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£79.99Across The Halfpipe - Samuel R. Hazo
Enjoy a jubilant celebration of sounds and rhythms in this refreshing work that musically explores the exhilaration of snowboarding or skateboarding on the halfpipe. Composer Samuel Hazo uses an energetic percussion fabriccombined with twisting and turning patterns of melodies and riffs in this challenging and appealing offering for band. Dur: 3:50
Estimated dispatch 7-14 working days
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£79.99Across the Halfpipe (Concert Band - Score and Parts) - Hazo, Samuel R.
3rd Movement from Minnesota PortraitsEnjoy a jubilant celebration of sounds and rhythms in this refreshing work that musically explores the exhilaration of snowboarding or skateboarding on the halfpipe. Composer Samuel Hazo uses an energetic percussion fabric combined with twisting and turning patterns of melodies and riffs in this challenging and appealing offering for band.Duration: 3:50
Estimated dispatch 7-14 working days
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£76.00Across the Great Divide (Concert Band - Score and Parts) - Romeyn, Rob
A delightful programmatic work depicting the day in the life of a cowboy in the American northwest. From the glorious mountain sunrise, to the exciting rodeo, and finally to the beautiful sunset, the themes are very memorable and enjoyable. Includes solo opportunities for trumpet, flute and clarinet. Contrasting moods, styles, and engaging themes make this piece a winner. Don't miss this one!!Duration: 7.00
Estimated dispatch 7-14 working days
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£64.35Across the Plains
This piece it taken from an authentic Pueblo Indian "cloud dance". Programmatic in nature, it is an excellent choice for contest or concert performances and Chisham's fascinating style of composition gives the piece strong appeal that will make it popular with students and audiences alike. Very nice!
Estimated dispatch 7-14 working days
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£68.00
Hands Across the Sea March (Concert Band - Score and Parts) - Sousa, John Philip - Brion & Schissel
Sousa scholars Keith Brion and Loras Schissel have created a historically authentic edition of one of the most popular marches from the Sousa Band library. THE edition of this Sousa classic.
Estimated dispatch 7-14 working days
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£53.95Across the Sunlit Path - Naoya Wada
The piece is written in classic overture style. Bold allegro and flowing andante are combined to make this piece an introduction to the classical style for young musicians.
Estimated dispatch 3-5 working days
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£53.95Hands Across the Sea - John Philip Sousa / arr. Jerry Brubaker
Jerry Brubaker has prepared this dynamic Sousa march for developing bands. The energy is retained while the rhythms, notes and articulations have been simplified for young players. As the title implies, was originally composed to express eternal friendship through music to our allies abroad. (3:00) This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£228.70Pulsar - The Metamorphosis of a Star - John Brakstad
4th July in 1054 AD one of the most spectacular events was witnessed in the Cosmos. A massive star blew out; a supernova explosion.From the Earth it appeared as a new, bright star; the most brilliant in the sky. It was visible for three weeks, also in daylight, before it then faded away.But what was left of it is spectacular. Today we call it the "Crab Nebula".And in the very centre of the Nebula lies the remnant of the star; the core crushed by the force of gravity.This is a rotating neutron star, a pulsar, just 20 kilometres across, but so dense that it weighs more than our sun.As the neutron star spins, ejected particles stream out from its poles at almost the speed of light.These jets create powerful beams that sweep around as the star rotates.When the beams sweep across the Earth, they can be heard as regular pulses. We call them pulsars.In this piece there are three percussion parts. In addition there is an "optional part" to replace the marimba and vibraphone written in the three original percussion parts if desired. This fourth part is shown in the full score.
Estimated dispatch 7-14 working days
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£39.95
Keep the Faith - Score and Parts - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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£7.95
Keep the Faith - Score only - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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