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  • £82.95

    Square - Robert W. Smith

    "American Dances" is a three movement suite originally composed for the Boston Pops Brass. Each movement features an American popular music genre. "Square" draws upon the country, western and bluegrass traditions as brought to the United States though settlers from the British Isles. Fun, interactive and delightfully challenging! When programmed with "Rag" (Mvt. 1) and "Swing" (Mvt. 3), the full "American Dances" suite is particularly effective in any concert setting.Original Item#: RWS-1935-00

    Estimated dispatch 3-5 working days

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  • £59.95

    Where Eagles Sing - Paul Lovatt-Cooper

    The inspiration for this piece came when the composer visited Florida and the Bird Sanctuary in Walt Disney World's Animal Kingdom. He was in the audience to see the rare bird's show where he witnessed some fabulous looking and endangered birds that were trained to perform different tricks that wowed the audience. The highlight for him was the conclusion of the show where the most awesome sight greeted us as an American Bald Eagle soared over the audience. That particular breed of Eagle has been a very rare bird of late. With so few in numbers, it nearly became a member of the sad group of animals that are extinct.The host of the show took great delight in informing the audience that the fantastic creature is now officially safe and no longer classed as endangered. This made a great impact on the composer as the Eagle is an amazing bird, huge in size and power and yet so graceful in flight. This piece is everything associated with the Eagle; bold, powerful and graceful and now free to soar and sing in the American homelands.Where Eagles Sing has been hugely successful as a curtain-raiser (or finale) with brass bands around the world and it is hoped that this version for wind band will be just as popular.

    Estimated dispatch 7-14 working days
  • £152.99

    Songs from Across the Water (Concert Band - Score and Parts) - Sparke, Philip

    A Suite of British and Irish Folk Songs. Songs from Across the Water was commissioned by Pennsylvania Symphonic Winds - Phil Evans, Founder and Director. Phil Evans hails from the UK and served for 25 years in the Band of HM Royal Marines. Now resident in the USA he founded Pennsylvania Symphonic Winds in 2008, giving them the tag line An American Band with a British Accent, as he wanted to combine the best of both countries' band traditions. With this in mind, composer Philip Sparke decided to create a suite of British folk songs, scored with an American influence to fulfil the philosophy of the band's tag line. The three movements, which are played without a break, are based on the following folk songs, which come from all corners of the British Isles: The Three Ravens and The Cruiskeen Lawn, The Lark in the Clear Air and The Piper o' Dundee and Men of Harlech.Duration: 8.00

    Estimated dispatch 7-14 working days

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  • £59.95

    Where Eagles Sing (Concert Band - Score and Parts) - Lovatt-Cooper, Paul

    The inspiration for this piece came when the composer visited Florida and the Bird Sanctuary in Walt Disney World's Animal Kingdom. He was in the audience to see the rare bird show where he witnessed some fabulous looking and endangered birds that were trained to perform different tricks that wowed the audience. The highlight for him was the conclusion of the show where the most awesome sight greeted us as an American Bald Eagle soared over the audience. That particular breed of Eagle has been a very rare bird of late. With so few in numbers, it nearly became a member of the sad group of animals that are extinct.The host of the show took great delight in informing the audience that the fantastic creature is now officially safe and no longer classed as endangered. This made a great impact on the composer as the Eagle is an amazing bird, huge in size and power and yet so graceful in flight. This piece is everything associated with the Eagle; bold, powerful and graceful and now free to soar and sing in the American homelands.Where Eagles Sing has been hugely successful as a curtain-raiser (or finale) with brass bands around the world and it is hoped that this version for concert band will be just as popular.Duration: 4.00

    Estimated dispatch 7-14 working days
  • £121.00

    Processional (Wedding March) - John Philip Sousa

    During World War One Sousa was asked to compose an American wedding march, and he fulfilled this request with this processional march. Subtitled Wedding March, Sousa dedicated the work to the American people. Stately and dignified, it is an excellent choice for academic processions or formal, ceremonial occasions.

    Estimated dispatch 7-14 working days
  • £82.95

    Gershwin by George! (Concert Band - Score and Parts) - Gershwin, George - Brubaker, Jerry

    The name George Gershwin is legendary in the world of American music and has spanned both popular and classical genres. This medley includes "I Got Rhythm," "Embraceable You," some symphonic works such as "An American in Paris," "Rhapsody in Blue," "Summertime" from the opera Porgy and Bess, and the seldom heard "Piano Prelude No. 2." Hey leader, Strike Up the Band!Duration: 6.15

    Estimated dispatch 7-14 working days

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  • £52.95

    Escadrille (Concert Band - Score and Parts) - Orcino, Leonard A.

    Early in World War I (1916), prior to the USA entering the conflict, Americans joined the French Air Corps. They were originally called the Escadrille Americaine and the name was changed to Escadrille de Lafayette after protest from the Germans that America was not in the war. The Escadrille had a reputation for daring recklessness and a party atmosphere. The corps mascots were two lion cubs, Whiskey and Soda. The insignia was an American Indian head with a flowing war bonnet. The entire squadron merged with the American Air corps (1918) once the USA entered the war.Duration: 2.30

    Estimated dispatch 7-14 working days

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  • £82.95

    Gershwin by George! - George Gershwin / arr. Jerry Brubaker

    The name George Gershwin is legendary in the world of American music and has spanned both popular and classical genres. This medley includes "I Got Rhythm," "Embraceable You," some symphonic works such as "An American in Paris," "Rhapsody in Blue," "Summertime" from the opera , and the seldom heard "Piano Prelude No. 2." Hey leader, Strike Up the Band! (6:15)

    Estimated dispatch 3-5 working days

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  • £44.95

    The Kings Go Forth (Concert Band - Score only) - Gregson, Edward

    This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax. - Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

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  • £164.95

    The Kings Go Forth (Concert Band - Score and Parts) - Gregson, Edward

    This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax.- Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

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