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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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£109.99Catedrales - Bert Appermont
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions, drawing on a full palette of acoustic echo effects, Gregorian melodies and organ based choral themes.The work "Catedrals" opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme "Salve Regina" which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms, including a fugue. The work then builds towards its first climax, from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually, more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral, emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
Estimated dispatch 7-14 working days
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£123.95Blue Bells of Scotland - Arthur Pryor
This folk song has been arranged in a theme and variations format for a variety of solo instruments. Here it has been arranged for trumpet or trombone/euphonium with band accpmpaniment. The solo part is very reasonable and sounds harder than it is (about a Grade 3.5). This is great piece for showing off that talented soloist in your ensemble.
Estimated dispatch 7-14 working days
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£159.99
Symphonic Variants - James Curnow
Through variations in tempo and tone, the Symphonic Variants bring forth the sonority of the euphonium and the skills of the soloist. The work begins with an allegro con espressivo statement of the theme and alternates with adagio and allegro con spirito variations. Lento, presto, and pesante treatments add further interest to the composition.
Estimated dispatch 7-14 working days
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£69.99
Get on Board - Stephen Bulla
Stephen Bulla strikes gold again with this accessible but jazzy Trombone section feature. There is plenty of rhythmic fun for everyone while the trombones get that important time out front. The old spiritual "The Gospel Train" lends itself beautifully to a swing-jazz treatment and if there's anyone who knows how to bring the jazz idiom to the concert band setting it's Stephen Bulla. If you prefer, two Trombone soloists can be featured while the rest of the section plays along on the Euphonium part. Your band will want to do this one again and again, and so will you, so Get On Board!
Estimated dispatch 7-14 working days
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£94.99
Prayer - Charles Gounod
Gounod's Prayer (O, Divine Redeemer!), originally a solo for Mezzo-soprano, chorus, and orchestra, comes from his oratorio La Redemption, and here is presented as a beautiful lyrical solo for Euphonium and Piano accompaniment.
Estimated dispatch 7-14 working days
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£69.99
Mondo Glissando - Mike Hannickel
Slip-slidin' trombone smears in this rip-snortin' ragtime setting are sure to tickle your ears and put some tap in your toes. The trombone glissando is the happiest sound around! Dedicated to, and premiered by, the Westchester Middle School Band of Westchester, Illinois, Mr. Jason Kluge, director, MONDO GLISSANDO targets that most critical of wind sections. When was the last time you featured your trombones? When was the last time they felt like STARS? Section feature pieces are one of the most important techniques available for keeping a section strong and well represented. MONDO GLISSANDO can even be used as a trombone SOLO piece, by having the non-solo trombones play from thetechnically simpler euphonium part.Either way, section or solo, there's nothing like an exposed part on an upcoming performance to reinvigorate a musician's interest and encourage that all-important PRACTICE!
Estimated dispatch 7-14 working days
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£141.99Fantasia di Falcone - James Curnow
Fantasia di Falcone is a four movement suite of fantasy variations composed as a showpiece for your outstanding Euphoniumsoloist. The piece opens with an expressive 12 measure soliloquy which presages the dynamic, modern variations, and diversionsthat fully explore the moods of the Euphonium. Exquisite orchestration contrasts and effects give the soloist perfect supportas the ensemble reinvents itself again and again, revealing surprising new facets to this gem of the compositional art.Significant!
Estimated dispatch 7-14 working days
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£137.99The Seventh Night of July - Itaru Sakai
In Japan, July the 7th is a holiday known as Tanabata, for which large celebrations are held throughout the country. The holiday is based on a legend about a young man and a young woman who are separated by the Milky Way and can only see each other once a year on this night. The Seventh Night of July is Itaru Sakai's musical interpretation of this romantic legend. The alto saxophone and euphonium solos during the middle movement represent the two main themes from the legend.
Estimated dispatch 7-14 working days
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£94.99
Farewell Song - Victor E. Nessler
Farewell Song has been taken from Der Trompetervon Sckingen by Victor E. Nessler (1841-1890). Thisopera tells the sentimental story of a plain musicianwho is eventually allowed to marry the daughter ofa baron. From the first performance in 1884, thisopera was well liked - not so much because of thestory but because of its musical features. Impressivetrumpet solos, drinking songs and dance scenes werethe ingredients that enthralled audiences throughoutEurope. Today, only the farewell song called JungWerner's Abschied, also known as Beht' dich Gott,has remained an absolute winner. Wil van der Beekhas written a fine arrangement of this entitledFarewell Song. He felt itwas appropriate to entrustthe melody of this song, originally written for tenorvoice, to the baritone or euphonium.
Estimated dispatch 7-14 working days
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