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  • £38.50

    Cossack Dance - James Curnow

    In the energetic style of a Russian folk dance, James Curnow's original Cossack Dance is a great addition to the important Grade 1 level literature. It could be used as a Young Band festival opener or as a lively statement foryour group's school performance. As with all of James Curnow's Young Band works, there are all kinds of manageable concepts built-in for use in expanding the skills that will take your band to the next level of performance. (Grade1-1/2)

    Estimated dispatch 7-14 working days
  • £69.00

    Goldene Kameraden - James Barnes

    "Goldene Kameraden" was commissioned to celebrate the 50th anniversary of Musikverlag RUNDEL. The title of the piece is a combination of the golden anniversary of the company and all my friends who work there - but it is also a humorous pun on one of my favorite German marches: "Alte Kameraden". Although marches are rather out of favor in the U.S. these days - unless they are by John Philip Sousa - I love to write them. And so I was happy to have the opportunity to compose this for Thomas Rundel, his family and the team at Musikverlag RUNDEL. The strict form of marches and the necessary march-like clichs required may seem restricting to other composers, but I perceive this as a musical challenge. It is like completing a crossword puzzle: one must go by all the traditional rules" but still produce something creative.

    Estimated dispatch 7-14 working days
  • £67.95

    Knights Of Chivalry - Randy Navarre

    One can easily imagine in the days of Castes and Kings, how this composition may spark the feeling of what it may have been like for Knights of the Kingdoms to not only protect the Lords of the Castle, but also be chivalrous to the Ladies of the Court. Dancing at the feasts and festivals, escorting the royalty to various events. Knights had much more to do than fight. They were allowed to have fun. Sometimes. Like all of our Grade compositions, its main purpose besides giving good and interesting music for young musicians to play, is that it is an opportunity for the band director to teach some aspect of music. This is a great composition for introducing eighth notes and following dynamics. No clarinet crosses the break, and the 1st trumpet's highest note is A (in the staff). Everyone plays rhythmically together. Only the drum part may vary. All chords of the diatonic scale are used to make the harmony more interesting with no accidentals.

    Estimated dispatch 7-14 working days
  • £84.50

    Power Of The Redstone - Amy Webb

    "Power of the Redstone is dramatic, exciting, and, most of all, it is fun to play! While I have written the piece in g minor, I have thrown in some diminished 7 chords and added some v chords for extraordinary sounds and novelty that students (and teachers who are tired of hearing I-iv-v-I over and over) are sure to latch on to and enjoy. The ranges on all of the instruments are well within the grade level of the piece, with Trumpet 1 going as high as 4th line D (just a couple of times), flute going no higher than their "C" and Trombone hitting their high E-flat one time. Dynamics are a very crucial part of this piece." - Amy Webb

    Estimated dispatch 7-14 working days
  • £95.95

    Scattering Leaves by the Clocktower - Roger Cichy

    Exciting, energy, moving, majestic, this composition has it all. With various different time changes, it is a challenging composition with great reward. The first trumpet's highest note is G. All clarinets cross the break.

    Estimated dispatch 7-14 working days
  • £106.95

    Cloud Dancing - Roger Cichy

    The composer is a glider pilot and this composition expresses his experience and feeling while gliding through the air and clouds. It is a wonderful experience of varying tempos and musical ideas, all very melodical. The ranges are all very much within a Grade 3. The first trumpet's highest note is F.

    Estimated dispatch 7-14 working days
  • £84.50

    Emblazoned Joy - Roger Cichy

    An energetic majestic sounding work with various time changes, is a perfect concert opener or any part of your concert. It is bold, majestic, and exciting all at the same time. All clarinets cross the break. 1st trumpet's highest note is A.

    Estimated dispatch 7-14 working days
  • £228.70

    Konsertouverture - Viktor Widqvist

    This piece was composed in 1937 in the composer's later part of life. Here, Widqvist shows his broad competence as a composer by using both classic marching and late-romantic thematic elements with exciting harmonic twists. In addition, you can find a perfect fugue where the composer shows that he masters this advanced composition technique. One can imagine that Widqvist wanted to show off his entire repertoire of knowledge to take the lead in the unspoken competition with colleague and friend Sam Rydberg. Rydberg had several years earlier composed a concert overture with a similar form. However, this piece is simpler in its design and lacks the technical brilliance that Widqvist shows in his contrapuntal treatment and harmonious diversity.The concert overture was re-orchestrated in 1939 by the composer for symphony orchestra, and it is this version and the original score for a large military orchestra that form the basis for this edition. My aim has been to keep all of Widqvist's original intentions, but still make use of all the possibilities of the modern symphonic wind orchestra. The composer's own arrangements for symphony orchestra have been of great help in this work.- Niclas Blixt -

    Estimated dispatch 7-14 working days
  • £135.80

    Ad Quartum - Luciano Feliciani

    The city of Quart derives its name from the Latin "Ad quartum ab Augusta lapidem", or four Roman miles from Augusta Praetoria, present-day Aosta, along the ancient Roman consular road of the Gauls. The fortress of Quart, whose construction began in 1185, is the main source of inspiration for the composition. The work begins, in fact, as if wrapped in a mysterious, suspended atmosphere, when the fog that envelops the manor suddenly thins out and lets one see the majestic building in all its austerity. A rhythmically exciting episode follows this brief introduction, ideally describing the events that have marked the long history of these places. The music highlights the percussion instruments, which evoke ancient medieval atmospheres in a modern language. The second theme, derived from the previous one, describes instead emotions and feelings of grandeur, beauty, and peace associated with the splendid Valle d'Aosta mountains that surround Quart. A developed melodic idea, supported by wide-ranging harmonies, attempts to musically portray the extraordinary natural beauty of these places. The reprise of the first theme, varied and presented in a lively and energetic movement, guides the final part of the piece: a coda where all the melodic and rhythmic ideas previously exposed are condensed.

    Estimated dispatch 7-14 working days
  • £113.30

    Via Della Terra - Marco Somadossi

    Composing music also involves being able to imagine the sound of something that has no sound of its own. "Via della Terra" is a soundtrack without a film, a story without a narrator; "Via della Terra" is a street in a town, but not just any street, because if a street could tell its story, "Via della Terra" would not know where to start or where and indeed if it should finish. Like all "Vie della Terra", this street in this piece is full of sounds, none of which, however, have ever belonged to it for more than a fleeting moment, just long enough to be reflected here and there and then up and away from the earth, to be lost in the air. The steps of Mozart as a child as he whistled a piece of music, never again to be remembered or written; the philosophical thoughts, or mere everyday cares, uttered to a friend by Rosmini (whispered? or declaimed?); the excited or humorous comments of people who saw Depero's futuristic works for the first time; the voices of marketstall owners, rendered louder and more acute by the noisy crowd of women sorting through the stalls of rustling and colourful silk (so many desires; silent pauses between one item of gossip and the next); the absolute and devastating roar of cannons that violated every corner of the town, injuring bodies and mutilating the memories of its inhabitants... followed by a seeming eternity, as the citizens held their breath, waiting... "Via della Terra" is the old imperial road along which the town of Rovereto was built and has developed. "Via della Terra" is music for an imaginary, impossible and simultaneous representation of all its stories. The composer has always lived in this town, which he dearly loves, and on innumerable occasions he has imagined the voices, smells, people and the lives that have been such a part of it. With his composition, "Via della Terra", Marco Somadossi won second prize (no first prize was awarded) at the XXI Corciano International Competition for original band music in the grade 4 category.

    Estimated dispatch 7-14 working days