Results
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£179.99Equestrian Symphonette (Concert Band - Score and Parts) - Cesarini, Franco
Equestrian Symphonette was written for the Orchestre d'Harmonie de Laval, France. Laval is the capital town of the department of Mayenne, and the surrounding countryside is home to many thoroughbred race horse stables. The composition incorporates the principal gaits of the horse (walk, trot, canter and gallop) as the musical cornerstones of this work and incorporates into the composition colourful depictions of the natural environment and surroundings as well as the characteristics of each stride. Interesting rhythmical patterns, together with rich melodies, are interwoven throughout this original piece which makes it an excellent choice for a contest or as an enterprising part of your concert.Duration: 12.00
Estimated dispatch 7-14 working days
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£64.99Echoes of the Silent (Concert Band - Score and Parts) - Buckley, Robert
In 1917 two ships collided in the harbour of Halifax, Canada. The resulting explosion devastated most of the city. Echoes of the Silent is a hymn that pays homage to those who perished and to the resilient souls who survived. This music is reverent and reflective, with emotional ebbs and swells and an eventual build to a stirring theme of hope and inner strength. Ideal as a festival or memorial piece, this work is an opportunity for your ensemble to explore softer dynamics, expression and nuance.Duration: 5:00
Estimated dispatch 7-14 working days
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£225.00Birthday Madrigals (Concert Band with opt. Choir - Score and Parts) - Rutter, John - Noble, Paul
Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.
Estimated dispatch 7-14 working days
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£75.00All Things Bright and Beautiful (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
The delicate melody befitting this familiar text gains gentle momentum by a continual movement in instrumental groups, vibraphone and optional harp. A quintessential piece for spring from renowned composer John Rutter. This arrangement for Concert/Wind Band and Chorus follows the original setting for small orchestra and chorus, but is also adapted to be performed by band alone.
Estimated dispatch 7-14 working days
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£140.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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£75.00Christmas Night (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Christmas Night is John Rutter's setting of a traditional French Carol, with words by John Rutter. It became the theme of one of his Christmas albums, focusing on the central event of the Christmas story, the birth at Bethlehem, and on the characters in that story: the angels, the shepherds, the wise men, and the mother with her child. This arrangement is written for combined Concert Band and Chorus, but may be performed by Band alone. The arrangement is technically very easy, and is a showpiece of the colours and textures of the families of band instruments.
Estimated dispatch 7-14 working days
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£90.00Come Live with Me (from Birthday Madrigals) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.
Estimated dispatch 7-14 working days
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£75.00Esta Noche (Trumpet Solo or Soprano & Choir with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
This folk-carol is known throughout the Spanish-speaking world for its melody and dance-like spirit. John Rutter's arrangement captures this perfectly, pairing soloist and chorus, with exuberance and fun. This arrangement adheres to the original orchestration by John Rutter, for Solo Soprano and chorus, but also offers the option of a delightful showcase for Solo Trumpet and band.
Estimated dispatch 7-14 working days
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£90.00It was a Lover and his Lass (from Birthday Madrigals) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.
Estimated dispatch 7-14 working days
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£295.00Major Barbara (Concert Band - Score and Parts) - Walton, William - Noble, Paul
Major Barbara is social satire in three acts by George Bernard Shaw, performed in 1905 and published in 1907, in which Shaw mocked religious hypocrisy and the complicity of society in its own ills. Barbara Undershaft, a Major in The Salvation Army, is estranged from her wealthy father, Andrew Undershaft, a munitions manufacturer. Although The Salvation Army condemns war, it gladly accepts a large donation from her warmonger father, and she resigns in protest. The Army offers the poor only salvation, while Undershaft takes steps toward eradicating poverty. Barbara later comes to accept her father's views on capitalism and to believe that the greatest evil is the degradation caused by grinding poverty. Major Barbara was filmed in London during The Blitz bombing of 1940. During air raids, the crew and cast repeatedly had to dodge into bomb shelters. The film's producer-director, Pascal, never stopped the production and the film was completed on schedule. William Walton composed the film score, which was later arranged as a concert piece for orchestra by Christopher Palmer, from which this arrangement for Concert/Wind Band has been made.
Estimated dispatch 7-14 working days
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