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£109.99Pomp and Circumstance No.3, Op.39 (Concert Band - Score and Parts) - Elgar, Edward - Kummer, Michael
The English composer Sir Edward Elgar wrote the five Pomp and Circumstance marches between 1901 and 1930, the time of the British Empire, when the colonial and strategic world power of England was at its peak. March No. 3 in C minor, although less well-known then March No.1, was regarded by the composer as the most successful of the marches in terms of composition technique and musical content. The dark colours of the minor tonality and the hopeful sounding cantabile theme are extremely impressive, giving the march its unique character. This is a great chance to bring British pomp and splendour to your performance.
Estimated dispatch 7-14 working days
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£54.95Christmas Concerto No.3 (Flexible Solo with Concert Band - Score and Parts) - Smith, Robert W.
This work features three Christmas favourites woven together and featuring one or more soloists in your band. Solo parts are provided for all members of the ensemble. Carols included in the concerto are "Deck the Halls," "God Rest Ye Merry, Gentlemen," and "Jingle Bells." A wonderful new holiday treat - combine it with Christmas Concerto No.1 and No.2.Duration: 2:15
Estimated dispatch 7-14 working days
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£104.95Choral No.2 For Organ (Chosen Gems For Winds No.3) (Concert Band - Score and Parts) - Franck, Cesar - Grainger, Percy
Grainger's passionately humanistic setting of Franck's Chorale No. 2 is uniquely suited to the resources of the modern concert band. He did not want the band to sound like an organ. Instead, he created a rich, voice like sonority similar to the orchestral timbre of the D minor Symphony. It is by far his most ambitious scoring.
Estimated dispatch 7-14 working days
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£20.95
Choral No.2 For Organ (Chosen Gems For Winds No.3) (Concert Band - Score Only) - Franck, Cesar - Grainger, Percy
Grainger's passionately humanistic setting of Franck's Chorale No. 2 is uniquely suited to the resources of the modern concert band. He did not want the band to sound like an organ. Instead, he created a rich, voice like sonority similar to the orchestral timbre of the D minor Symphony. It is by far his most ambitious scoring.
Estimated dispatch 7-14 working days
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£59.95Serenade (Wand Of Youth Suite No.1) (Concert Band - Score and Parts) - Elgar, Edward - Brand, Geoffrey
The music for the Wand of Youth was written when Elgar was only twelve to accompany a play at home. Later, at the turn of the century, he revised and orchestrated some of the material into 2 suites. No.1 was seven movements and No.2 was six movements. This short Serenade is from the 1st suite which was first performed at the Queens Hall London in 1907.
Estimated dispatch 7-14 working days
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£11.95
Serenade (Wand Of Youth Suite No.1) (Concert Band - Score Only) - Elgar, Edward - Brand, Geoffrey
The music for the Wand of Youth was written when Elgar was only twelve to accompany a play at home. Later, at the turn of the century, he revised and orchestrated some of the material into 2 suites. No.1 was seven movements and No.2 was six movements. This short Serenade is from the 1st suite which was first performed at the Queens Hall London in 1907.
Estimated dispatch 7-14 working days
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£104.99Yamanobe no Michi Wind Band Set (Score & Parts)
"Yamanobe no Michi" (road at the foot of a mountain) is located east of the Yamato basin. It is the oldest road in Japan and is about 35km (21.5 miles) long. The oldest market and positions used for trading merchandise over the centuries are found along this road. While composing this work the composer visualised the activity along "Yamanobe no Michi" imagining the solemn procession of the aristocracy, as well as the chaos that traffic often presents. He also kept in mind the tumultuous history that this road has seen and still represents today. 0:06:00
Estimated dispatch 7-14 working days
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£306.99Sinfonietta No. 4 - Philip Sparke
Philip Sparke's Sinfonietta No. 4 is comprised of three parts that are played as an uninterrupted whole. The _x005F_x001F_first movement begins with a lyrical fugato passage, framing a brisker and more rhythmical middle section. The second movement is slower and contains a long and expressive euphonium solo. The third movement is a salute to the sponsor of this commission: various percussion instruments conjure up sounds reminiscent of a carpenter's workshop, accompanied by a unison orchestral passage in a scat style.
Estimated dispatch 7-14 working days
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£125.00English Dance Suite - I. Chacony on a Golden Theme (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated dispatch 7-14 working days
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£306.99Sinfonietta No.4 (Concert Band - Score and Parts) - Sparke, Philip
Philip Sparke's Sinfonietta No. 4 is comprised of three parts that are played as an uninterrupted whole. The first movement begins with a lyrical fugato passage, framing a brisker and more rhythmical middle section. The second movement is slower and contains a long and expressive euphonium solo. The third movement is a salute to the sponsor of this commission: various percussion instruments conjure up sounds reminiscent of a carpenter's workshop, accompanied by a unison orchestral passage in a scat style.Duration: 18:45
Estimated dispatch 7-14 working days
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