Results
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£154.99Achnaton - Jan Bosveld
The Egyptian pharaoh Amenhotep IV, better known as Achnaton, was the second son and successor of Amenhotep III. He reigned the New Kingdom from 1353 until 1336 BC. Achnatons lack of interest in the economic well-being of Egypt ushered ina revolutionary period in Egyptian history. His harsh reign induced much suffering under the population. During this period when it was customary for a pharaoh to have many wives, he had taken his cousin Nefertete to reign as queen at hisside. An elegant and very beautiful woman, she used her influence to ease the turmoil caused by Achnaton. Combined with her grace, her presence at public functions led to a greater popularity among her subjects than the pharaoh enjoyedhimself. Being mostly preoccupied with religious questions, he declared that all the other gods did not exist. There was only one god, the Aten, and it was the sun itself. It was now necessary to change his name: 'Amenhotep' meaning 'the god Amun is satisfied', because he didnt want to be associated with Amun or any of the other deities. He renamed himself 'Achnaton' which means 'servant of the Aten' -- a much more appropriate title! In the sixth year of his reignAchnaton also moved the capital to a brand new city called Achet-Aton ('the Horizon of the Aten') which was where Tel el-Amarna stands today. He did this to further isolate himself from the 'old' religion, since the previous capital Thebes was thecentre of worship of Amun. This new religion created an up rise among the population and high priests. In spite of Nefertetes influence, the falling economy and religious conflict resulted in the decline of the Egyptian empire. Hoping toforget it ever happened, people later tried to eradicate all traces of Achnaton and his successors rule by smashing their statues, mutilating their mummies, and ruining their relief carvings. From that moment on he was remembered as the'heretic king'. This composition was partially funded by the 'Prins Bernhard Cultuurfonds'.
Estimated dispatch 7-14 working days
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£84.99Bread and Games - William Vean
'Panem et Circenses', Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights. In 'Bread and Games' William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child's play in this part.On the contrary, they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one's handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner's due reward.
Estimated dispatch 7-14 working days
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£60.99Dreamsong - Richard L. Saucedo
Here is a special composition that serves a very special purpose for young band programs - an opportunity to feature a piano soloist with concert band. The piano part itself is lyrical and not technically demanding. The band parts are easy to learn and lend support for the soloist in addition to sharing in the melody at times. A wonderful change of pace for your next concert. Dur: 3:00 (Includes Full Performance CD)
Estimated dispatch 7-14 working days
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£60.99Song for Hope - Michael Sweeney
Written as a memorial for a middle school band student, this sensitive and moving work opens with a chorale played by off-stage brass. A flowing melody stated in the low register is then developed before leading to a brieffanfare-like affirmation. The Korean folk song You and I is briefly quoted before returning to the off-stage brass and calm closing passage. A beautifully scored lyric piece for band. (Extra players are not required for theoff-stage parts.) Dur: 4:30
Estimated dispatch 7-14 working days
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£64.99Celtic Farewell - Michael Sweeney
Music has power to help us heal and cope with the loss of loved ones. Using the beloved traditional Scottish ballad The Parting Glass combined with an original new melody, here is a beautifully paced and sensitive musical memorial with a Celtic flavor. A key element of this work is the use of Highland bagpipes. If a pipe player is not available, this part is cued in multiple parts throughout the band (or use a synthesizer with bagpipe patch). A moving tribute for any memorial. Dur: 4:30
Estimated dispatch 7-14 working days
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£39.99Barnyard Bagatelle - Mike Hannickel
Kids can make weird sounds. Every conductor of young bands has discovered this maxim time and again. Why not put those skills to good use? Barnyard Bagatelle mixes well-known barnyard folk songs like Mary Had a Little Lamb, OldMacDonald, The Old Grey Mare, Shoo Fly and more with the animal sound effects your students have studiously perfected over the years. Audition your band for vocal imitations of a Pig, a Big Dog, a yappy Little Dog, a Cow, aclucking Chicken and many more: then have some real musical fun.
Estimated dispatch 7-14 working days
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£202.99
Euterpe - Ferrer Ferran
Music is an indispensable element in the lives of human beings. In nature, we see the essence of this principle reflected. Plato imagined the cosmos as a live animal: all parts are connected in harmony. From this point of view, the universe forms a large pentagram in which all notes flow together perfectly. This is confirmed around us every day. The twittering of a canary, the sputtering of fire, the sparkle of a waterfall pattering and falling on stones, the rattle of a snake that takes on a threatening attitude, or even the silence of the desert are expressions of Euterpe (the muse of music). Why not let your flautist shine with this major new solo work.
Estimated dispatch 7-14 working days
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£154.99Toyland Suite - Ferrer Ferran
Who has not played with toys as a child? While listening to this wonderful suite, your audience will regain their youthful memories by entering a world of fantasy and imagination with each movement representing a different toy. Dolls and Marionettes - the dolls are echoed in a cheerful tempo, and the marionettes in a waltz. The Doll House - slower and more cantabile. The Train - we hear the steam engine, the steam whistle and the buzz of a tour in the world of imagination. The Tin Soldier - we hear footsteps far off, coming closer, the rhythm of the drums, the energetic sound of the army. Dressed in uniforms and in straight lines, they march in a perfect rhythm. Make yourselffeel young once again with this great work.
Estimated dispatch 7-14 working days
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£53.95Monsters, Unite! - Kelly Dugger
Monsters, Unite! by Kelly Dugger is a fun beginning band piece that is sure to be a hit, not only at Halloween time but all year round. Monsters all around the world are waking up to a calling to unite. Some are big, hairy creatures, and others are delicate and fairy-like. They walk and fly long distances to find each other. In the end, they all come together, marching as one. Just when you think they've marched off into the distance, they come together to surprise the audience. Unique percussion effects---timpani glissando and theremin (or flexatone)---add to the spooky sound. A tuba solo at the end is followed by a surprising scream that will leave the performers and the audience giggling!
Estimated dispatch 7-14 working days
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£129.99Aquarium - Johan de Meij
The Suite 'Aquarium' is Johan de Meij's third composition for symphonic band and features six tropical fishes, each of them represented by a motif, and surfacing as such in several guises. The composition consists of three movements of which the second and third merge uninterruptedly into each other. I) Allegretto grazioso (Neon Tetra, Electric Eel and Angelfish) II) Andante / Adagio (Sea Horse and Zebrafish) III) Finale: Allegro giocoso (Guppy & Co.) The Neon Tetra motif functions as a kind of 'Leitmotiv' and descibes the beautifully coloured, frisky fish: A number of variants have been derived from this theme and will also appear in the other movements.The Electric Eel in fact is not represented by a motif, but by a rhythm based on the restless electric pulses made audible in some aquaria. The Angel fish is represented by elegant cluster chords. In the second movement the Sea Horse emerges out of the water vegetation and starts a dialogue with the Zebrafish, which is represented by one melodic phrase in unison, getting more and more threatening by added parallel fifths and octaves. Simultaneously with the Sea Horse motif the Neon Tetra theme emerges, this time in 3/4 time and in Eb minor. The third movement starts with only two instruments (trumpet and xylophone), but as it is often the case with Guppies their number rapidly increases. Piccolo and Alto Saxophone introduce the Guppy Theme followed by several instrumental combinations. Every theme from the first movement 'swims by' once more, after which the principal motif leads us to a brilliant ending.
Estimated dispatch 7-14 working days
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