Results
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£54.99Jammin On The Rooftop - Gary P. Gilroy
Whats that on the roof? You wont have trouble hearing the sound of hooves as your beginners have fun jammin on this fresh, fun arrangement of Up on the Housetop. Perfect for that very first winter concert, the simple rhythms and limited ranges make learning quick and easy. A few extra percussion instruments add to the fun and seasonal atmosphere.
Estimated dispatch 7-14 working days
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£54.99Jolly Ol' Dude - Gary P. Gilroy
Elementary and mid-level bands will enjoy performing this cute yet hip treatment of the seasons jolliest music. The addition of special percussion parts for your budding young percussionists will help them grow as musicians while adding a special touch to your holiday program. An entertaining addition to any holiday concert, well within reach of beginning players.
Estimated dispatch 7-14 working days
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£71.50Jangle Bells - Gary P. Gilroy
You cant have Christmas without Jingle Bells, and if you like Jingle Bells you will love Jangle Bells. This clever arrangement of the popular Christmas song is perfect for young players and will be enjoyed by both the players and their audiences while getting everyone into a happy, holiday spirit. Featuring creative, clever percussion, and contrasting musical styles, everyone in the band plays an important role in this holiday treat.
Estimated dispatch 7-14 working days
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£71.50Defenders of the Wall - Gary P. Gilroy
An exhilarating tale of bold and heroic warriors from an ancient and imaginary world, sworn to defend their country against fearsome invaders from unimaginable far-off lands. The dramatic sounds are captivating as various musical scenes unfold in vivid fashion. A noble call to duty, ominous sounds of an approaching enemy, fierce battles and victorious celebration - all are present in this musical display of courage and duty!
Estimated dispatch 7-14 working days
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£71.50Dragon Wars - Gary P. Gilroy
These mighty beasts of legend and lore were believed to wield almost limitless might and power. Clad in a coat of virtually impenetrable scales, armed with claws like steel and breath of fire, these were truly fearsome and awe-inspiring creatures. The vision of an epic battle between these great monsters is depicted, replete with percussive sounds of impact as they collide with one another while winds and brass create melodic lines of unrelenting flame and fury.
Estimated dispatch 7-14 working days
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£78.99
Onward! - Gary P. Gilroy
This composition was written to give young bands a positive experience with intense and driving rhythms. Right from the first note, the level of spirit and intensity is high! An amazing experience for all!
Estimated dispatch 7-14 working days
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£53.50Secret Agent Man - P.F. Sloan
From a hit in the '60s by Johnny Rivers to frequent use in contemporary movies, this is everyone's favorite spy theme in an easy version.
Estimated dispatch 7-14 working days
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£65.00
Cryptogram - Kit Turnbull
Cryptogram (krip-to-gram): anything written in cipher. Cipher (si'fer): a secret code.Commissioned for the 50th Birthday of Paul Patterson, the composer has taken the letters P, A, U and L and adapted their Morse Code dots and dashes as a basis for the piece. Combinations of rich brass writing, juxtaposed with florid upper wind writing, provides a stimulating piece for an intermediate level band. The finale to the work superimposes both elements for a grand ending.
In stock: Estimated delivery 1-3 days
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£164.95Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95Elgar Variations (Concert Band - Score only) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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