Results
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£72.99Flying Colors (Concert Band - Score and Parts) - Buckley, Robert
Third Movement of A Tribute to Arthur Delamont.Imagine a band far off in the distance marching toward you - soft at first, the music becomes louder and louder; the red capes of the band sway in the wind, getting closer and closer. It was this image that inspired Flying Colors. Famed bandmaster Arthur Delamont always programmed a march in his concerts, and the hallmark of his band was their red capes. The work begins very softly with a distant snare drum beat. The trumpets enter quietly with the melody, and with each new melodic entry the music grows and intensifies to a roaring finish. This is a fresh new take on a march, and is sure to please players and audiences alike! Flying Colors is the third movement of A Tribute to Arthur Delamont and was commissioned by the West Vancouver Youth Band.Duration: 3:10
Estimated dispatch 7-14 working days
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£72.99Front and Center (Concert Band - Score and Parts) - Buckley, Robert
First Movement of A Tribute to Arthur Delamont.Famed bandmaster Arthur Delamont always started his concerts with a rousing overture, and Front and Center is in this proud tradition. In a non-stop 9/8 rhythm, this piece explodes with energy and effervescence. Full of powerful fanfares, lively melodies, driving percussion and dynamic contrasts, this exciting concert opener moves through different musical colours without ever losing its relentless drive. An exhilarating tour-de-force showcasing all sections of the band! Front and Center is the first movement of A Tribute to Arthur Delamont and was commissioned by the West Vancouver Youth Band.Duration: 3:15
Estimated dispatch 7-14 working days
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£520.99A Colour Symphony (Concert Band - Score and Parts) - Sparke, Philip
Philip Sparke's third symphony, A Colour Symphony, was commissioned by "sinfonischen blasorchester wehdel" conducted by Thomas Ratzek. In the four movements (white, yellow, blue and red) the composer creates links between the instrumentation and harmonic elements and the actual colour of the spectrum the movement stands for. In order to create the greatest richness possible, Philip Sparke used a very large instrumentation including low woodwinds, harp, piano and celli. A Colour Symphony is an impressive and iconic addition to the standard repertoire for large symphonic bands. Philip Sparke's third symphony, A Colour Symphony, was commissioned by "sinfonischen blasorchester wehdel" conducted by Thomas Ratzek. In the five movements (white, yellow, blue, red and green) the composer creates links between the instrumentation and harmonic elements and the actual colour of the spectrum the movement stands for. In order to create the greatest richness possible, Philip Sparke used a very large instrumentation including low woodwinds, harp, piano and celli. A Colour Symphony is an impressive and iconic addition to the standard repertoire for large symphonic bands.Duration: 26:00
Estimated dispatch 7-14 working days
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£34.95Dreaming of Dreams (Concert Band - Score and Parts) - Kelly, Thomas
Dreaming of Dreams is a slow-paced and feel-good piece, composed by Thomas Kelly, a Dublin-born composer and trombonist. His music has been performed by both amateur and professional musicians and ensembles in Ireland and the UK and he has studied under Adam Gorb and Paul Patterson.
Estimated dispatch 7-14 working days
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£450.00Henry V, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
The Suite from Henry V is an arrangement for Concert Band and optional narrator, adapted from the 1963 orchestral arrangement of William Walton's musical score from the 1944 film Henry V. The suite, originally arranged for orchestra by Muir Mathieson, is in five movements, and occupies a very significant role in the history of music and of Shakespearean studies. Performances exist in a variety of formats because the adaptation of the narration to a film suite is subject to choice. To be chronologically correct, the order of movements from the original suite has been altered to adhere to the narration of the play. And the choice of speeches has required considerable research by classicists who are familiar with the writings of Shakespeare. It has been the endeavour of this arranger to research and present this suite in as authentic a manner as possible, understanding that it might well become the standard by which Concert Bands of the future will adapt and present this music. The arranger is indebted to Anna Warren, a resident of Twickenham and a graduate in Modern Languages (French and Italian) and History from the University of Bristol and a postgraduate from The Institute of Education, the University of London, for her knowledge and insight into the formation of the narration.
Estimated dispatch 7-14 working days
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£110.00I Was Glad When They Said Unto Me (Choir with Concert Band - Score and Parts) - Parry, Hubert C. - Noble, Paul
I Was Glad is an introit commonly used in the Anglican Church, and also used as an anthem traditionally sung at the coronation of the British monarch. Its most famous setting was written in 1902 by Sir Hubert Parry. Parry's version was composed for the coronation of King Edward VII in 1902, and revised in 1911 for that of King George V, when the familiar introduction was added. This setting employs antiphonal choir effects and brass fanfares. Apart from the imperial splendour of the music, the chief innovation is the incorporation in the central section of the acclamations Vivat Rex... or Vivat Regina... (Long live King/Queen...) with which the King's or Queen's Scholars of Westminster School have traditionally greeted the entrance of the monarch since the coronation of King James II in 1685. This section is generally omitted when the anthem is performed on other occasions. At the last coronation, that of Elizabeth II in 1953, the acclamation took the form of Vivat Regina Elizabetha. Parry's setting of I Was Glad was performed on 29 April 2011 at the Westminster Abbey wedding of Prince William, Duke of Cambridge and Catherine, Duchess of Cambridge (formerly Kate Middleton) as the processional music for the bride and her father and the bridal attendants. It had previously been performed at the wedding of the Duke's parents, Charles, Prince of Wales and Diana, Princess of Wales in 1981.
Estimated dispatch 7-14 working days
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£99.95Stories and Dreams (Concert Band - Score and Parts) - Wiffin, Rob
Energetic, wide-ranging and stimulating in its musical ideas, Stories and Dreams is a work of considerable musical interest to both listener and performer. Comprising three movements: The March of the Smiling Soldier (3.30), Stories I could tell (4.15) and Hope (3.30), this suite is only moderate in technical difficulty but is full of musical interest. The first movement is a slightly tongue-in-cheek march, the second is lyrical and poignant taking its atmosphere from the enigma implicit in its title, and the finale vivacious and life-affirming.Duration: 11.15
Estimated dispatch 7-14 working days
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£74.95Songs of the Great War (Concert Band - Score and Parts) - Wiffin, Rob
A Medley of Popular Songs, 1914-1918Music of the Great War is a five year project to use music of the period to educate and engage schools, colleges, town bands, and the wider public across the UK and the world to learn in a positive way about the events, the experience of the troops involved from all sides, and how music played its part.To commemorate the centenary of the Great War a specially arranged medley Songs of the Great War has been created. The medley has been arranged for bands to rehearse and was first performed on the 11 November 2015. It brings together some of the most popular tunes played, sung and performed by the men and women of the time - in the trenches and on the various home fronts.The medley includes:It's a Long Way to TipperaryYour King and Country Want YouGood Bye-eeOh! It's a Lovely WarHello! Hello! Who's Your Lady FriendTake Me Back to Dear Old BlightyMademoiselle from ArmentieresThere's a Long, Long Trail A-windingIf You Were the Only Girl in the WorldPack Up Your Troubles (In Your Old Kit Bag)Old Soldiers Never Die/Last Post
Estimated dispatch 7-14 working days
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£225.00Five Variants of Dives and Lazarus (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
Five Variants of Dives and Lazarus is a Concert Band arrangement from the original work for string orchestra and harp by Ralph Vaughan Williams. The composition is based on the folk tune Dives and Lazarus, one of the folk songs quoted in Vaughan Williams' English Folk Song Suite. The ancient theme on which these variations are based goes back to the sixteenth century, and is known by various titles. Dives and Lazarus is a story told by Jesus in the Gospel of Luke. It tells of an unnamed rich man and a poor beggar named Lazarus. In the Latin Bible, the unnamed rich man is referred to as Dives from dives, the Latin word for rich. This work, based on the tune that Vaughan Williams had loved all his life, which came from the very soil of England, ageless and anonymous, was played at the composer's funeral service in Westminster Abbey on 19th September 1958.
Estimated dispatch 7-14 working days
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£225.00Prelude and Fugue in C Minor (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
Written in 1920-21, the Prelude and Fugue in C Minor was published in 1930, appearing both as an orchestral work and as an organ piece. The ritornello-form first movement calls to mind the Prelude and Fugue in C minor, BWV546 of J S Bach. The fugue is in A-B-A form and based on a subject whose pentatonic outline seems like an augury of gentle pastoralism; but both movements display a gritty, truculent brand of counterpoint that anticipates the dissonance and fury of Vaughan Williams's Symphony No 4 in F minor, the composition of which spanned the years 1931-4. (from notes by Relf Clark, 2009). The power and drama of this piece is captured in this faithful arrangement for Concert Band.
Estimated dispatch 7-14 working days
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