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£87.00
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£174.99Two Symphonic Interludes - Harrie Janssen
Based on the poems by German poet Carl Hauptmann (late Romanticism) and the English poet William Wordsworth (early Romanticism). Carl Hauptmann was in poor health as a child, but highly intelligent. He studied philosophy, psychology and biology. In the latter he was admitted to the degree of doctor. His marriage provided financial independence, so that he could focus on his studies. Hauptmann wrote various novels, plays, poetry and scientific works. Night Twilight floats above the valley's night mists are hanging, there's a whispering brook. Now the covering veil is lifting quite: come and look! See the magicland before our gaze: tall as dreams the silver mountains stand, crossed by silent silver paths shining from a secret land. Noble, pure, the dreaming country sleeps. By the path the shadow black and hogh of a beach. a wisp of a white smoke creeps to the dark'ning sky. Where the valley is the darkest hued countless little lights shine silently. O my soul! Drink of solitude! Carl Hauptmann Wordsworth 'introduced' a new type of poetry, based on the speech of the common man. This was his answer to the poetry of the classicism which was bound by rigid rules. His definition of poetry was: the spontaneous overflow of powerful feelings from emotions recollected in tranquility. My heart leaps up when I behold a rainbow in the sky My heart leaps up when I behold A rainbow in the sky: So was it when my life began. So is it now I am a man. So be it when I shall grow old, Or let me die! The Child is father of the Man. And I could wish my days to be Bound each to each by natural piety. William Wordsworth In a truly poetic manner Harrie Janssen has transformed the contemplative thoughts of the poets into two compositions for Concert Band.
Estimated dispatch 7-14 working days
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£134.99The Legend of Ratu Kidul - Filip Ceunen
The Legend of Ratu Kidul carries us into the world of Indonesian mythology, on the island of Java:Once upon a time, the Queen of the Southern Seas was a kind and beautiful princess. She was the daughter of Prabu Munding Wangi, the favourite ofthe entire court and the local people. Her royal father doted on his daughter. Her name was Dewi Kadita, but many called her Dewi Srengenge or the Angry Princess.Prabu Munding Wangi longed for an heir, but Dewi Kadita's mother couldn't fulfil thiswish. So he took a second wife, called Poetri Moentiara, who was very jealous of the lovely princess and her mother. She begged the king to banish both her rivals from court. However Prabu Munding Wangi didn't do as she asked. He loved his first wifeand her daughter. The second wife bore him a healthy heir, but the monarch remained firm. So Poetri Moentiara called upon the renowned witch, Djahil. She promised her a princely reward, if Dewi Kandita and her mother were banished. Djahil thought fora moment and incanted this rapal (spell): "May leprosy befall you both". Soon both mother and daughter began to suffer this dreadful disease. According to the law of the land, they were to be banished to the wild forest high on the mountain. With aheavy heart, King Munding Wangi saw the law carried out. So the two set off on their way to the forest, covered in terrible sores. A great sadness fell across the land, except for Poetri Moentiara, the second wife of the king, who had achieved heraim. The princess fell on hard times. In the forest lived a hermit, who took pity on the mother and daughter. The queen couldn't bear the shame and within a few days had died. Now Dewi Kandita was all alone in the world. There was still the hermit,however, who fortunately provided food and shelter in a cave temple. He bound her weeping sores but couldn't relieve her emotional pain. Dewi Kandita became increasingly bitter and eventually left the hermit. She travelled southward from village tovillage, further and further, until eventually she reached the shores of the Southern Sea. She climbed upon a high cliff and gazed out onto the sea that spread before her. She was tempted to dive into the deep green and blue. In the cool waters shewould be able to forget all her pain and suffering. Suddenly awaking from these thoughts, she jumped into the deep. The gods, who had looked on Dewi Kandita throughout her hardships, were filled with deep compassion. So they transformed her into apowerful spirit of the netherworld, Ratu Kidul, and to this day she resides in her grand palace under the sea.
Estimated dispatch 7-14 working days
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£186.20Ballet Dreams - Coby Lankester
The script for Ballet Dreams: A young ballerina is dancing for some time already in a ballet company. She is part of the Corps de Ballet but still hopes for better. When the company studies a new ballet she is granted a small solo part. This will be the fulfillment of a long cherished dream.On the day of the premiere she goes to the theatre in the early morning. As the solo performance is so near she feels very nervous and wonders whether everything will be all right that night. She starts making exercises with the orther girls. When the dancers leave she continues to exercise by herself and tries out her solo part. She does not do well and feels very tired. She sits down on a bench in the corner of the ballet room and thinks she needs some rest; so she lies down and falls asleep.She dreams she is standing in the ballet room, trying to rehearse her solo dance performance. But she does not succeed to dance as she wants and she gets more and more nervous. Suddenly she makes a wrong movement and falls down; her ankle is bruised and so she cannot dance at all.She is desperate and quite lonely because her dream goes up in smoke. She is now surrounded by a group of doctors, who examine her ankle, put on a bandage and tell her to rest. When the doctors disappear a gang of little devils come into the ballet room; they tease our poor dancer and threaten her with little arrows, while they keep dancing and stamping. The ballerina tries to get rid of the little monsters, but in vain. This looks like a real nightmare!All of a sudden the devils and the pain disappear. She tries to get up and awakes little by little. She now realizes it was only a bad dream. She feels relieved and goes to the dressing room in order to dress for the premiere performance. Her solo performance in the finale of the ballet is a real big success. Her most precious dream has been fulfilled, in spite of or thanks to the nightmare.
Estimated dispatch 7-14 working days
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£214.80Skies - Oliver Waespi
Program notes by Oliver Waespi on his composition Skies:Skies is the plural of Sky. We may wonder are there several skies? Is the sky we all long for not the same for everybody? While travelling on foot and "in the open air" I have observed the firmament often in quite different shapes, so that I can say I have indeed experienced the sky in different ways. Years ago I already wanted to portray "my sky" in music; I finally have been able to realise this long-cherished dream.This composition deals with the sky, more precisely with my sensual and emotional experience of the sky in all its aspects. Two point of views are combined in this composition: one showing the sky as it presents itself to me, the other showing the sky as I observe it. The music was bom simultaneously by intemal and extemal inspiration: it describes nature but also the emotional and spiritual experience of nature. To me, the experience of nature is not abstract, but it is connected with concrete ages, places or people from my neighbourhood. This is why I have combined several parts of this composition with certain landscapes.The sky presents itself in different landscapes in the most varied ways: for the sensual experience, there is no sky as such. The indications of places spread all over the score, are primarily clues for myself; they represent certain atmospheres, which I have experienced especially in England and Scotland. They can however also be useful to the musicians and the audience, providing they know those landscapes and the celestial atmospheres linked to them.The music is independent from the atmospheres described in the subtitles, as those are rather connected to a tragic nature, and so the music is not based on any program. Musically spoken, the composition has a symphonic structure, which means that the complete musical material is derived from three contrasting main themes. In the first part, the description of a noctumal sky ("Night") two themes are developed in an organic way; the first, rather "dusky", is to be found with the horns, the second, "in bright daylight", with the oboe and flute, the third, "more quiet" , with the brass instruments. In the next part, we have clouds and rain over the Isle of Skye (one of the Hebrides islands in Scotland) and here several elements of the first theme are still more developed. Then we get an increasingly dark mood, which is released, in heavy chords. Then suddenly, the sun breaks through and the music gets a majestic character. We have a new shape of the initial theme, first with the French horns and then with the trombones. The music gets a quicker tempo and flows into a quick movement describing the winds and waves at sea ("Wind and Waves"). Three themes are gathering and some variations are developed. The music gets more and more energetic and, after a climax, calms down again. Then we have a kind of "summer pastoral" which suggests summer at the South coast of Cornwall ("South Coast of Penwith Peninsuia in Summer"). This is certainly not the hotte st summer in Europe, but still it is beautiful in this country that is blessed with so much rain. In the "pastoral" , the sea is already sketched in broad outlines in the French horn solo. The magnificence of an aftemoon at the seaside is developed at the end of the composition ("Noon at Treen Cliff', a rock protruding in the sea next to Porthcumo at the South Coast of Cornwall); here the music gets stronger and stronger and after a majestic climax it vanishes completely.
Estimated dispatch 7-14 working days
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£69.99
Kennesaw Mountain Blues - Stephen Bulla
Blues to the MAX! With lots of drive and down home blues harmonies, KENNESAW MOUNTAIN BLUES will latch on to your audience for keeps.Very accessible to Grade 2 1/2 bands, this is one of the most enjoyable pieces you'll find for any level of ability. If you have a kickin' drumset player, so much the better. Every section has gratifying parts to play, and the easy mixed-meter section sounds so natural but will keep 'em all thinking.The concert band doesn't often get the chance to play in styles like this, which is a shame, because it's so much fun. How about letting your band try a style that's about as far from John Phillip Sousa as you can get! Get down with some Blues! KENNESAW MOUNTAIN BLUES is a winner!
Estimated dispatch 7-14 working days
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£69.99
Flight of Fancy - Timothy Johnson
We are often so focused on presenting the entire ensemble that it's easy to forget we can also program solo feature pieces. There are so many reasons to do just that. It rewards that special player who has been working so hard. It sets an example for other players in the section. It provides a nice contrast regardless of what else is programmed. Be sure to put on the demonstration CD found in this catalog and hear Flight of Fancy for yourself. We're sure you'll like it.Scintillating!
Estimated dispatch 7-14 working days
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£131.00Notes from the Road - Franco Cesarini
"May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds." - Edward AbbeyNotes from the Road was commissioned to Franco Cesarini by the music Federation of the Canton of Thurgau, Switzerland, as compulsory piece for the second category of the Canton Festival in 2023. The piece is written in the typical form of an Italian overture, with the sequence of veloce-lento-veloce tempi. Reflections on life and the street as its metaphor were the driving elements in composing this piece. The way represents a symbol characteristic to many cultures, so much so that the verb "to walk" or the word "path" indicate a way of being in life and of fulfilling oneself. "Making one's way" means affirming oneself; "Having a way" indicates one's own and personal approach. The road is the most beautiful metaphor of life: there is a departure, a destination, and in the middle lies a path that is sometimes winding, with challenges to overcome and directions to take.An introspective piece, an invitation to each of us to reflect on our own "path".
Estimated dispatch 7-14 working days
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£159.99The Miner's Saga - Otto M. Schwarz
This programmatic piece is about a simple miner by the name of Gottlieb Bumler and his pact with the devil. In the program note one can follow each step of the story so you can almost hear the events as if they were happening in front of you! This cinematic piece is full of sound effects, great brass sequences, solid percussion and virtuosic winds. An ideal piece for a thematic concert, or a challenging choice for a contest. This programmatic piece is about a simple miner by the name of Gottlieb Bumler and his pact with the devil. In the program note one can follow each step of the story so you can almost hear the events as if they were happening in front of you! Thiscinematic piece is full of sound effects, great brass sequences, solid percussion and virtuosic winds. An ideal piece for a thematic concert, or a challenging choice for a contest.
Estimated dispatch 7-14 working days
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