Results
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£24.95Glorious Victory (Concert Band Marchcard Set) - Kendall, W M
Each standard set will consist of 2 Solo Clarinet; 2 1st Cornet; 2 Basses and one each of all other parts, including Conductor (if applicable), originally included in the printed set.
Estimated dispatch 7-14 working days
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£64.95The Three Elizabeths (Military Band - Score and Parts) - Coates, Eric - Duthoit, W. J.
Army Journal 723Includes:I. Halcyon Days (Elizabeth Tudor) Duration: 7:00II. Springtime in Angus (Elizabeth of Glamis) Duration 7:20III March - Youth of Britain (The Princess Elizabeth) Duration 5:10.Total Duration: 19:30.Each set includes Conductor (Condensed Score); 2 x Solo B flat Clarinet; 2 x 1st B flat Cornet; 2 x Basses and 1 each of all other parts as originally published. We are unable to supply parts not included in the original sets.
Estimated dispatch 7-14 working days
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£24.95By Land and Sea (Concert Band Marchcard Set) - Alford, Kenneth J.
Ceremonial March dedicated to the Royal Marines, Plymouth Division. Each standard set will consist of 2 Solo Clarinet; 2 1st Cornet; 2 Basses and one each of all other parts, including Conductor (if applicable), originally included in the printed set.
Estimated dispatch 7-14 working days
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£24.95Sarafand (Concert Band Marchcard Set) - Willcocks, G H
Each standard set will consist of 2 Solo Clarinet; 2 1st Cornet; 2 Basses and one each of all other parts, including Conductor (if applicable), originally included in the printed set.
Estimated dispatch 7-14 working days
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£24.95Sea Songs (Concert Band Marchcard Set) - Vaughan Williams, Ralph
Each standard set will consist of 2 Solo Clarinet; 2 1st Cornet; 2 Basses and one each of all other parts, including Conductor (if applicable), originally included in the printed set.
Estimated dispatch 7-14 working days
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£49.95
Emerald Skies - Paul Lovatt-Cooper
A beautiful medium tempo solo for either cornet or flugal commissioned by Ross Johnson and the Camberwell Citadel Band in Australia. Circa 4'00". Soloist: Grade 3 ABRSM.
Estimated dispatch 3-5 days
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£40.00
Scramble! - Nigel Hess
Commissioned in 1994 by the Royal Air Force, 'Scramble!' Is a concert overture for symphonic wind band inspired by images of the RAF's airfields during the Battle of Britain, immortalised for ever in such films as Reach for the Skies.The pastoral opening depicts the lull before the storm: the young pilots sitting in wicker chairs outside their barracks on a sunlit morning. The peace is, of course, deceptive, suddenly amid siren sounds, there is a shout of 'Scramble!', and a rush to the waiting planes. In no time at all the squadron is airborne, heading for a skirmish over the English Channel and beyond. A lyrical central section featuring a solo cornet depicts the stillness many pilots described as they flew to engage the enemy, before the battle breaks out once more. For those who returned, it would be only a short while before, once again, they would hear the familiar shout of 'Scramble!'
In stock: Estimated delivery 1-3 days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£54.99
The Crimson Flush - Alexander
This exciting march dates from Alexander's time as a member of the band for G. W. Belford's Carnival of Novelties. A later edition (013-0862-00) is also published.Note: This is a reprint from a vintage publication of 1897. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
Estimated dispatch 7-14 working days
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£54.99
Belford's Carnival - Alexander
This exciting march dates from Alexander's time as a member of the band for G. W. Belford's Carnival of Novelties. A later edition (013-0863-00) is also published.Note: This is a reprint from a vintage publication of 1897. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
Estimated dispatch 7-14 working days
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