airborne, heading for a skirmish over the English Channel and beyond. A lyrical central section featuring a solo cornet depicts the stillness many pilots described as they flew to engage the enemy, before the battle breaks out once more. For those who returned, it would be only a short while before, once again, they would hear the familiar shout of 'Scramble!'
In stock: Estimated delivery 1-3 days
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£39.58March - Step Forward (Military/Concert Band) Rob Bushnell
This attractive march by English composer Rob Bushnell was awarded 2nd Place in the Band and Bugles of The Rifles Composition Competition 2021. This published version of the march is the same as that entered in the competition, however, additional parts not required for the competition entry have been added to cover more of the standard concert band instrumentation. PDF download includes full score and parts. Instrumentation: Bugles Bb Piccolo/Flute Oboe 1-2 Clarinet in Eb Clarinet in Bb 1-3 Alto Clarinet Eb Bass Clarinet Bb Alto Saxophone Eb 1-2 Tenor Saxophone Bb Baritone Saxophone Bb Bassoon Horn 1-4 Trumpet/Cornet Bb 1-3 Trombone 1-2 Bass Trombone Euphonium Tuba Snare Drum Cymbals Bass Drum
In stock: Estimated dispatch 1-3 days
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£34.95Rosehill
Composer: Albert JakewayDuration: 3:30Series: TradeWinds SilverGrade/Difficulty: 64Arranger: Kevin HornerAlbert Jakeway was born in the Welsh town of Aberdare. Before entering the International Training College in 1914 to become a Salvation Army officer he developed as a musician through the playing of the cornet and euphonium of the Corps band. In 1926 he was transferred to the Music Editorial Department and also became a member of the International Staff Band. During a period of 9 years he was the Bandmaster of the Rosehill Band with whom he made many recordings and broadcasts. Later he directed a number of other significant Salvation Army bands and also served time abroad in Czechoslovakia.Programme NoteMarch Rosehill was composed by the conductor of the Rosehill band, a one Colonel Albert Jakeway and was named after the premises that were occupied by the Salvation Armys Assurance Society when they were evacuated during the World War 2. It is a majestic march that will find good use in a performance or marching band.
Estimated dispatch 7-14 working days
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£29.95Share My Yoke
Simply a wonderful melody, beautifully arranged for cornet and band by Ivor Bosanko. Already universally popular, and featured on many recordings.
Estimated dispatch 7-14 working days
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£76.00Gifted Leadership (March) - Henry Fillmore
Gifted Leadership is a most interesting march with some unique scoring that sets it apart from many more ordinary marches. The woodwind parts are especially intriguing, with much more variety and independence than is frequently found in a traditional march. Fillmore wrote this march to honor the leadership of famed band leader and cornet soloist Frank Simon. It is authentically presented here as Fillmore intended, carefully edited by Robert E. Foster.
Estimated dispatch 12-14 working days
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£147.00Morning, Noon and Night In Vienna - Franz von Suppé
All of the amazing tunefulness and energy, touched with central European warmth that is characteristic of Von Supp's original orchestral overtures is captured in this beloved Fillmore band transcription. Morning, Noon and Night in Vienna adds to the growing repertoire of the Authentic Fillmore Edition. Duration: 8'45" Keys: F Minor; F; Eb Ranges: Cornet - B; Trumpet - E; Horn - E; Trombone - Bb
Estimated dispatch 12-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£39.95Music for Junior Wind Band - Vol. 5 - More Carols - Adrian Taylor
The arrangements and compositions in these books were written by Adrian Taylor for various beginner or school bands that he has conducted over the years. Children joined these bands on the 2nd parts, usually having only been playing for a year and they then progressed to the 1st parts the following year.The 2nd parts are written without key signatures in treble clef, in B flat major for bass clef trombone and euphonium and in E flat major for bass clef tuba. 1st parts are written with the appropriate key signatures for each piece, reflecting the greater understanding and skills of the players on these parts. Most of the pieces can be played with only a few parts being covered, the addition of the other parts usually enhancing the arrangement rather than simply doubling existing musical lines. The essential parts are the two Trumpet (and Clarinet or Cornet) parts, the two Trombone/Euphonium parts and preferably also the 1st Horn part. A piano part helps to fill out the harmonies where other parts are missing. The brass parts in the wind band versions are identical to those in the brass versions.
Estimated dispatch 7-14 working days
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£39.95Music for Junior Wind Band - Vol. 6 - Adrian Taylor
The arrangements and compositions in these books were written by Adrian Taylor for various beginner or school bands that he has conducted over the years. Children joined these bands on the 2nd parts, usually having only been playing for a year and they then progressed to the 1st parts the following year.This volume of music was orchestrated a little differently to the other volumes but the easiest parts for each instrument continue to be written without key signatures in treble clef, in B flat major for bass clef trombone and euphonium and in E flat major for bass clef tuba. More advanced parts are written with the appropriate key signatures for each piece, reflecting the greater understanding and skills of the players on these parts. Most of the pieces can be played with only a few parts being covered, the addition of the other parts usually enhancing the arrangement rather than simply doubling existing musical lines. The essential parts are the Trumpet (and Clarinet or Cornet) parts, the two Trombone/Euphonium parts and in No. 4, the 1st Horn part. A piano part helps to fill out the harmonies where other parts are missing. The brass parts in the wind band versions are identical to those in the brass versions. This volume was created so that beginner players can play Calypso and When The Saints, which feature in Just Play... Book 1, accompanied by their school band.
Estimated dispatch 7-14 working days
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£39.95Music for Junior Wind Band - Vol. 7 - Adrian Taylor
The arrangements and compositions in these books were written by Adrian Taylor for various beginner or school bands that he has conducted over the years. Children joined these bands on the 2nd parts, usually having only been playing for a year and they then progressed to the 1st parts the following year.The 2nd parts are written without key signatures in treble clef, in B flat major for bass clef trombone and euphonium and in E flat major for bass clef tuba. 1st parts are written with the appropriate key signatures for each piece, reflecting the greater understanding and skills of the players on these parts. Most of the pieces can be played with only a few parts being covered, the addition of the other parts usually enhancing the arrangement rather than simply doubling existing musical lines. The essential parts are the two Trumpet (and Clarinet or Cornet) parts, the two Trombone/Euphonium parts and preferably also the 1st Horn part. A piano part helps to fill out the harmonies where other parts are missing. The brass parts in the wind band versions are identical to those in the brass versions.
Estimated dispatch 7-14 working days
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