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£84.50
Interplay - Bill Calhoun
As the title implies, this dynamic new piece from Bill Calhoun is full of interplay between sections of the band, colors of sound, harmonic progressions and even contrasting styles. This piece has a little bit of everything: a fanfare opening, a bold brass melody, lush woodwinds and so much more. You will love the slow, beautiful middle section that will stretch the musicianship of your young band. This piece will be the highlight of your next concert or festival performance.
Estimated dispatch 7-14 working days
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£79.99Selections From Sweeney Todd - Stephen Sondheim
From the unforgettable Broadway musical and more recently the motion picture featuring Johnny Depp, here are the dramatic and intensely beautiful melodies in a stunning setting for the concert stage. Includes: The Ballad of Sweeney Todd, A Little Priest, My Friends, Pirelli's Miracle Elixir and Not While I'm Around.
Estimated dispatch 7-14 working days
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£53.50Saxology - Eric Osterling
Looking for something to do with those three rows of saxophones staring at you day after day? Take a look at this swinging sax feature from Eric Osterling. This will work great on any concert, and just maybe they will practive a little bit more!
Estimated dispatch 7-14 working days
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£53.95Petite Symphony, Op. 90 - Charles Gounod / arr. Frederick Fennell
Scored for flute, oboes, clarinets, bassoons, horns, and contrabass (alternate parts for contrabassoon or contra bass clarinet) this is an extremely sensitive and beautiful edition of Gounod's work originally scored for double woodwind quintet. Intended for one player per part, it is more than musical confection; it is a little masterpiece. A terrific recording is available through Ludwig Music on Kosei CD KOCD 31992712.
Estimated dispatch 3-5 working days
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£45.95Theme from "The Moldau" - Bedrich Smetana / arr. John Kinyon
John Kinyon has another winner with this transcription of the symphonic masterpiece "The Moldau." A tribute to Bedrich Smetana's beloved river, this captivating piece describes the flowing and turmoil of water in musical terms. The parts are written well within the capabilities of young performers while keeping the essence of the original. This will add more than a little class to your next concert!
Estimated dispatch 3-5 working days
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£16.95Jeux D Enfants (Suite) (Concert Band - Score Only) - Bizet, Georges - Brand, Geoffrey
Wit, warmth, charm, beautiful melody, vivacity; all of these, and more are abundantly evident. No wonder Jeuz d'enfants has been rated as "a little masterpiece." Each of the three included movements is complete within itself and playable separately; together the contrasting styles and moods create an attractive Concert Suite
Estimated dispatch 7-14 working days
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£84.95
Jeux DEnfants (Suite) (Concert Band - Score and Parts) - Bizet, Georges - Brand, Geoffrey
Wit, warmth, charm, beautiful melody, vivacity; all of these, and more are abundantly evident. No wonder Jeuz d'enfants has been rated as "a little masterpiece." Each of the three included movements is complete within itself and playable separately; together the contrasting styles and moods create an attractive Concert Suite
Estimated dispatch 7-14 working days
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£32.50Pendragon Castle - Timothy Johnson
Your young players will enjoy the mystery and grandeur of this descriptive piece about the isolated 12th-century Norman keep. Once a strong fortress, it is now little more than some stone walls and bits of rooms. What history has been made here? The colorful percussion and rich harmonies are expressive and intriguing. There's something for everyone in this stately original. Majestic!
Estimated dispatch 7-14 working days
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£250.40Le Petit Prince - Angelo Sormani
Musical tale for Narrator and Concert Band. "What is essential is invisible to the eye," tells the fox, and the little prince will repeat those words, which emphasize how anything can hide a treasure, a mystery to be unraveled. One must uncover the essence beyond appearances using the heart. The musical story The Little Prince, based on the famous work by Saint-Exupry, addresses both children and adults. Various levels of meanings make the story enjoyable for everyone and offer themes for reflection to people of any age. In the present work, the relationship between words and music creates the magic that accompanies the journey of the little prince among asteroids and planets. Wind band, narrator, and projection of images combine to make the performance a unique experience, which intimately ties narrative, expressive, and communicative aspects. Offered for Concert Band, the musical story The Little Prince, with its evocative and passionate features, will turn the concert into an unforgettable and emotional experience.People who buy this item, will receive a link to download for free the images to be projected during the show. Please contact us on [email protected] for more information.
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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