Results
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£73.50A Rollicking Hanukkah
Hold on for this whimsical work intended to paint the picture of a person galloping by horse across a snowy plain to a Hanukkah celebration. The songs Hanukkah, Oh Hanukkah, The Dreidel Song, and Sevivon, Sov, Sov, Sov are heard as the celebrants draw closer and closer to their destination. A Hannukah celebration unlike any other!
Estimated dispatch 3-5 working days
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£77.50A Hanukkah Festival - Chris M. Bernotas
is a medley of three traditional Hanukkah songs, "Sevivon," "Maoz Tzur," and "Hanukkah." "Sevivon" has a dramatic melody and is written with a variety of accompaniment leading to a brief, but impressive, clarinet cadenza that leads into "Maoz Tzur." This traditional piece is scored with full, rich voicings along with the beautiful melody. "Hanukkah" is the festival of lights and the last section of the piece. It is a bright playful march with an exciting conclusion. is filled with memorable tunes that students and audiences will enjoy while paying homage to this important holiday. (5:17)
Estimated dispatch 3-5 working days
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£58.50A Christmas Canon
In this peaceful arrangement for the maturing young band, Pachelbel's highly popular canon provides a perfect introduction and backdrop against which the carol "The First Noel" is prominently displayed. Contrapuntal textures, combined with a clever treatment of the two melodies, results in a work filled with rich harmonies and forward motion. A very classy holiday concert selection.
Estimated dispatch 3-5 working days
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£50.50We Wish You a Scary Christmas! - Randall D. Standridge
Reviving the tradition of telling ghost stories during the holidays, this stellar arrangement combines holiday favorites (Jingle Bells, Deck the Hall, and We Wish You a Merry Christmas) with the famous Funeral Song ("the worms crawl in, the worms crawl out") as well as ghoulish sound effects and a brief narrative introduction. Sure to be a truly unforgettable concert moment. Merry Christmas to all, and to all a good FRIGHT!
Estimated dispatch 3-5 working days
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£53.95Blues for a Killed Kat - Jack End / arr. Frederick Fennell
Early one winter morning after playing at a Jazz club, composer and clarinetist Jack End observed a cat that had lain dead for a few days to be still in the dimly lit gutter in front of Sibley Music Library. Wen he dropped the instruments in his studio he sat at the piano to express his sadness - what else but with a Blues. His band played Blues for a Killed Kat for years and so did those who gathered for an Eastman School of Music class reunion in 1960 when Frederick Fennell asked him to score it for The Eastman Wind Ensemble. The Tokyo Kosei Wind Orchestra recorded it twenty-five years later in 1986 when Jack End died in his 67th year.
Estimated dispatch 3-5 working days
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£49.95Variants on a Sea Shanty
"Drunken Sailor" is among the best-known of the sea shanties and became a popular song among non-sailors during the 20th century. The infectious tune has lyrics that ask the question, "What do we do with a drunken sailor early in the morning?" Each subsequent verse suggests various forms of punishment for the poor chap. This spirited arrangement is sure to delight audiences with a sparkling and energetic setting of this familiar tune. (1:25) "Variants on a Sea Shanty" correlates to Book 2, Level 3 of .
Estimated dispatch 3-5 working days
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£52.95A Woodland Celebration - Robert Sheldon
Perfect for opening or closing a concert for first-year band students, by Robert Sheldon lends a light rhythmic style to a tuneful melody. This piece is easily playable as soon as young students can play a concert B-flat scale and learn the note concert A-flat. Second clarinet does not go over the break, and second trumpet and horn also have limited ranges. was commissioned by the Smallwood Drive School Band, Amherst, New York (Angela Antersol, Director) with appreciation for the generosity of the Smallwood PTA in celebration and recognition of the National School of Character Award presented to the school in 2019. correlates to , Level 5 of . (1:45)
Estimated dispatch 3-5 working days
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£73.50We Wish You a Mambo Christmas
Celebrate the holidays mambo-style! This stunning arrangement features authentic grooves using only those percussion instruments found in a typical Latin percussion ensemble. Optional piano and electric bass parts are included to make the piece even more engaging. After the piece moves into a more relaxed mambo feel, the music suddenly switches to double-time in a jaw-dropping transition that brings the piece to a fiery conclusion. This is one way to set your winter concert on fire!
Estimated dispatch 3-5 working days
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£79.99Variations on a Theme by Glinka - Nicolai Rimsky-Korsakov
Nikolai Rimsky-Korsakov's VARIATIONS ON A THEME BY GLINKA was written for solo oboe accompanied by wind band. The theme of the Variations is in a fact a folksong melody which is still occasionally heard in Russia. This edition of VARIATIONS ON A THEME BY GLINKA is based on the full score published by the Russian state publishers and a number of editions of the same piece for solo oboe and piano. Adapted for the present day wind band, the corno basso accompaniment has been rescored for bass clarinet reinforced by optional string bass. Saxophones have been added to the instrumentation in tutti sections, along with rehearsal numbers throughout the meticulously edited full score.
Estimated dispatch 7-14 working days
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£152.99A Midsummer Night's Dream - Felix Mendelssohn Bartholdy
Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op. 21). Sixteen years later, in 1842, he composed the incidental music (opus 61) for King Frederick William IV of Prussia, in which he incorporated the existing overture. The overture premiered in Stettin (then in Prussia, now Szczecin, Poland) on February 20, 1827, conducted by Carl Loewe. Mendelssohn had to travel 80 miles through a raging snowstorm to get to the concert, which became his first public appearance. The first British performance of the overture was conducted by Mendelssohn himself on June 24, 1829, at the Argyll Rooms in London. After the concert, Thomas Attwood was given the score of the overture for safekeeping, but left it in a taxi and was never found. Mendelssohn later rewrote the overture entirely from memory.
Estimated dispatch 7-14 working days
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