Results
-
£134.9930 Original Chorales and Warm-Ups (Concert Band - Score and Parts) - Sparke, Philip
These 30 Original Chorales and Warm-Ups have been designed to develop the most important aspects of band playing, by providing material that can be used at the start of a rehearsal to test balance, dynamics, tuning, flexibility and articulation. Band directors are encouraged to adapt them to address the specific needs and challenges of their ensembles. Dynamics and tempo indications are not given and should be chosen by the director as required. All the chorales are strictly four-part. This multi-purpose collection is an essential purchase for every ambitious band!
Estimated dispatch 7-14 working days
-
£75.00Fiesta (Concert Band - Score and Parts) - Anderson, Keiron
This piece is a celebration and can be played at any happy occasion. It was written to celebrate 30 years of the Nottingham Symphonic Wind Orchestra in 2017. The music grows from syncopated rhythms and a five note motif which is use to form melody and chords. There is a strong rhythmic undercurrent in percussion and in the interplay between sections. The motif is clearly heard in the flutes and clarinets in an imitative section before the key changes to form a second theme on the oboe then the flute. These secondary themes are still formed from the original motif before the music recapitulates the multi time signatures from earlier in the piece. The relentless pace drives the music to a flourish of upper woodwind and a syncopated brass coda. Duration: 4.30
Estimated dispatch 7-14 working days
-
£64.99Echoes of the Silent (Concert Band - Score and Parts) - Buckley, Robert
In 1917 two ships collided in the harbour of Halifax, Canada. The resulting explosion devastated most of the city. Echoes of the Silent is a hymn that pays homage to those who perished and to the resilient souls who survived. This music is reverent and reflective, with emotional ebbs and swells and an eventual build to a stirring theme of hope and inner strength. Ideal as a festival or memorial piece, this work is an opportunity for your ensemble to explore softer dynamics, expression and nuance.Duration: 5:00
Estimated dispatch 7-14 working days
-
£95.00Gayenah Dance Suite No.1 (Concert Band - Score and Parts) - Khachaturian, Aram - Snoeck, Kenneth
Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very Slavic Ukranian "Gopak" (Hopak) to the Armenian "Dance of the Maidens" and the Kurdish "Mountaineers' Dance." They vary in instrumental color and tension from festive and party-like, through sultry and romantic, to tense and almost angry. These may be performed in any combination - a single stand-alone dance movement, a contrasting pair, or all three in a complete set. A culturally rich and unique experience for players and audience alike. Duration: 7:45
Estimated dispatch 7-14 working days
-
£75.00Christmas Night (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Christmas Night is John Rutter's setting of a traditional French Carol, with words by John Rutter. It became the theme of one of his Christmas albums, focusing on the central event of the Christmas story, the birth at Bethlehem, and on the characters in that story: the angels, the shepherds, the wise men, and the mother with her child. This arrangement is written for combined Concert Band and Chorus, but may be performed by Band alone. The arrangement is technically very easy, and is a showpiece of the colours and textures of the families of band instruments.
Estimated dispatch 7-14 working days
-
£75.00Esta Noche (Trumpet Solo or Soprano & Choir with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
This folk-carol is known throughout the Spanish-speaking world for its melody and dance-like spirit. John Rutter's arrangement captures this perfectly, pairing soloist and chorus, with exuberance and fun. This arrangement adheres to the original orchestration by John Rutter, for Solo Soprano and chorus, but also offers the option of a delightful showcase for Solo Trumpet and band.
Estimated dispatch 7-14 working days
-
£75.00In Dulci Jubilo (Concert Band with Optional Choir - Score and Parts) - Noble & Rutter
One night in 1328, the German mystic and Dominican monk Henrich Suso (or Seuse) had a vision in which he joined angels dancing as the angels sang to him Nun singet und seid froh or In Dulci Jubilo. In Suso's biography (or perhaps autobiography), it was written: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: 'In dulci jubilo', etc. In Dulci Jubilo is among the oldest and most famous of the macaronic songs, one which combines Latin and a vernacular language such as English or German. Five hundred years later, this carol became the inspiration for the 1853 English paraphrase by John Mason Neale, Good Christian Men, Rejoice. Perhaps the earliest English version appeared c.1540. That popularity has endured for nearly 700 years. It's the rare contemporary collection of Christmas carols that doesn't contain a carol based on this ancient jewel.
Estimated dispatch 7-14 working days
-
£90.00It was a Lover and his Lass (from Birthday Madrigals) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.
Estimated dispatch 7-14 working days
-
£295.00Major Barbara (Concert Band - Score and Parts) - Walton, William - Noble, Paul
Major Barbara is social satire in three acts by George Bernard Shaw, performed in 1905 and published in 1907, in which Shaw mocked religious hypocrisy and the complicity of society in its own ills. Barbara Undershaft, a Major in The Salvation Army, is estranged from her wealthy father, Andrew Undershaft, a munitions manufacturer. Although The Salvation Army condemns war, it gladly accepts a large donation from her warmonger father, and she resigns in protest. The Army offers the poor only salvation, while Undershaft takes steps toward eradicating poverty. Barbara later comes to accept her father's views on capitalism and to believe that the greatest evil is the degradation caused by grinding poverty. Major Barbara was filmed in London during The Blitz bombing of 1940. During air raids, the crew and cast repeatedly had to dodge into bomb shelters. The film's producer-director, Pascal, never stopped the production and the film was completed on schedule. William Walton composed the film score, which was later arranged as a concert piece for orchestra by Christopher Palmer, from which this arrangement for Concert/Wind Band has been made.
Estimated dispatch 7-14 working days
-
£250.00The England of Elizabeth,Three Portraits from (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
This suite was derived from Vaughan Williams' score for the film, The England of Elizabeth, written in 1955. It was the composer's tenth of his 11 cinematic efforts and designed to serve a more descriptive role than other such scores, since the movie was a documentary featuring no action scenes, but lots of images of paintings, buildings, and the like. Composer Muir Matheson adapted this three-movement suite, probably shortly after the composer's death in 1958, though publication of the manuscript would not come until 1964. The first movement is entitled Explorer, and refers to Sir Francis Drake. Its music is mostly festive and colourful, but features interior passages of exotic flavor, similar in style to that of Vaughan Williams' then-recent Symphony No.8. The second movement is entitled Poet and, at about seven minutes, is the longest of the three in this 16 to 17 minute work. It also contains probably the score's best music, hardly a surprising result since the poet in question is Shakespeare, one of the composer's favourites and an inspirational springboard for so many other of his works. The mood is mostly subdued and Vaughan Williams presents lovely, if slightly somber music in the opening, and follows it with a hearty, folk-like dance tune. The latter part of this movement depicts Shakespeare as a noble, heroic figure in English history. The last movement, Queen, is devoted to Queen Elizabeth. It has a regal yet muscular manner at the outset, and features a gentle but somewhat disengaged middle section. It returns to the splendor and colour of the opening to close the work. This suite is important because it distills some of the best music from the film into a logically assembled structure. Program notes extracted from those of Robert Cummings.
Estimated dispatch 7-14 working days
View Music