Results
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£20.95
The Spirit Of Pageantry (Grand March) (Concert Band - Score Only) - Fletcher, Percy
Percy Eastman Fletcher (1879-1932) was born in Derby, England. He made his living as a Musical Director in the London theatre world, directing and orchestrating the long-running musical Chu Chin Chow. Fletcher was a prolific composer and wrote a large number of suites for light orchestra as well as military band marches The Crown of Chivalry, Spirit of Pageantry, V.C. March, and a Sultan's March, extracted from his musical 'Cairo In 1909 the Worshipful Company of Musicians in London, England offered 5 prizes for original military band compositions. This competition attracted the attention of some fine British composers. Holst's 'Suite in Eb' was placed 3rd and this Grand March, ' The Spirit of Pageantry' was awarded 2nd prize. The winning composer was B,Walton O'Donnell, who later became an outstanding Musical Director of the BBC Wireless Military Band. The Spirit of Pageantry is a wonderful evocation of Edwardian England and deserves to be reinstated into the Concert Band repertory
Estimated dispatch 7-14 working days
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£48.95
More Cowbell (Cowbell Feature with Concert Band - Score and Parts) - Williams, Mark
More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: "slit throat" gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new "rock star" takes another bow at the end of the piece. Have fun, and may your life always have more cowbell! Duration: 2.00
Estimated dispatch 7-14 working days
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£50.50
Ciudad de Festivales (City of Festivals) (Concert Band - Score and Parts) - Henry, Larry
Written in A-B-A form, Ciudad de Festivales begins with a rousing introduction using thematic and rhythmic motives. After an initial statement of the melody by a solo trumpet, the piece develops adding instruments and contrapuntal lines. The B section is introduced by a trumpet duet leading to a baritone solo. A short interlude leads to the return of the A section with the addition of obbligato woodwind parts. The introductory themes are used once again as the coda brings the piece to a spirited conclusion. Duration: 3.30
Estimated dispatch 7-14 working days
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£48.95
Legacy March (Concert Band - Score and Parts) - Hodges, Steve
You'll find yourself humming this catchy march over and over! Beginning with a fanfare in the trumpets, horns, and saxophones, the low brass soon enters followed by the woodwinds playing a countermelody. The march tune is introduced by the trumpets and saxes, then turned over to the winds. The B section brings a quieter mood, followed by a return of the A theme with a brief coda that brings the piece to a grandiose conclusion. A fantastic addition to the march repertoire. Duration: 2.45
Estimated dispatch 7-14 working days
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£44.95
Two Susato Dances (Concert Band - Score and Parts) - Susato, Tielman - Ellerby, Martin
Around 1540 Tielman Susato, the Belgium trumpet player and composer, established himself in Antwerp as a printer of music. In 1551 he brought out The Third Little Music Book, a collection of instrumental dances. Most of these are arrangements, possible by Susato himself, of popular dance tunes. In keeping with sixteenth-century practice, this book details no specific instrumentation; something to be worked out by the players with whatever available means. Doubtless many of the dances were performed on wind instruments at festive outdoor events. The date of Susato's birth is unknown but estimated to be around 1500. The same applied to his death, which is thought to be somewhere between 1561-64.The third Little Music Book gives several examples of the traditional sixteenth-century genre, the dance pair, a predecessor of the Baroque suite. In such a pair the first dance was often in slow or moderate duple time, the second in quick triple time. This is the case in the pair presented here, which consists of a lively round dance followed by a Hop Up or saltarello.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 2.00
Estimated dispatch 7-14 working days
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£48.95
Canyon Creek Overture (Concert Band - Score and Parts) - Preuninger, Bruce
This fantastic overture is a great way to start your concert or festival. The full-sounding beginning leads to a stately A theme, which is followed by a more delicate, sensitive B section. The return of the A theme with coda brings this fun piece to a rousing conclusion. Duration: 4.15
Estimated dispatch 7-14 working days
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£49.95
Cedar Valley March (Concert Band - Score and Parts) - Hodges, Steve
This spirited march begins with a dynamic "echo" introduction that leads to the memorable main theme. All sections share the spotlight before transitioning into the contrasting B section with a minor, more lyrical theme. After an understated presentation, this section builds to a big cymbal crash that leads to a repeat of the A section. The coda features a variation of the echo introduction before ending in a dynamic fashion. The vitality of this work makes Cedar Valley March an ideal concert opener that both the band and audience will enjoy. Duration: 3.30
Estimated dispatch 7-14 working days
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£44.95
Starbound (Concert Band - Score and Parts) - Fraser, Bruce
Starbound is a strong, driving piece and relies on good rhythmic playing from the bass instruments. It is a good introduction to playing triplets for all sections of the band and this could be introduced in the preliminary exercise. The trumpet solo could be played by the whole section if preferred.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1:45
Estimated dispatch 7-14 working days
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£44.95
Whirlwind (Flute Solo with Concert Band - Score and Parts) - Fraser, Bruce
Whirlwind is a flute solo and (despite the title!) it will be found that a steady waltz tempo works best. Obviously, it is important that the accompaniment remains delicate and that dynamics are adhered to.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1.30
Estimated dispatch 7-14 working days
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£44.95
Windfall (Concert Band - Score and Parts) - Fraser, Bruce
Windfall should be taken at a steady march tempo, with full note values and is a useful piece for developing a good band sound. Dynamic changes are particularly important to avoid monotony in the overall sound and young players are introduced to the concept of D.C. al fine.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 3:00
Estimated dispatch 7-14 working days