Results
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£124.20Scherzo - Andrew Pearce
Commissioned by Philip Cobb & The New York Staff Band of the Salvation Army. A classic trumpet solo full of exciting tempo changes and technical feats. A challenge for every modern trumpet player!
Estimated dispatch 7-14 working days
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£132.50Det er jul - Lars Martin Myhre
This song was composed by the Norwegian singer-songwriter Lars Martin Myhre.The lyrics describe a person seeing the Holiday season approaching, with the feeling of being a bit on the side of society. Remembering the Childhood memories, the memories that are both warm but also bitter-sweet.The song was produced in cooperation with The Salvation Army in Norway in 2020.
Estimated dispatch 7-14 working days
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£87.99Flying Fortress - Robert W. Smith
This stunning fanfare by veteran composer Robert W. Smith was inspired by the historic and legendary Boeing B-17 aircraft used by the United States Army Air Corps in World War II. Beginning with a powerful timpani statement, the brass section responds with a bold introductory theme. Strong melodic lines interacting with woodwind flourishes make this piece sound more mature and difficult than the grade level indicates. We highly recommend this majestic fanfare for any concert, festival or ceremonial performance!
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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£84.99The Brigadier - Franco Cesarini
Brigadier is a senior military rank who typically commands a Brigade consisting of three battalions, approximately 3000 soldiers. The appointment to a high-ranking officer in the Army provides a lot of Swiss communities with the opportunity to celebrate. When Heinrich Tanner was promoted to Brigadier, the 'Knabenmusik der Stadt St. Gallen' wanted to pay tribute by dedicating a march to him. The result was this rousing march by Franco Cesarini.
Estimated dispatch 7-14 working days
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£152.99To A New Dawn - Philip Sparke
To A New Dawn was commissioned by the United States Continental Army Band - Captain Timothy J. Holtan, Commander and Conductor.The brief was for a piece to celebrate the 3rd Millennium and it was the composer's aim to provide a work which, as well as looking forward to the challenges of the new century, also contained moments of reflection about the last one.After a bright introduction featuring the trumpets a perky theme, passing quickly through several keys, appears on the woodwinds. A solo trumpet takes up a new theme over bubbling quavers (eighth notes) and this leads to a rhythmic figure on low clarinets, followed by the upper woodwinds. A brass interlude follows and, after ashort bridge passage, an oboe takes up a contrasting legato tune that builds to a climax.An andante section follows with solos for horn and flugel horn (or trumpet) and a florid flute cadenza. A passionate climax leads back to the faster music and, eventually, to a full recapitulation, revisiting the earlier material before a lively coda close the work as it began.
Estimated dispatch 7-14 working days
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£87.99York'scher Marsch - Ludwig van Beethoven
Beethoven's York'scher Marsch is one of a collection of three tattoos (WoO 18-20) and has had a chequered history, to say the least. There are several autograph copies for different instrumentations, dedicated to different archdukes who were commanders of various regiments of the army including the Prussian regiment called Marsch des Yorkschen Corps, which is how its current title arose. Philip Sparke's arrangement enables a march by this major classical composer to be enjoyed by concert bands.
Estimated dispatch 7-14 working days
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£99.99A Monmouth Overture - Philip Sparke
A Monmouth Overture was composed in 2007 for the Haberdashers' Symphonic Winds, as part of Philip Sparke's year as composer-in-residence at the Monmouth school. The work is based around the 15th century Agincourt Song, written inhonor of Henry V's victory over the larger but outdated French army. Henry V was born in Monmouth in 1387, giving this wonderful overture its historical title. Bring a piece of history with a modern twist to your concert program.Dur: 4:30
Estimated dispatch 7-14 working days
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£137.99The Roaring Forties - Philip Sparke
This new work by Philip Sparke was commissioned to celebrate the 40th anniversary of the Australian Army Bands Corps. The Roaring Forties is what seamen call the region between the 40th and 50th degrees of latitude in the southernhemisphere (due to the boisterous and prevailing westerly winds). A fanfare, chorale and an energetic vivo all capture this untameable region. Dur: 5:45
Estimated dispatch 7-14 working days
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£110.99Second to None - Philip Sparke
Second to None is a perfectly suitable title for this work, though it actually refers to "Nulli Secundus", the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp's own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!
Estimated dispatch 7-14 working days
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